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Julieta Trailer


Antía and her mother, Julieta have always had quite a strained relationship. At the age of eighteen, Antia had had enough of her mother's emotionally draining way of life and decided to leave. Julieta's life continued and for the most part there was little difference that her daughter wasn't there.

Many years later, Julieta's in a much healthier headspace and decides to write her daughter a long letter attempting to explain some of the reasons behind the way she lived her life and also in a bid to somewhat make up for the years she's been missing from her life. 

After finishing the letter, Julieta realises that she has no way of tracking down her daughter's mailing address.

Continue: Julieta Trailer

Julieta Review

Extraordinary

Iconic Spanish filmmaker Pedro Almodovar is back with another powerfully complex female-centred drama, along the lines of Volver or All About My Mother. Its punchy emotional rhythms are deeply involving, while the film's visual style creates an atmosphere of mystery and suspense as a woman deals with parenthood, love and death over two decades.

Julieta (Emma Suarez) is a high-powered middle-aged woman in Madrid who has just agreed to move with her writer boyfriend Lorenzo (Dario Grandinetti) to Portugal. But a series of events changes her mind, and she instead drops out of her life, consumed with thoughts about her daughter Antia (Bianca Peres), who wants nothing to do with her. As she flashes back to life as a young woman (now Adriana Ugarte), she relives her romance with the rugged fisherman Xoan (Daniel Grao) and his close friend Ava (Inma Cuesta). And thinking about all of these people who have come and gone from her life clarifies her resolve.

The film is based on three Alice Munro stories, which is what gives it such a swirling, layered quality as the characters spiral around each other. Almodovar keeps the tone intimate and openly emotional, adding vivid visual flourishes in clever camerawork and striking splashes of primary colours (mainly reds and blues). Thankfully, this isn't a downbeat movie; it's a celebration of how various aspects of love touch our life. The focus is on the seasons of Julieta's face, and both Suarez and Ugarte are transparent in the role, seamlessly merging their performances to create a woman who understands that, even with people around you, you're essentially alone in life. Meanwhile, all of the supporting actors create remarkable inner lives for their characters that make them unusually vivid.

Continue reading: Julieta Review

Pedro Almodovar , Adriana Ugarte - 69th Cannes Film Festival - 'Julieta' - Premiere Departures at Palais de Festivals, Cannes Film Festival - Cannes, France - Tuesday 17th May 2016

Pedro Almodovar and Adriana Ugarte
Pedro Almodovar
Pedro Almodovar
Pedro Almodovar
Pedro Almodovar, Emma Suarez, Adriana Ugarte, Inma Cuesta, Michelle Jenner and Daniel Grao
Pedro Almodovar, Emma Suarez, Adriana Ugarte, Inma Cuesta, Michelle Jenner and Daniel Grao

Pedro Almodovar - Spanish film maker Pedro Almodovar gives a master class during the Profesional Artistic School held at Fine Arts building in Madrid - Madrid, Spain - Wednesday 13th January 2016

Pedro Almodovar
Pedro Almodovar
Pedro Almodovar
Pedro Almodovar
Pedro Almodovar
Pedro Almodovar

Pedro Almodóvar - Pedro Almodovar arriving at the Universal Music Festival at the Royal Theatre in Madrid - Madrid, Spain - Tuesday 21st July 2015

Pedro Almodóvar
Pedro Almodóvar
Pedro Almodóvar
Pedro Almodóvar
Pedro Almodóvar
Pedro Almodóvar

Wild Tales Review


Extraordinary

From Argentina, this Oscar-nominated collection of six short, sharp stories leaves us gasping for breath due to both riotous black comedy and deeply unnerving plot twists. Each segment is about people who are pushed beyond the tipping point, finding revenge in an unexpected way that feels both deeply horrifying and disturbingly satisfying. And even though it sometimes veers wildly close to being over-the-top, the film is written, directed and played with such brutal honesty that it can't help but rattle us to the core.

The prologue is titled "Pasternak", set on an airplane on which passengers are surprised to find out that they all have a connection to Gabriel Pasternak. But what does he have in store for them all? Next is "The Rats", set in a roadside diner where waitress Moza (Julieta Zylberberg) is unnerved to serve a loan shark (Cesar Bordon) who destroyed her family. The chef (Rita Cortese) thinks she should poison his food. "The Strongest" follows Diego (Leonardo Sbaraglia), a wealthy man driving his shiny car down a highway when he comes up to Mario (Walter Donado) hogging the road with his rattling clunker. Passing him with a volley of obscenities, Diego is then horrified when he has a flat tyre and knows who's coming down the road behind him.

The fourth clip is "Little Bomb", about demolition expert Simon (Ricardo Darin), who engages the city's bureaucrats in a quickly escalating war when his car is erroneously towed for parking illegally. "The Proposal" is the most cerebral segment, centring on a wealthy man (Oscar Martinez) trying to clear his teen son (Alan Daicz), who has just run down a pregnant woman in the street. The idea is to find a scapegoat. And in "Until Death Parts Us", a bride (Erica Rivas) discovers in the middle of their marriage reception that her new husband (Diego Gentile) has been cheating on her. Her reaction is neither calm nor measured.

Continue reading: Wild Tales Review

It's A Bardem Baby! Penélope Cruz & Javier Welcome Little Girl


Penelope Cruz Javier Bardem Pedro Almodovar

Is it just us or has the world gone completely baby bonkers? Whilst Kate Middleton was giving birth to her son yesterday, Penélope Cruz also pushed out a youngster as the world's gaze was elsewhere. Spanish actress Cruz and her husband actor Javier Bardem welcomed a little girl into the world on Monday 22nd July in Madrid, reports Spanish magazine Hola.

Penélope Cruz
Penélope Cruz Has Apparently Given Birth To A Daughter.

Cruz did look like she was about to pop in photos only days before birth reports began to circulate but a rep speaking to Yahoo! omg! says that no official birth confirmation has been made.

Continue reading: It's A Bardem Baby! Penélope Cruz & Javier Welcome Little Girl

Pedro Almodóvar - 2013 Los Angeles Film Festival - "I'm So Excited" Opening Night Gala Premiere - Outside - Los Angeles, California, United States - Friday 14th June 2013

Pedro Almodóvar
Pedro Almodóvar
Pedro Almodóvar
Pedro Almodóvar

Javier Camara, Pedro Almodovar, Blanca Suarez and Miguel Angel Silvestre - 2013 Los Angeles Film Festival - "I'm So Excited" Opening Night Gala Premiere - Los Angeles, California, United States - Thursday 13th June 2013

Javier Camara, Pedro Almodovar, Blanca Suarez and Miguel Angel Silvestre
Javier Camara, Pedro Almodovar, Blanca Suarez and Miguel Silvestre
Javier Camara, Pedro Almodovar, Blanca Suarez and Miguel Silvestre
Javier Camara, Pedro Almodovar, Blanca Suarez and Miguel Angel Silvestre
Javier Camara
Javier Camara, Pedro Almodovar, Blanca Suarez and Miguel Angel Silvestre

A Week In Movies: Star Trek Into The Darkness Excites Fans, Matthew McConaughey Premiere's Mud And Fast And Furious 6 Is Announced


Star Trek Jj Abrams Matthew Mcconaughey Pedro Almodovar Antonio Banderas Penelope Cruz Tribeca Film Festival Peter Dinklage Evan Rachel Wood Berenice Bejo Vin Diesel Paul Walker

Simon Pegg at the Star Wars Premiere

The big event this week was the world premiere of Star Trek Into Darkness in London, attended by the entire cast, director J.J. Abrams, the writers, producers and any celebrity in shouting distance of Leicester Square. The film is gaining buzz among critics who have already seen it in advance of its UK release next week. It opens in America on May 17th.

This week's big release in America is Iron Man 3, which has already made more than $300 million worldwide. In the UK, there's an eclectic mix of new releases in cinemas, from the dark action of Dead Man Down, starring Colin Farrell and Noomi Rapace, to the wacky comical antics of Pedro Almodovar's I'm So Excited, which features cameos from his regulars Antonio Banderas and Penelope Cruz.

Continue reading: A Week In Movies: Star Trek Into The Darkness Excites Fans, Matthew McConaughey Premiere's Mud And Fast And Furious 6 Is Announced

I'm So Excited! [Los Amantes Pasajeros] Review


Very Good

Fans of more recent Almodovar films like The Skin I Live In or Volver should be warned about this one, because it harks back to his much cheesier 1980s films with its broad comedy, lurid production values and camp characters. But even if it looks fluffy and silly, there are some serious things going on under the surface, as Almodovar undermines stereotypes and plays with sexuality issues. Although this means that most of the humour is aimed at a gay audience.

It all takes place on a flight from Spain to Mexico, but shortly after take-off the pilot (de la Torre) announces that a mechanical fault means they need to make an emergency landing. Then the passenger Bruna (Duenas) reveals that she's a virginal psychic who sees death ahead, and everyone starts to panic. The flight crew (Camara, Areces and Arevalo) try to distract the passengers from impending doom by performing a choreographed number to the Pointer Sisters' eponymous hit. And when that doesn't work, they lace everyone's drinks with mescaline.

Each person in the first class cabin (economy is sound asleep) has his or her own crisis, including a notorious dominatrix (Roth), a businessman (Torrijo) on a quest, a shady hitman (Yazpik), a just-married groom (Silvestre) who prefers his wife to be asleep, and a man (Toledo) running from his suicidal girlfriend (Vega). And the pilots and flight attendants are also romantically entangled. All of this swirls together like a nutty 1970s Mexican soap, complete with flimsy-looking sets and a sparky mariachi score.

Continue reading: I'm So Excited! [Los Amantes Pasajeros] Review

The Skin I Live In Review


Excellent
With his bold, assured filmmaking style and heavy echoes of Hitchcock's Vertigo, Almodovar creates a lean, twisty thriller that plays with issues of revenge and identity in very dark ways.

Robert (Banderas) is a skin-transplant specialist who goes against bioethics rules to experiment on a new kind of skin for Vera (Anaya), a young woman he keeps trapped in his home and cares for with the help of his childhood nanny Marilia (Paredes). But everyone has a secret, and Robert's relates to a young man (Cornet) he kidnapped six years earlier following an incident that drove his teen daughter (Suarez) to suicide. Actually, all of this started much earlier when Robert's wife was horribly burned in a car accident.

Continue reading: The Skin I Live In Review

The Headless Woman [La Mujer Sin Cabeza] Review


Excellent
There's so much going on in between the lines of this film that it can seem almost overwhelming to watch. But gifted filmmaker Martel has crafted an unnervingly internalised thriller for adventurous moviegoers.

When Veronica (Onetto), a respected wife and mother, hits something with her car, she starts to become disconnected from the bustling, well-heeled European society she lives in, haunted by the indigenous people living around the edges of her life. This is clearly caused by guilt, but is that due to her affair with an in-law (Genoud) or the fact that she may have killed someone. As her mental confusion grows, her husband (Bordon) and lover seem to close ranks around her to make everything right again.

Continue reading: The Headless Woman [La Mujer Sin Cabeza] Review

Broken Embraces [los Abrazos Rotos] Review


Excellent
Perhaps not as dazzling as Almodovar's masterpieces, this film is still an involving and sleekly well-made melodrama touching on his usual themes of romance, death and parentage. It also has some terrific noir touches as it dips into ambition and revenge.

Mateo (Homar) is a filmmaker who, after going blind, has locked himself in his Madrid flat writing scripts with Diego (Novas), son of his loyal agent (Portillo). Then he hears of the death of wealthy financier Ernesto (Gomez), who 14 years earlier had bankrolled a film project starring his trophy mistress Lena (Cruz), who was desperate to get out of the relationship. Back then, as Lena and Mateo started spending rather too much time together, Ernesto sent his teen son (Ochandiano) to follow them, ostensibly to film a making-of doc.

Continue reading: Broken Embraces [los Abrazos Rotos] Review

Bad Education Review


Extraordinary
Pedro Almodóvar's films have always oozed adoration for tawdry movie melodrama, from the Telemundo-on-cocaine gaudiness of Women on the Verge of a Nervous Breakdown to the sweet, sentimental "women's picture" romance of The Flower of My Secret. And the auteur's latest, Bad Education, may be his defining statement on the fundamental relationship between ordinary life and the illusions projected large in dark, mysterious movie houses. A fantasia of Almodóvar's trademark hang-ups that nonetheless surpasses his previous outings in scope, structure, and heart, the movie is a marvelous, noir-inspired meditation on love, sex, and identity that pulses with florid passion. It may be the best film of the year.

Almodóvar's narrative is a marvel of temporal-shifting beauty, seamlessly moving back and forth between the film's "present" of 1988, the immediate past, and a short story written by Angel (Gael García Bernal) which segues among 1988, 1977, and the 1960s while featuring its own story-within-a-story. While such convoluted chronological fracturing is initially confusing, the ultimate effect of the director's time-hopping plot construction - especially considering that Bernal tackles multiple, intimately related roles - is that one quickly finds the boundaries between reality and fiction melting away. Life and art symbiotically imitate each other in Almodóvar's colorful, hot-blooded world, with no discussion of the one complete without mention of the other. And with the story of Angel and Enrique, boyhood friends at Catholic school who are reunited years later and become involved in a semi-autobiographical movie about their youth, the relationship between fiction and reality becomes so blurred that, by film's end, there's no way to distinguish between the two.

Continue reading: Bad Education Review

Pedro Almodovar

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Pedro Almodovar Movies

Julieta Trailer

Julieta Trailer

Antía and her mother, Julieta have always had quite a strained relationship. At the age...

Julieta Movie Review

Julieta Movie Review

Iconic Spanish filmmaker Pedro Almodovar is back with another powerfully complex female-centred drama, along the...

Wild Tales Movie Review

Wild Tales Movie Review

From Argentina, this Oscar-nominated collection of six short, sharp stories leaves us gasping for breath...

I'm So Excited! [Los Amantes Pasajeros] Movie Review

I'm So Excited! [Los Amantes Pasajeros] Movie Review

Fans of more recent Almodovar films like The Skin I Live In or Volver should...

The Skin I Live In Movie Review

The Skin I Live In Movie Review

With his bold, assured filmmaking style and heavy echoes of Hitchcock's Vertigo, Almodovar creates a...

The Headless Woman [La Mujer Sin Cabeza] Movie Review

The Headless Woman [La Mujer Sin Cabeza] Movie Review

There's so much going on in between the lines of this film that it can...

Broken Embraces [los Abrazos Rotos] Movie Review

Broken Embraces [los Abrazos Rotos] Movie Review

Perhaps not as dazzling as Almodovar's masterpieces, this film is still an involving and sleekly...

Bad Education Movie Review

Bad Education Movie Review

Pedro Almodóvar's films have always oozed adoration for tawdry movie melodrama, from the Telemundo-on-cocaine gaudiness...

All About My Mother Movie Review

All About My Mother Movie Review

Director Pedro Almodovar explains the relationship between tunnels and the main character of Manuela (Cecila...

Talk to Her Movie Review

Talk to Her Movie Review

The cinema of Pedro Almodóvar is one of our finest imports. He has a...

Volver Movie Review

Volver Movie Review

Pedro Almodóvar's Volver is a witty and woozy paean to the off-kilter wonder that is...

Bad Education Movie Review

Bad Education Movie Review

Pedro Almodóvar's films have always oozed adoration for tawdry movie melodrama, from the Telemundo-on-cocaine gaudiness...

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