The actor, who died in 1994, will be brought back from the dead to play Grand Moff Tarkin in the upcoming spin-off.
The late Peter Cushing is reportedly set to appear in the upcoming spin-off Star Wars Rogue One, thanks to the magic of CGI. According to the Mail on Sunday, Cushing will rise from the dead onscreen to play the iconic villain Grand Moff Tarkin in the upcoming movie, which is set between the events of Episode III and Episode IV.
Felicity Jones stars in Star Wars: Rogue One.
“This is one of the most complex and costly CGI re-creations ever,” a source told the newspaper. “Cushing is a pivotal plot line as he was the one to create Darth Vader and there’s a whole back story that will come out.”
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The galaxy is in turmoil. A Rebel Alliance is rising up against the villainous Galactic Empire but they are still marginalised and easily defeated. The Empire has a secret weapon, something that will ensure their continued hold on the galaxy: The Death Star. The giant space station has the ability to destroy an entire planet, although the Rebel Alliance have successfully stolen the secret plans for it. When Princess Leia Organa of Alderan (Carry Fisher) is captured on her way to deliver the plans to the Alliance, she is forced to send them inside a droid to the closest planet - Tatooine. There, a young moisture farmer, Luke Skywalker (Mark Hamill), who dreams of something greater for himself, is about to embark on the adventure of a lifetime, and save the galaxy along the way.
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A long time ago in a galaxy far, far away. The majestic order of honourable, strong Jedi, do all they can to keep the peace in a galaxy slowly tearing itself apart through trade disputes and separatist uprisings. All the while, they are becoming aware of the steady growth of an ancient group of darker, hate filler Jedi known as The Sith, are returning. In amongst their troubles, a young boy is discovered; a boy who could be more powerful than any Jedi that has ever lived. If a legendary prophecy can be believed, he is the one who will destroy the Sith and bring balance back to the Force - the energy which binds all life together.
Watching the first two installments in the series again (Star Wars and The Empire Strikes Back, also the two best films in the series), the most noticeable thing about them is all the ideas that went into them. Lightsaber duels, the Force, model spaceships, Darth Vader's heavy breathing, droids that deliver annoying repartee, aliens that look like Sasquatch and giant frogs, and wisecracking antiheroes like Harrison Ford's Han Solo -- all these things have entered our cultural consciousness. But the makers of the original Star Wars had to think up all these things (or borrow them from non-sci-fi genres).
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Put simply, Alexander the Great is a colossal bore. Directed by Robert Rossen (The Hustler, All the King's Men), this visit to the epic well comes off far worse than contemporaries Ben-Hur and Cleopatra. What's the problem? Well, the troubles are legion. Start with Richard Burton, engaging here in the lead role of the philosopher/warrior/conquerer, but given a series of brooding sermons to deliver for well over two hours. Burton doesn't carry the movie as he absolutely has to; the result is an experience not unlike attending a late night lecture. Then there's the warfare. Those of us spoiled on modern epics like Troy will find the playful skirmishes here on the laughable side. Sure, you can stage a battle with just a couple hundred men and no special effects if you shoot it carefully, but if your warriors look tired and on the verge of striking, you won't quite get the necessary effect. My little brother and I had more authentic swordfights when we were kids, using sticks in the backyard. Pretty sad considering Alexander conquered Europe and Asia.
Continue reading: Alexander The Great Review
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