But what's the price of progress? In Shower, Zhang Yang looks at the widening chasm between old-school China and its Gen-Y offspring, while playing a warm eastern riff on the return home of the prodigal son.
Continue reading: Shower Review
Jia Hongsheng was on the cusp of stardom in the 1980s, having gained fame playing the roles of villains in several Chinese B-movies. The actor, however, suffered from extreme emotional instability and his experimentation with drugs led to a quick fall from grace. As his mental state continued to fracture, Jia's parents -- fellow actors who were long-time members of a theater troupe in Northern China -- packed up all of their belongings and moved in with their son, who was sharing an apartment with his sister. The road to recovery was, of course, beset by a multitude of pitfalls, eventually leading Jia's family to institutionalize the man.
Continue reading: Quitting Review