Costa-Gavras and Peter Coyote - Tribute to Academy Award® winning filmmaker Costa-Gavras will feature an on-stage conversation with actor Peter Coyote and the Bay Area Premiere of his latest film Capital (Le Capital) - San Francisco, CA, United States - Saturday 5th October 2013
Peter Coyote is our hapless jailbird, a cop named John Traveller who's suspiciously jailed after murdering his wife and her lover. Or did he? Maybe he's taking the fall for someone else? No matter, there's another serial killer on the loose, and he's leaving clues behind, all references to Sherlock Holmes mysteries. That's right, we've got to deal with Sherlock Holmes as a plot device. This leaves troubled cop Matthew Ransom (Michael T. Weiss, the poor man's Andy Garcia) to try to figure out the case -- and Ransom seeks help from Traveller, a la Clarisse.
Continue reading: Written In Blood Review
My nominee for the culprit would be the plot, which is convoluted and plodding. In short, Paris is in flux as the Nazis make their advances in 1940. A spoiled, petulant actress (Isabelle Adjani) travels with her new beau of convenience, the Prime Minister, played by a slim Gérard Depardieu. Meanwhile, her childhood friend (Grégori Derangère) - whom she inadvertently framed for murder - has escaped from jail.
Continue reading: Bon Voyage Review
Every superhero needs a supervillain, of course, and this film's answer to that maxim is Andy Dick. Apparently psychotic from birth, Dick plays Damian, the racist son of Santa who kills his more tolerant father and sets about turning the North Pole into a sweatshop, banishing the non-Aryan elves and concocting a diabolical plan to destroy Hanukkah. Not surprisingly, this causes the Jewish Justice League (who hold court in a massive, Star of David-shaped building) no small amount of consternation, and they start casting about for a Jewish hero to fight Damian. Quickly discarding suggestions of Steven Spielberg and Yitzhak Perlman, they reluctantly settle on the Hammer, whom they'd drummed out of the organization long before.
Continue reading: The Hebrew Hammer Review
The film may look like a relative to the Freddie Prinze Jr. vehicle She's All That (1999), but it's more like a cousin to Robert Mulligan's The Man in the Moon (1991). The story begins predictably enough: Landon (Shane West), a young teen sowing his oats through his high school years, is forced to take on charity work after orchestrating a stupid stunt that nearly paralyzes a kid. While mopping up hallways and tutoring youngsters, he comes across Jamie Sullivan (Moore), a level-headed duckling (not so ugly), with a good heart and religion at her core. If this were Prinze pap, Landon would spruce her up and show the world what it's been missing. Instead, in this Karen Janszen adaptation of the Nicholas Sparks novel, Jamie stays true to herself, and the shy girl has a life-changing effect on the guy.
Continue reading: A Walk To Remember Review
When the next oilman named Bush arrived in Washington 12 years later, ANWR was back on the political table, touted as the greatest boon to support American energy independence. To allay environmental fears, the energy industry spun extraction as non-invasive to native species, and even Alaska's elected representatives dismissed the ecology of ANWR as little more than lifeless white space.
Continue reading: Oil On Ice Review
Femme Fatale is an exception to this to this rule. There is no question that Brian De Palma's latest is a steaming pile, and you can smell smug all over what he thinks are clever film techniques (split screens, operatic slow motion, etc). But just before I started throwing stuff at the screen in a show of displeasure, something magical happened--I laughed. And once I started laughing at Femme Fatale, I couldn't stop. The resentment felt for losing two hours of my life to this confused, badly acted, illogical, exploitative jewel heist-cum-meditation on fate was replaced with the giddy revelation that I had become involved in a cinematic experience on par with Paul Verhoeven's Showgirls.
Continue reading: Femme Fatale Review
The proposition is that a village, in 1955, sits on a natural basin of land that will be flooded by a new dam. The inhabitants have to move. The upside is that power will be provided for those above the new waterline. The downer is that the last few stragglers don't wanna go but are doomed to do so, like it or not.
Continue reading: Northfork Review
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