Phillipe Nahon

Phillipe Nahon

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Calvaire Review


Good
Lounge singer Marc Stevens (Laurent Lucas) trolls the back roads of Belgium in a van crooning at old people's homes. On stage he's extraordinarily dapper, complete with a sequined cape and blush. He sings ballads and septuagenarians and under-loved nurses swoon under his spell. They offer themselves to him backstage, sneak nude photos of themselves into his coat. Marc's stage presence is magical. But off stage he's barely there, a man whose life is void of emotion and meaning and whose dream of making it big is as far away as the stars.

Marc's route to his next show takes him through the heavily forested Hautes Fagnes in Liège. It's a dark, forbidding place, a no man's land of rain drenched forests and isolated, rotting farms. When his van breaks down, Marc makes his way to the only inn nearby. It's a decided austere affair run by a former performer, the chubby and sad Bartel (played by the brilliant Jackie Berroyer). Bartel offers his humble hospitality and help in fixing the van in exchange for some company. Marc accepts. He's got no other options.

Continue reading: Calvaire Review

The Château Review


Very Good
Director Jesse Peretz scores some major laughs in the delightful, shrewd, and cozy French farce The Château, a cross-cultural comedy which can be considered the eccentric and frothy version of Gosford Park. Peretz, who helmed the arbitrary and forgettable First Love, Last Rites, serves up an energetic and irreverent examination of class study in a wickedly humorous charmer. The film was shot, to mixed results, with a hand-held digital video camera to give the movie an informal, spontaneous feel, and Peretz's ensemble cast were all encouraged to improvise without the safety net of a solid script. Although The Château at times appears as a scattershot project, the spry storyline more than compensates for the minor drawbacks. This is one small-scale satire that certainly knows how to celebrate its off-kilter conventions.

All is quaint at the titular chateau amongst the chief manservant and his intimate staff until a sudden shockwave rocks the establishment. Suddenly two adoptive American brothers arrive, one a Midwestern white, frumpy bohemian type (Paul Rudd) and the other a black, balding, sharply-dressed businessman (Romany Malco). The siblings are there in the scenic French countryside to claim the expansive deteriorating estate left to them by an unknown departed great uncle.

Continue reading: The Château Review

Phillipe Nahon

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Phillipe Nahon Movies

The Château Movie Review

The Château Movie Review

Director Jesse Peretz scores some major laughs in the delightful, shrewd, and cozy French farce...

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