Penelope Ann Miller - Shots of a number of stars as they attended the premiere screening of'American Crime' The screening was held at the Ace Hotel in Los Angeles, California, United States - Sunday 1st March 2015
Penelope Ann Miller - A host of stars turned out for the Disney ABC Television Critics Aassociation Winter Press Tour which was held at the Langham Huntington Hotel in Pasadena, California, United States - Wednesday 14th January 2015
Penelope Ann Miller - A host of stars turned out for the Disney ABC Television Critics Aassociation Winter Press Tour which was held at the Langham Huntington Hotel in Pasadena, California, United States - Thursday 15th January 2015
In 1927, George (Dujardin) is Hollywood's top star, swashbuckling through adventure blockbusters with his faithful sidekick dog Uggy. At one of his premieres he meets Peppy (Bejo), a mystery girl who gets her own shot at stardom as a dancing extra in one of George's films. His grumpy wife (Miller) isn't happy about this. And there's more trouble when the studio boss (Goodman) decides to switch to talkies. So George walks out to make his own silent film, while Peppy becomes a sound-movie star. But she doesn't forget that he gave her a break.
Continue reading: The Artist Review
As actors go, Charlie Chaplin is at least a worthy candidate for a biopic. His impact on the acting profession and especially physical comedy is hard to overstate, and the man remains an icon whose face (or silhouette) embodies cinema. In the hands of Richard Attenborough, Chaplin's life is digested into the highlights -- from vaudevillian youth to his arrival in Hollywood to his amazingly fast rise to fame. Attenborough even dabbles in Chaplin's investigation by J. Edgar Hoover's FBI. Naturally, the running series of Chaplin's famous romantic entanglements are carefully tallied, the actresses playing the various Mrs. Chaplins (and near misses) making up a who's who of early-'90s starlets.
Continue reading: Chaplin Review
Blonde Ambition, alas, ultimately earned substantially more than it deserved. As a star vehicle for Jessica Simpson, produced by her dad (with the aid of seven other producers), it's a rolling disaster from start to finish.
Continue reading: Blonde Ambition Review
A murdered family sadly haunts the home in which they met their demise, wreaking havoc on the life and mental state of a teenage girl, as she and her baby brother are the only ones that can see these not-so-grisly apparitions. Why can't their parents (Dylan McDermott and Penelope Ann Miller) catch a glimpse? That's not explained -- if it were, there might have been more meat on these bare bones.
Continue reading: The Messengers Review
It's a rebuke to the environment-nurtures-criminals mentality that infused the previous De Palma/Pacino collaboration from 10 years earlier, Scarface, which stands as the bloody and exciting but frankly pretty immature younger brother to the more stately and ultimately more affecting Carlito's Way. The differences are obvious right from the film's opening gunshot: Carlito's been popped and is being wheeled away to the hospital, musing as he dies, "Don't take me to no hospital... Some bitch always pops you at midnight when all they got is a Chinese intern with a wooden spoon." The rest of the film is in flashback, starting with Carlito being let out of jail after serving only five years of a 30-year-sentence and leading back up to that gunshot.
Continue reading: Carlito's Way Review
The story is utterly moronic -- Patrick Swayze and Melanie Griffith play old flames. In keeping with all of Melanie Griffith's oeuvre, she's a bit crazy, of course. In fact, she's certified schizophrenic, which makes her insistence that she and the Swayzak track down their long lost illegitimate child all the more harrowing. And Penelope Ann Miller, playing a psychotherapist and Swayze's character's wife, figures that her husband will get so hot and bothered by the Griffith and her wanton ways that she needs to chase after them. And of course, Miller turns out to be no more stable than Griffith.
Continue reading: Along For The Ride Review
Putting aside the absurdity of the scenario that a writer would abandon his craft based on a single rejection for his first major work, Chapter Zero ultimately reveals itself as a pleasant enough -- though ultimately trivial -- little comedy.
Continue reading: Chapter Zero Review