Watching Saraband, occasionally amazed by its power and beauty, I also grew frustrated because it's his same long, slow walk towards personal annihilation, this time simply reprising the characters of contemplative Marianne (Liv Ullmann) and crotchety Johan (Erland Josephson), an ex-married couple that may still have feelings for each other. Predictably, Ullmann and Josephson are brilliant, and suggest tremendous intimacy and depth, humor and hurt. Marianne shows up at Johan's cottage, not quite knowing why. He's still the same mouthy, sensitive, soul-constricted (and often funny) curmudgeon he was 30 years ago. She's still Liv Ullmann, Bergman's luminous object within the frame.
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