Draw near and bear witness to Gillian Anderson, a very successful television actress (The X Files) who is still trying to find her legs on the big screen. Like many before her, she will try a tactic that has made stars out of otherwise B-list actors: By taking the leading role in an art house flick.

Welcome then to The House of Mirth, a period piece which bears little happiness for those within. Or, ultimately, for those in the audience.

Continue reading: The House of Mirth Review