Quite the best thing Verhoeven has going for him is his fantastic Dutch cast, headed up by Carice van Houten in a relentlessly fearless performance as the singer Rachel Stein, who is forced into one morally compromising position after another. The film starts in 1944, when Stein has been in hiding for years, but is sent on the run after an errant Allied bomb destroys her hideout. As a former singer, she's able to take on new personas with great ease, but there's always a tough brightness about her, the statuesque ease of someone who's accustomed to being stared at and fought over.
Continue reading: Black Book Review
And then its programming chief killed his wife and himself.
Continue reading: Z Channel: A Magnificent Obsession Review
This documentary is precisely what it's title purports to be, an in-depth and instructive look at movie editing that literally spans 100 years of film history, from The Great Train Robbery to Cold Mountain. Through interviews with a copious number of directors and editors, The Cutting Edge covers everything from basic editing techniques like the matching of cuts to modern editing theory as inspired by MTV and The Matrix. The film goes into extreme detail in parts, like when we get to see James Cameron's trick of removing one frame per second out of Terminator 2 to give it more momentum and realism. It's all a little bit insidery and self-congratulatory, but the movie works far more often than not. Any film buff will find it hard not to like.
Continue reading: The Cutting Edge: The Magic Of Movie Editing Review
The Vault lets loose its first unreleased material.
Here's what he thinks about the veteran filmmaker.
Ocean's two albums, ‘Blonde’ and ‘Endless’, both missed the Grammy deadline.