Since the loss of her mother, Doris hasn't really had much companionship. She has her best friend and work colleagues but love has always been something that's alluded her. She once had an offer of marriage but knowing that this would separate her from her mother, she declined.
After meeting the new director of art at her place of work, Doris automatically feels a connection with him. Sure, John might be a few years her junior and into very different things to herself, but Doris has a niggling feeling she can't leave alone. Doris might be a little bookish and bespectacled but she decides to explore new methods to attract her man.
Along the way Doris befriends some of John's friends, who at first might seem entirely different to Doris but in actuality have a lot of similarities. Doris must find a way to balance her new and old friends and also win her man. Hello, My Name is Doris actually started out as an eight minute short called Doris and the Intern, written and directed by Laura Terruso. Director Michael Showalter instantly saw the potential in the initial footage and started work on a large scale version of the film.
Continue: Hello, My Name Is Doris Trailer
In a noble but poor neighbourhood under a stack of bridges by the Miami River, Sean (Guzman) and his pal Eddy (Gabriel) lead an underground dance crew called The Mob to perform flash-mob antics in picturesque locations. Their goal is to win an online competition and go pro. Then Sean meets Emily (McCormick), whose property tycoon dad (Gallagher) wants to destroy Sean's neighbourhood to build another glitzy development. While trying to make her own way in dance school, Emily hides her identity to join The Mob and take on Dad.
Continue reading: Step Up Revolution [Step Up: Miami Heat] Review
Dana Delany and Peter Gallagher - Dana Delany, Peter Gallagher Los Angeles, California - AARP The Magazine's 10th Annual Movies for Grownups Awards held at the Beverly Wilshire Hotel - Arrivals Monday 7th February 2011
After a tough childhood in rural Massachusetts, Betty Anne Waters (Swank) has always been very close to her hot-headed brother Kenny (Rockwell). So when he's arrested for a vicious murder, she refuses to believe that he's guilty. After all of the appeals fail, she enrols in law school as a mature student and, with the help of fellow lawyer Abra (Driver) and evidence expert Barry (Gallagher), seeks to challenge Kenny's conviction with new DNA evidence. But this isn't nearly as simple as it sounds.
Continue reading: Conviction Review
By never taking their ludicrous plot seriously, they've made a true guilty pleasure.
Fed up with dead-end Iowa, Ali (Aguilera) heads for Hollywood. Despite having no experience or training, she's sure she can make it as a singer-dancer. After a series of rejections, she stumbles upon the Burlesque Lounge on Sunset, run by jaded diva Tess (Cher) with the help of her long-suffering buddy Sean (Tucci). Ali charms sexy barman Jack (Gigandet) into a barmaid job, while keeping her sights on the stage. And she's also wooed by Marcus (Dane), a developer who's trying to buy the financially strapped club.
Continue reading: Burlesque Review
Ali is a girl who's desperate to break away from her small-town life. Seeking a new start she buys a one way ticket to LA and lands a job waitressing at a club called The Burlesque Lounge, the club owner and headline act is a lady called Tess, though she was willing to give Ali a break by offering her the cocktail waitress job, all Ali wants to do is perform on stage. Enamoured by the lavish and flamboyant costumes and striking choreography Ali is sure she would be a perfect addition to their troupe. Tess doesn't see her potential but a few other of the club workers know Ali's secret; she can sing - a small girl with a big voice.
Continue: Burlesque Trailer
Adam (Dancy) lives in a Manhattan flat on his own after the death of his father. He has Asperger syndrome, working as a toy company microchip developer and pretty hopeless at relationships. Then Beth (Byrne) moves into his building, and they strike up a friendship that leads to romance. She's attracted to his honesty, although her parents (Gallagher and Irving) aren't so sure. And the events that follow in both Adam's and Beth's lives put a heavy strain on their relationship.
Continue reading: Adam Review
Sandler fills the title role in Mr. Deeds (a remake of the ancient Gary Cooper film), playing an unassuming New Hampshire resident and aspiring greeting card writer who learns he's the heir to a $40 billion media conglomerate. Since happiness isn't tied to financial gains in the Granite state, the newfound fortune doesn't faze Deeds, though he does agree to accompany two shareholders (Peter Gallagher and Erick Avari) back to Manhattan to sign what he's told is required paperwork. Once in N.Y., the "big city vs. big country" gags march down Park Avenue with mixed results.
Continue reading: Mr. Deeds Review
As the camera probes into a crowded room of ballerinas spinning and dipping, a young blond is immediately isolated from the bunch. The male choreographer's assistant notes that the girl has poor form. The choreographer retorts, "Who cares, look at her." And with that the blonde, blue-eyed Jodie is given a spot in the American Ballet Academy, the Julliard of dancing.
Continue reading: Center Stage Review
Every time I see a new Kevin Spacey movie, I expect the world from him, and every time he delivers the galaxy.
Arguably the greatest actor currently working in motion pictures, he is capable of putting across leagues of depth with the subtlest, most insignificant glance. He can play menacing or meek, ardent or indifferent, nervous or non-nonchalant with equal dexterity.
Look at "Midnight in the Garden of Good and Evil," "The Negotiator," "L.A. Confidential," "The Usual Suspects" or any of his recent roles and just try to imagine another actor in the part. It simply can't be done. Spacey doesn't act, he embodies his characters viscerally from the inside out.
Continue reading: American Beauty Review
As someone who watches upwards of 500 movies a year, I've seen more than my fair share of bad remakes. But I've never seen one do anything as stomach-turning as the way Adam Sandler's new movie rapes, pillages and incinerates Frank Capra's classic "Mr. Deeds Goes to Town."
Entitled just "Mr. Deeds" and punctuated with elementary dialogue and the worst kind of feel-good muzak score, it doesn't contain a single sincere moment, a single performance that would pass muster in an elementary school play or a single scene without glaring continuity problems. Different takes within the same conversations don't even sync up -- ever.
As in Capra's very funny and heartfelt hallmark, the story is about a modest, idealistic small-town schnook named Longfellow Deeds (Sandler) who inherits a fortune from a distant uncle and is swept away to New York City, where ruthless tabloid scrutiny turns him into an object of both scorn and laughter. Leading the smear campaign is an ambitious female reporter (Winona Ryder), who poses as a fellow wide-eyed out-of-towner. But while trying to railroad Deeds into splashy front-page behavior, she falls for the guy, has a change of heart and decides to help save him from the urban wolves.
Continue reading: Mr Deeds Review
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