Peter Fonda

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The Runner Trailer


Colin Pryce is a Louisiana congressman who becomes a hero in the eyes of all US residents surrounding the Gulf of Mexico when he decides to take action to help those affected by a severe BP oil spill. Many citizens have had their livestock taken from them, with hundreds upon thousands of shrimp and fish killed in the area, and he seems to be the only one making any move to ease the devastating environmental and financial impact. With the help of his wife Deborah Pryce, he wins respect for his charismatic and inspiring speeches, but he almost destroys all that when human temptation gets in the way. A whirlwind affair becomes a nationwide scandal when he is seduced by a beautiful young woman, and it's all he and his family can do to lessen the blow for his disappointed followers by continuing his campaign to address those who still need his help.

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Premiere of Universal Pictures' 'Jurassic World'

Margaret DeVogelaere, Peter Fonda and Jack Horner - Premiere of Universal Pictures' 'Jurassic World' at Dolby Theatre - Arrivals at Dolby Theatre - Hollywood, California, United States - Tuesday 9th June 2015

Margaret DeVogelaere and Peter Fonda
Margaret DeVogelaere and Peter Fonda
Margaret DeVogelaere, Peter Fonda, Guest and Jack Horner
Margaret DeVogelaere, Peter Fonda and Jack Horner
Margaret DeVogelaere, Peter Fonda and Jack Horner

"FURIOUS 7" World Premiere

Peter Fonda and Margaret DeVogelaere - Premiere of 'Furious 7' at the TCL Chinese Theatre IMAX at TCL Chinese Theatre IMAX - Hollywood, California, United States - Wednesday 1st April 2015

Peter Fonda and Margaret DeVogelaere
Peter Fonda and Margaret DeVogelaere
Peter Fonda and Margaret DeVogelaere
Peter Fonda and Margaret DeVogelaere

Premiere of "Furious 7" at the TCL Chinese Theatre IMAX

Parky Fonda and Peter Fonda - A host of stars were snapped as they attended the world premiere of "Furious 7" which was at the TCL Chinese Theatre IMAX in Hollywood, Los Angeles, California, United States - Thursday 2nd April 2015

Parky Fonda and Peter Fonda
Parky Fonda and Peter Fonda
Peter Fonda

Premiere Furious 7

Peter Fonda and Parky Fonda - A host of stars were snapped as they attended the world premiere of "Furious 7" which was at the TCL Chinese Theatre IMAX in Hollywood, Los Angeles, California, United States - Thursday 2nd April 2015

Women In Film Pre-Oscar Cocktail Party

Peter Fonda and Margaret DeVogelaere - Women In Film Pre-Oscar Cocktail Party at Hyde Sunset Kitchen + Cocktails - Los Angeles, California, United States - Friday 20th February 2015

Peter Fonda and Margaret DeVogelaere
Peter Fonda and Margaret DeVogelaere
Peter Fonda and Margaret DeVogelaere

Award Winning Actress, Karen Black, Dies After Losing Cancer Battle Aged 74


Karen Black Jack Nicholson Dennis Hopper Peter Fonda

Karen Black, the actress famous for her roles in films such as Easy Rider, Five Easy Pieces and Nashville, died yesterday (Thursday 8th August). Her husband, Stephen Eckelberry, made the announcement on his Facebook page. She passed away in a nursing facility in Santa Monica, CA after a lengthy battle with cancer. She was 74 years old.

Karen Black
Karen Black after a performance, at the Metropolitan in New York, of her How I Learned to Stop Worrying and Sing the Song.

Eckelberry wrote: "it is with great sadness that I have to report that my wife and best friend, Karen Black has just passed away, only a few minutes ago." He thanked Black's friends and fans for their "prayers and love", adding "they meant so much to her as they did to me."

Continue reading: Award Winning Actress, Karen Black, Dies After Losing Cancer Battle Aged 74

The Ultimate Life Trailer


Jason Stevens now runs a multi-billion dollar company after his wealthy grandfather left him more than just a hefty inheritance in his will. He also left him twelve 'gifts' which persuaded Jason to turn his life around and become a better, more useful, member of society. However, he still seems to have a lot of life lessons to learn as his constant prioritising of work puts a strain on his relationship with Alexia, a doctor who is determined to take a charitable trip to Haiti to work at an underdeveloped clinic there. Unfortunately, Jason misses this completely and panics when he goes home and she's nowhere to be found. He goes to the only person he can think of; Ted Hamilton, the family attorney; who decides to show Jason his grandfather's diary detailing his story of wealth, how it started from nothing and how it ended with nothing.

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Corman's World: Exploits Of A Hollywood Rebel Review


Excellent
An essential documentary for movie fans, this exploration of the work of iconic filmmaker Roger Corman revels in the joy of exploitation movies made on a minuscule budget with lashings of gore, explosions and nudity. It's a glowing portrait of a man who changed filmmaking forever.

Corman's 400 films have tapped into youth culture in ways that studios never could. This documentary traces his career with interviews and clips, but also explores his impact on the industry at large. Clearly, he's not only an important filmmaker, but he's also a genuinely nice man (at one point, Nicholson breaks down and cries while talking about him). We also get glimpses behind-the-scenes on 2010's hilarious-looking Dinoshark, proving that his filmmaking methods haven't changed much in nearly 60 years. And we discover that his favourite filmmakers include Bergman, Fellini and Truffaut, whose films he distributed in America.

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Corman's World Trailer


American director Roger Corman is one of the film industry's most influential directors. Born in 1926, he is best known for the numerous low budget B movies which he has directed. Not only is he influential to many of Hollywood's great directors, Corman has also launched the careers of William Shatner; Jack Nicholson and Robert De Niro, to name but a few.

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3:10 To Yuma Review


Weak
Based on a short story by Elmore Leonard, a writer known more for loan sharks and confidence men than ruthless bandits and old-soul lawmen, 3:10 to Yuma originally sold Glenn Ford as slick outlaw Ben Wade and Van Heflin as Dan Evans, the rancher burdened with delivering Wade to a prison train heading to Yuma. Directed in 1957 by Delmer Daves, the original was a perversely intimate piece of rawhide for a genre that already prided itself on its strange seclusion.

Fit for our time, Evans is now played by master of reticence Christian Bale and Wade is now played by a rough-and-tumble Russell Crowe with just the right hint of sadism. Evans' cathartic mission to get Wade on the train to the gallows now spans three days rather than one, and Bale's cavalry includes Alan Tudyck and Peter Fonda. To give room for the new additions, director James Mangold stretches Daves' film from its airtight 90-minute runtime to a full two hours, throwing in a father-and-son angle and a chase through a railroad path being built by Chinese laborers. The man who keeps the Chinese in line? Luke Wilson, of course.

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Ghost Rider Review


Weak
It's gotten to the point where almost any movie with a narrated prologue is suspect. But the opening section of the comic-book adaptation Ghost Rider starts with a particularly troubling apocalyptic rumble of exposition. See, there was this guy a bunch of years ago who made a deal with the devil, to act as a bounty hunter for wayward souls. But in collecting souls from one dusty town, he saw things so horrifying that he defied the devil and absconded with the contract (I'm not being careful about spoilers; the movie really is that vague). The narration, which you may recognize in vocal tone if not wittiness from The Big Lebowski's Sam Elliott, says that this figure -- this first Ghost Rider -- "outran" the devil (Peter Fonda, by the way), but it looks more like Ghost Rider rode a horse into the sunset while the devil watched, perhaps as confused as those in the audience.

Now then: What does this have to do with Johnny Blaze, superstar motorcycle daredevil? Well, writer-director Mark Steven Johnson will tell you, in a second prologue, after the opening credits, showing Blaze, as a teenager, making one of those unfortunate and confusing satanic contracts in an attempt to save his father's life. Johnson is apparently under the impression that this 20-minute backstory technique worked so well in his Daredevil that he can't afford to, say, skip it and get right to Nicolas Cage, who eventually shows up as the adult Johnny, about to be confronted by the consequences of said contract. Young Johnny's deal is so inadvertent and, again, vague, that the situation lacks considerable drama, but the show must go on.

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Ghost Rider, Trailer, Sony Pictures Trailer


Ghost Rider
Trailer
Sony Pictures

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The Heart Is Deceitful Above All Things Review


OK
Only a month after acclaimed author J.T. LeRoy was exposed by The New York Times as a fictional persona concocted by writer Laura Albert - a revelation that all but demolished the credibility of the scribe's supposedly semi-autobiographical books - cultish actress/diva-turned-director Asia Argento arrives with her adaptation of LeRoy's The Heart is Deceitful Above All Things, the tumultuous road-tripping saga of young Jeremiah and the psycho birth mother who introduces him to a world of whoring, pill-popping and delusional paranoia. Having proven herself more than slightly familiar with society's seedy underbelly with 2000's skuzzy Scarlet Diva, Argento attacks LeRoy's (untrue, but still affecting) tale of corrosively corrupted childhood with nasty relish, employing severe close-ups, nightmarishly surreal stop-motion animation, curdled primary colors and a dissonant Billy Corgan score for this descent into degenerate nomad hell. Yet despite such avant-garde showmanship, Argento's second effort behind the camera is significantly more polished than her debut, lacking the truly gonzo verve that might have overcome her film's more pressing, primary failure to capture the boy's-eye-view of LeRoy's tome. Closed off from her protagonist's internal turmoil, Argento's Heart is Deceitful gets the horrific literal facts straight but, disappointingly, captures only a trace of the mental anguish and manipulation that bestowed her source material with its coal-black tragedy.

Taken from the loving arms of his foster parents by unstable mom Sarah (Argento), Jeremiah (Jimmy Bennett for the first half; Dylan and Cole Sprouse for the latter section) finds himself unwillingly thrust into an itinerant life of substance abuse and sex-for-sale, a babe cast into the big bad woods of Middle American tract house communities and interstate truck stops. An odyssey of innocence parentally defiled, Argento's film strives, from the opening shot of a stuffed animal being waved in Jeremiah's face, to assume the perspective of her pint-sized protagonist, both through straightforward knee-high point-of-view shots as well as by grotesquely distorting her carnival-esque compositions to create a mood of terrified awe and dread. The result is a funhouse-mirror vibe rooted in squalor, from the decrepit apartments that Sarah and Jeremiah temporarily occupy with her assortment of boyfriends, to the parking lots where she plies her trade as a prostitute, to a combustible crack kitchen where the filth is so tangible that it can almost be felt creeping under one's fingernails. Still, working with cinematographer Eric Alan Edwards, Argento carefully balances these more out-there inclinations - felt most strikingly in Jeremiah's visions of cawing, flesh-eating red crows - with conventional setups and chronology, thereby deftly maintaining a tremulous sense of coherence even as her narrative begins spiraling into madness.

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The Limey Review


OK
Part of me feels like I didn't really get The Limey. Though it's a spare 85 minutes, director Steven Soderbergh always has a trick or two up his sleeve, and I was sure some twists were in store for me.

Witness Out of Sight, with criminal and cop falling into an unlikely romance. Witness Sex, Lies, and Videotape, which broke the indie film scene wide open. Witness Schizopolis - you know, all of it.

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Peter Fonda

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