At age 30, Vassili (Rideau) works the streets in Paris but finds that his clients are getting older. So he starts quietly killing them. When he rescues 20-ish Angelo (Durdaine) after an attack, the two start to fall for each other even as they continue pulling tricks. And although Angelo asks him to stop, Vassili continues murdering their johns. So they leave the city to see Vassili's friend Anna (Dalle)and her young son (Morisset). Together they head to an idyllic mountain cabin to visit Vassili's mentor Victor (Flamand), where Vassili has a terrible idea.
Continue reading: Our Paradise Review
Eric (Pattinson) is a 28-year-old billionaire who wants a haircut. As he climbs into his high-tech limousine, his security chief (Durand) warns about traffic problems because the US President's in Manhattan. En route, Eric continues his routine, meeting his computer expert (Baruchel), theoretician (Morton) and financial advisor (Hampshire), who talks to him during his daily prostate exam.
He also sees his new wife (Gadon) several times, has sex with two women (Binoche and McKenzie), endures an anarchists' riot, gets a pie in the face and confronts a man (Giamatti) who wants to kill him.
Continue reading: Cosmopolis Review
Paulo Branco, David Cronenberg, Don Delillo, Emily Hampshire, Martin Katz, Paul Giamatti, Robert Pattinson and Sarah Gadon - Paulo Branco, Paul Giamatti, Don DeLillo, Juliet Binoche, Robert Pattinson, David Cronenberg, Emily Hampshire, Sarah Gadon and Martin Katz Friday 25th May 2012 'Cosmopolis' premiere during the 65th annual Cannes Film Festival
Sarah Gadon, David Cronenberg, Emily Hampshire, Martin Katz, Paul Giamatti, Paulo Branco and Robert Pattinson - Sarah Gadon, Robert Pattinson, David Cronenberg, Emily Hampshire, Paul Giamatti, Don Dellilo, Paulo Branco and Martin Katz Friday 25th May 2012 'Cosmopolis' photocall during the 65th annual Cannes Film Festival
Teenager Joao (Arrais) has no idea who his father is, he doesn't even have a last name. Raised by Father Dinis (Luz), he learns that he's the illegitimate son of a countess (Bastos) whose vile husband (Jeronimo) keeps her as a maid.
It also turns out that Joao is actually Pedro, son of a nobleman (Baptista). As the years pass, Pedro (later played by Pimental) finds his life deeply entwined with the dashing Alberto (Pereira), while Father Dinis reveals surprising connections through his own history.
Continue reading: Mysteries Of Lisbon Review
Martin Frost (David Thewlis) is a novelist, and he's off to the country for a vacation after finishing his latest book and to work on a new story. No sooner does he fall asleep, though, that he wakes up to find someone else in his bed, Claire Martin (Irène Jacob), who initially says she was lent the house by the same guy who lent it to Martin. Funny coincidence, eh? Just like their names: His first is Martin, her last is Martin. It helps that she's a hot, exotic French beauty with an active libido, and soon she's got her top off as they roll around in the sheets.
Continue reading: The Inner Life Of Martin Frost Review
Has a director ever gone so 180 as Honore, last seen offering the inside-out Dans Paris. Love Songs, his third and weakest film, builds on an endlessly-trampled possibility: Is it conceivable to have a relationship with three people where everyone happily coexists? As always, there's a couple at the middle, Ismaël (Louis Garrel) and Julie (Ludivine Sagnier), who are happy and in love but want to try their luck with another person. Enter Alice (Regular Lovers' Clotilde Hesme), a co-worker of Ismaël's. Alice and Julie fool around, and so do Alice and Ismaël, but Julie is unsatisfied with the experiment, which might explain why she shares the news with her entire family.
Continue reading: Love Songs Review
The title isn't all that's awful about this film, a mess of a story that wants desperately to be an espionage thriller. The tale centers around a missing spy named Elliot. On the hunt for him is Irène (Juliette Binoche, perhaps never more out of character) and two of Elliot's kids, American David (Tom Riley) and French Orlando (Sara Forestier), actually step-relations.
Continue reading: A Few Days In September Review
Adiard's film wasn't just a great movie; it was a fully-functional jive. What still haunts me is the way Duris moved along to every funky camera move and dynamic scene with such disheveled, transcendent grace. The movie itself breathed in unison with Duris', performance making it easily the best French remake of a movie starring Harvey Keitel ever.
Continue reading: Dans Paris Review
Antoine (Gérard Depardieu) has a nice job. He oversees construction for a company who builds media centers all over the world, using his skills as an engineer and a negotiator to keep projects rolling. These skills were not used to his advantage earlier in his life when he dated Cécile (Catherine Deneuve), who now makes her living as a radio show host and a wife to Nathan (Gilbert Melki), a renowned doctor. Fate, as it tends to do, intervenes (interferes) and sends Antoine to Tangiers, where Cécile lives. At the same time, Cécile and Nathan's son Sami (Malik Zidi) and his partner Nadia (Lubna Azabal) come home for vacation time. By vacation, they actually mean for Sami to visit his secret boyfriend and for Nadia to visit her sister, Aïcha (Lubna again). The film mainly pivots on Antoine's quest to get Cécile back, which begins as gazing from afar and eventually becomes family interaction.
Continue reading: Changing Times Review
The strapping youth whom the film places at the intersecting desires of three women is Pierre (Louis Garrel), a somewhat idle guy who, after his father's mysterious death, gets sucked into the orbit of his self-destructive mother, Helène (Huppert). This involves a lot of gamesmanship whereby Helène tries to push Pierre into more and more outlandish behavior, especially with her wastrel friend Réa (Joane Preiss), whom she's more than a little chummy with. At first, Helène pushes Pierre towards Réa, seemingly as a way of having one-degree-of-separation sex with him, watching longingly as Réa screws Pierre in public, blasé strangers wandering past. It's easy to see why these three are pushing themselves to such extremes, given the film's bland setting in the Grand Canaries - with its California-like, mildly libidinous atmosphere and constant, enervating sunlight. But unfortunately that doesn't mean there's much depth to it at all, no matter how much philosophical and religious piffle writer/director Christophe Honoré puts into Pierre's portentous voiceovers.
Continue reading: Ma Mère Review
As children, Francisca, Ramallo, and Manuel witness seemingly random firing squads in their dirt-poor village. Members of their own families are killed before their eyes, and when another child taunts Ramallo, saying his father was a bad guy, Ramallo has no problem with killing the kid by bashing his head against a rock and then stabbing him in the throat for good measure.
Continue reading: El Mar Review
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