Phil LaMarr - Wizard World Comic Con Fan Fest Chicago held at the Donald E. Stephens Convention Center - Day 1 at Donald E. Stephens Convention Center - Rosemont, Illinois, United States - Saturday 7th March 2015
One group of very different people - including popular high school teens and their less popular peers, and a married couple struggling in their relationship - is explored in a telling story of how social media has taken over various areas of people's lives. From love lives and infidelities to body image, the world of social networking has become a hub for public scrutiny and lack of privacy as the world flock to the net in order to gain acceptance and admiration, to meet potential partners, become famous, or even bully each other. 'Men, Women & Children' looks at the dangerous rise in the sharing of sexually explicit content, cyberbullying and other disastrous effects that the web has had on the Western world.
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Khumba is a young zebra who was born missing half of his stripes. Following his birth, there came a deadly drought threatening the survival of the herd and killing his mother. To his superstitious peers and his father, Khumba's unusual appearance is an extremely bad omen and he is eventually driven to run away from the herd to find water and acceptance elsewhere, leaving his only friend in Great Karoo, Tombi. On his travels, he meets a motherly wildebeest named Mama V and her wacky friend Bradley the Ostrich who are willing to travel with him and protect him from the ills of the wild, namely Phango the Leopard whose presence is a threat to every other creature in Great Karoo. He also meets Mantis, who reveals a map that could lead them to a waterhole - or will it instead lead Khumba to find his stripes?
'Khumba' is a heart-warming animated flick about that timeless message of accepting people's differences. It has been directed by Anthony Silverston in first direction, who co-wrote the screenplay alongside previous writing partner Raffaella Delle Donne ('Zambezia'). It was nominated for a Cristal award for best feature at the 2013 Annecy International Animated Film Festival and has already been released in the US.
Charlie Kenton is a former boxer who finds he's given a huge opportunity to make something of his life when he and his estranged son team up to build a robot to fight in a new extreme sport called robot boxing, a hi-tech sport that's become one of the most profitable forms of entertainment in the world.
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Into the Wild Green Yonder, the final-for-now Futurama DVD movie, comes closest to realizing the near-infinite potential of Groening's intricate and inventive world on a narrative level. It begins with a familiar yet, as before, somewhat dissonant approach to a feature-length rhythm: The first 20 minutes, featuring Bender the robot running afoul of the robot mafia in the newly renovated Mars Vegas, more closely resemble a stand-alone episode than just about anything else from the other DVDs.
Continue reading: Futurama: Into The Wild Green Yonder Review
Beast picks up on a dangling plot thread from Score and runs with it; when the Planet Express crew ventures out to investigate a tear in the space-time continuum, they and the rest of Earth (eventually) encounter an encompassing, tentacle-heavy alien life form called Yivo (voiced -- also eventually; Futurama movies offer plenty of skillful digressions -- by David Cross). Yivo's methods are reminiscent of Invasion of the Body Snatchers; its motivations, though, have the murky mix of creepiness and hope more akin to a particularly odd Twilight Zone episode.
Continue reading: Futurama: The Beast With A Billion Backs Review
Early in Bender's Big Score, a direct-to-DVD revival of the Futurama universe, Groening and his brainy writers have their revenge: Hubert Farnsworth (voice of Billy West) reveals that the "moronic" executives who briefly ran Planet Express, the interplanetary delivery service where all of the main characters work, were not only "themselves fired for incompetence," but beaten up pretty badly, and eventually killed and ground into a fine pink powder. Apparently those imaginary higher-ups (of the "Box Network," naturally) are indispensable in this form, as Torgo's Executive Powder appears throughout the film, put to a variety of uses including fish food, glue, and relieving jock itch.
Continue reading: Bender's Big Score Review
Manna From Heaven is the story of a Buffalo family who one day discover $20,000 "raining from heaven," wisely decide to split it up, and then go on their merry ways. A decade or so later, every last one of them has grown up to be a loser, having squandered his or her (mostly her) share of the loot. The lone exception is Theresa (Ursula Burton... well of course the good one is going to be played by a Burton sister!) who has become an ash-on-the-forehead nun. In fact, Theresa becomes convinced that the 20 grand of so long ago was not a gift but a loan, and that they must now "pay it back."
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No, it's not quite a Universal Pictures Memorial Day blockbuster, but this movie's got some of the biggest stars in existence. At least they used to be: with a cast that includes Dustin Diamond ("Screech" to you and me), Chris Hardwick (remember Singled Out?), Maureen McCormick (the original Marcia Brady), and Danica McKellar (aka "Winnie" from The Wonder Years), the Gods of TV Yesteryear are all in attendence.
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This set of interlocking tales involving gangsters, boxers, druggies, and plain old joes is alternately exciting and funny -- and often both at the same time. Whether it's John Travolta's Vincent Vega doing the twist with his gangster boss's wife and later miraculously pulling her out of a drug overdose, Samuel L. Jackson reciting the Bible or picking splattered brain out of his enormous afro, Tim Roth and Amanda Plummer robbing a diner, Bruce Willis throwing a boxing match and later ending up facing a couple of oversexed hillbilly degenerates, or Ving Rhames overseeing the whole proceedings, the movie is utterly brilliant, hilarious, and thrilling. Even the little things are perfect: Tarantino has never since quite managed to recapture his masterful use of the close-up and fantastically interesting lighting choices. It's one of only a handful of films that gets better every time you watch it.
Continue reading: Pulp Fiction Review