Colin Pryce is a Louisiana congressman who becomes a hero in the eyes of all US residents surrounding the Gulf of Mexico when he decides to take action to help those affected by a severe BP oil spill. Many citizens have had their livestock taken from them, with hundreds upon thousands of shrimp and fish killed in the area, and he seems to be the only one making any move to ease the devastating environmental and financial impact. With the help of his wife Deborah Pryce, he wins respect for his charismatic and inspiring speeches, but he almost destroys all that when human temptation gets in the way. A whirlwind affair becomes a nationwide scandal when he is seduced by a beautiful young woman, and it's all he and his family can do to lessen the blow for his disappointed followers by continuing his campaign to address those who still need his help.
Continue: The Runner Trailer
Margaret DeVogelaere, Peter Fonda and Jack Horner - Premiere of Universal Pictures' 'Jurassic World' at Dolby Theatre - Arrivals at Dolby Theatre - Hollywood, California, United States - Tuesday 9th June 2015
Parky Fonda and Peter Fonda - A host of stars were snapped as they attended the world premiere of "Furious 7" which was at the TCL Chinese Theatre IMAX in Hollywood, Los Angeles, California, United States - Thursday 2nd April 2015
Peter Fonda and Parky Fonda - A host of stars were snapped as they attended the world premiere of "Furious 7" which was at the TCL Chinese Theatre IMAX in Hollywood, Los Angeles, California, United States - Thursday 2nd April 2015
Karen Black, the Golden Globe winning actress, died on Thursday (August 8th) after battling cancer for nearly three years.
Karen Black, the actress famous for her roles in films such as Easy Rider, Five Easy Pieces and Nashville, died yesterday (Thursday 8th August). Her husband, Stephen Eckelberry, made the announcement on his Facebook page. She passed away in a nursing facility in Santa Monica, CA after a lengthy battle with cancer. She was 74 years old.
Karen Black after a performance, at the Metropolitan in New York, of her How I Learned to Stop Worrying and Sing the Song.
Eckelberry wrote: "it is with great sadness that I have to report that my wife and best friend, Karen Black has just passed away, only a few minutes ago." He thanked Black's friends and fans for their "prayers and love", adding "they meant so much to her as they did to me."
Jason Stevens now runs a multi-billion dollar company after his wealthy grandfather left him more than just a hefty inheritance in his will. He also left him twelve 'gifts' which persuaded Jason to turn his life around and become a better, more useful, member of society. However, he still seems to have a lot of life lessons to learn as his constant prioritising of work puts a strain on his relationship with Alexia, a doctor who is determined to take a charitable trip to Haiti to work at an underdeveloped clinic there. Unfortunately, Jason misses this completely and panics when he goes home and she's nowhere to be found. He goes to the only person he can think of; Ted Hamilton, the family attorney; who decides to show Jason his grandfather's diary detailing his story of wealth, how it started from nothing and how it ended with nothing.
Continue: The Ultimate Life Trailer
Corman's 400 films have tapped into youth culture in ways that studios never could. This documentary traces his career with interviews and clips, but also explores his impact on the industry at large. Clearly, he's not only an important filmmaker, but he's also a genuinely nice man (at one point, Nicholson breaks down and cries while talking about him). We also get glimpses behind-the-scenes on 2010's hilarious-looking Dinoshark, proving that his filmmaking methods haven't changed much in nearly 60 years. And we discover that his favourite filmmakers include Bergman, Fellini and Truffaut, whose films he distributed in America.
Continue reading: Corman's World: Exploits Of A Hollywood Rebel Review
American director Roger Corman is one of the film industry's most influential directors. Born in 1926, he is best known for the numerous low budget B movies which he has directed. Not only is he influential to many of Hollywood's great directors, Corman has also launched the careers of William Shatner; Jack Nicholson and Robert De Niro, to name but a few.
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Fit for our time, Evans is now played by master of reticence Christian Bale and Wade is now played by a rough-and-tumble Russell Crowe with just the right hint of sadism. Evans' cathartic mission to get Wade on the train to the gallows now spans three days rather than one, and Bale's cavalry includes Alan Tudyck and Peter Fonda. To give room for the new additions, director James Mangold stretches Daves' film from its airtight 90-minute runtime to a full two hours, throwing in a father-and-son angle and a chase through a railroad path being built by Chinese laborers. The man who keeps the Chinese in line? Luke Wilson, of course.
Continue reading: 3:10 To Yuma Review
Now then: What does this have to do with Johnny Blaze, superstar motorcycle daredevil? Well, writer-director Mark Steven Johnson will tell you, in a second prologue, after the opening credits, showing Blaze, as a teenager, making one of those unfortunate and confusing satanic contracts in an attempt to save his father's life. Johnson is apparently under the impression that this 20-minute backstory technique worked so well in his Daredevil that he can't afford to, say, skip it and get right to Nicolas Cage, who eventually shows up as the adult Johnny, about to be confronted by the consequences of said contract. Young Johnny's deal is so inadvertent and, again, vague, that the situation lacks considerable drama, but the show must go on.
Continue reading: Ghost Rider Review
Taken from the loving arms of his foster parents by unstable mom Sarah (Argento), Jeremiah (Jimmy Bennett for the first half; Dylan and Cole Sprouse for the latter section) finds himself unwillingly thrust into an itinerant life of substance abuse and sex-for-sale, a babe cast into the big bad woods of Middle American tract house communities and interstate truck stops. An odyssey of innocence parentally defiled, Argento's film strives, from the opening shot of a stuffed animal being waved in Jeremiah's face, to assume the perspective of her pint-sized protagonist, both through straightforward knee-high point-of-view shots as well as by grotesquely distorting her carnival-esque compositions to create a mood of terrified awe and dread. The result is a funhouse-mirror vibe rooted in squalor, from the decrepit apartments that Sarah and Jeremiah temporarily occupy with her assortment of boyfriends, to the parking lots where she plies her trade as a prostitute, to a combustible crack kitchen where the filth is so tangible that it can almost be felt creeping under one's fingernails. Still, working with cinematographer Eric Alan Edwards, Argento carefully balances these more out-there inclinations - felt most strikingly in Jeremiah's visions of cawing, flesh-eating red crows - with conventional setups and chronology, thereby deftly maintaining a tremulous sense of coherence even as her narrative begins spiraling into madness.
Continue reading: The Heart Is Deceitful Above All Things Review
Witness Out of Sight, with criminal and cop falling into an unlikely romance. Witness Sex, Lies, and Videotape, which broke the indie film scene wide open. Witness Schizopolis - you know, all of it.
Continue reading: The Limey Review