The abstract concept on which the film is based had merit, to dissect love into the following four categories: meeting, physical passion, quarrels, and reconciliation. These four universal truths would be revealed through three different couples: young, adult, and elderly. It is Edgar's (Bruno Putzulu) self-appointed task to capture these moments after a recent breakup, to define a central idea: "It's only when things are over that they make sense." Whether this project will end up a play, film, or opera remains undecided. The thesis is simple enough that, if played right, it could really hold sympathetic value for anyone.
Continue reading: In Praise Of Love Review
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