This lighthearted comedy features the Teenage Girl Class of 1998 in a silly prep school that is about to do the unthinkable: admit boys. Amidst the bulimia and the hair dye pranks, there's not much learnin' to be done so why not hatch a plan to get the boys banned for life? All this culminates in an obviously re-edited (the film has lost 20-some minutes of running time and has earned a new, meaningless title) strike with the gals taking over the school.
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Peter Sarsgaard plays Richard, a typical (almost stereotypical) techo-geek who made a million dollars the year prior and is about to make a lot more through an IPO. We are introduced to him and Florence (Molly Parker) as they check into a hotel suite in Las Vegas. Through a series of flashbacks, we learn that Richard recently met Florence, a freckled stunner, at the strip club where she works. Within five minutes, Wang sets the film's tone by having Parker perform an act that eliminates any chance for an R rating -- a shocking act for a lead actress in a mainstream film, and one that suggests that freedom of sexuality is a major issue here (and that Parker is an actress with few boundaries).
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Separated into segments with titles like "Brooklyn Attitude," Blue in the Face explores the Brooklyn mystique and the Brooklyn experience with video interviews and impromptu sketches. Everything "Brooklyn" is praised, from Ebbets Field and Jackie Robinson to Belgian Waffles and the sanctity of the local cigar store.
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The sketchy plotline defies explanation. Basically, Smoke is the lazy, drawn-out story of a smoke shop owner, Auggie (Harvey Keitel), his estranged lover (Stockard Channing), a favorite patron/novelist, Paul (William Hurt), and the young man who saves his life (newcomer Harold Perrineau). As $5,000 is kicked around among these characters, their lives interact in unpredictable ways. Sometimes this is interesting, often it's just tiresome.
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Corgan took to Instagram to confirm rumours of new Pumpkins material, saying the first songs could arrive as early as May.