Lost in the African desert after their bus breaks down far off the beaten path, a handful of European tourists try to maintain sanity and civility by distracting themselves with ad hoc rehearsals for a do-it-yourself "King Lear" production in "The King Is Alive."
What comes of the experience, however, is not a productive pulling together. Bouts of bitterness quickly arise between couples, base behavior surfaces among those who feel they have nothing to lose, and with the portent of possible death looming as large as the blistering desert sun, individuals turn inward to face their own demons. Sanity and civility hang on by a very thin thread.
Co-written and directed by Kristian Levring as his contribution to the Dogme95 collective -- a quartet of Dutch filmmakers experimenting with cinematic minimalism -- the film's vérité style of handheld cameras and natural light (per the Dogme rules) makes it pop with tension and raw emotion as the tourists unravel.
Continue reading: The King Is Alive Review
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