Yet another bonkers thriller starring Nicolas Cage, this trashy crime comedy comes from director Paul Schrader, who wrote classics like Taxi Driver before turning director with American Gigolo. This movie has a kitsch tone as it spirals through a violently absurd story with a bunch of idiots who shoot first and then realise they can't ask any questions now. There are some intriguing issues gurgling under the surface, although they're kind of swamped by the mayhem.
It's set in Cleveland, where Troy (Cage) has just been released from prison and rejoins his buddies Mad Dog and Diesel (Willem Dafoe and Christopher Matthew Cook). Unable to get real jobs because they're ex-cons, they have no choice but to turn back to crime to make a living. So they contact mob boss El Greco (Schrader himself) for some freelance work. Their first job is ruthlessly convincing a gangsta-rapper (Omar J. Dorsey) to give them his drugs and cash. And then they move on to an even bigger target, the Latino kingpin Chepe (Reynaldo Gallegos). To get to him, they decide to kidnap the infant child of Brennan (Louis Perez), who is heavily in Chepe's debt. The problem is that Troy, Mad Dog and Diesel have no clue what they're doing, so the plan spirals out of control immediately.
The film looks almost swampy with its deep shadows and lurid colours, complete with visual flourishes that include wacky visual effects and clips shot in murky black and white. In other words, it's all very cool and nasty, with violence that's both unexpected and very grisly. People die horribly in almost every scene, but this seems to be rather run-of-the-mill for both the cops and criminals in this strata of society. No one has even a hint of a moral compass here; their goal is just to grab whatever they can. Cage gives another of his enjoyably deranged performances as Troy, bouncing hilariously off of Dafoe and Cook's carelessly murderous goons.
Continue reading: Dog Eat Dog Review
Paul Schrader - 'Taxi Driver' 40th Anniversary Celebration during 2016 Tribeca Film Festival at The Beacon Theatre at Tribeca Film Festival, Beacon Theatre - New York City, New York, United States - Thursday 21st April 2016
Paul Schrader - Shots of a variety of stars were photographed at the 2015 Film Society Awards ceremony, This year's award recipients included Mexican film director Guillermo del Toro, who received the San Francisco International Film Festival's Irving M. Levin Directing Award. Also American actor Richard Gere was honored with the Peter J. Owens Award. The awards ceremony was held at The Armory in San Francisco, California, United States - Monday 27th April 2015
Trapped in a terrorist prison and tortured, Evan Lake (Nicholas Cage) is eventually free and makes his way back to the United States and the CIA where he works. Becoming a hero for surviving and not revealing any secrets throughout his imprisonment, Lake's protégé, Milton Schultz, (Anton Yelchin) discovers that the man who held him hostage - the villainous terrorist Banir (Alexander Karim) - is alive and still active. After announcing to his supervisors the revelation, it is discovered that Lake is beginning to suffer from dementia and is faced with early retirement. But unable to leave a job undone, Lake and Schultz take it upon themselves to bring Banir to justice; fuelled by both the intent for justice and revenge.
Continue: Dying Of The Light - Trailer
After being on the receiving end of an earful of abuse from 'The Canyons' director Paul Schrader, Lindsay Lohan has explained that she didn't show up at the Venice Film Festival because of health concerns
Lindsay Lohan claims her absence from the Venice Film Festival had nothing to do with being a diva or just being a general pest towards her co-workers, but actually was because of concerns over her health.
Lindsay with co-star James Deen in The Canyons
The actress admitted in a statement posted to her official website that her "focus is on [her] health and well-being" only at the moment, and she decided to hold on to a promise she made to TV guru Oprah Winfrey not to leave the USA whilst she recovers from her wild past, which included missing out on the Venice Film Festival to promote her new film, The Canyons.
Ben Affleck visited Lindsay Lohan in rehab, but why?
According to TMZ.com, Affleck - who went into rehab in 2011 - met Lindsay in California while she was getting treatment. The actor gave her guidance on how to maintain sobriety after rehabilitation, especially in the Hollywood circles in which she runs.
Affleck - who turned his career with Argo after various flops - also discussed how to make a comeback in the movie business, telling Lindsay she had the ability to make it big again in Hollywood. Ben "told her how supportive the entertainment community is for people who make a real effort to get better and stay clean," and, according to a source, the meeting really touched The Canyons star.
'The Canyons,' starring Lindsay Lohan is out now. It might look visually spectacular but does the plot hold up?
The trailer for The Canyons was released at least eight months before the movie release, giving us a tantalising glimpse of the swirling cinematography, melancholic Hollywood glamour and synthy Drive-esque soundtrack of the erotic thriller. Plus, it looked like a solid return to filmmaking for Lindsay Lohan whose public battle to stay sober has consumed the press surrounding her lately.
Have Lindsay Lohan's Personal Struggles Affected Her Ability To Act?
Lohan plays Tara, an actress trying to keep her affair with an actor from her past quiet whilst her privileged and scheming boyfriend Christian (James Deen) makes films to keep his trust fund intact. The plot goes awry when Christian finds out about Tara's affair and the narrative takes a darker turn, descending into bloody violence and cruel sexual mind games.
Braxton Pope, Tenille Houston, Paul Schrader, James Deen, Amanda Brooks, Bret Easton Ellis and Nolan Gerard Funk - Celebrities attend IFC Film's THE CANYONS LA Premiere at The Standard Hotel. - Los Angeles, CA, United States - Tuesday 6th August 2013
Maybe Lindsay Lohan's movie isn't the disaster predicted by the New York magazine.
No, it's not the fact that The Canyons received one good review this week.
In January, the New York Magazine's Stephen Rodrick wrote a long, detailed article on The Canyons with a hugely cynical tone.
Continue reading: Why Lindsay Lohan's 'The Canyons' Is A Complete Success
Nolan Gerard Funk and Paul Schrader - Premiere of 'The Canyon' at The Film Society of Lincoln Center, Walter Reade Theatre. Lindsay Lohan was unable to attend as she is in rehab - New York City, United States - Monday 29th July 2013
Is Lindsay Lohan's performance in The Canyons really that bad after all?
Lindsay Lohan has received a semi-positive review for her new movie The Canyons, written by American Psycho novelist Bret Easton Ellis. Essentially, the movie has been slaughtered by critics though one man - Scott Foundas of Variety.com - found something worth praising.
"The guerrilla shoot seems to have reinvigorated Schrader, and the result is his most stylish picture in years, probably since Auto Focus," wrote Foundas, who went on to gush about the performance of Lohan, even comparing her to Oscar winning actor Marlon Brando.
'The major exception is Lohan, who gives one of those performances, like Marlon Brando's in "Last Tango in Paris," that comes across as some uncanny conflagration of drama and autobiography.
Continue reading: Lindsay Lohan Compared To Marlon Brando. She Is Really, Really Happy.
We never thought The Canyons shoot was going to be an easy ride for anyone, and as it turns out, it wasn't. It really wasn't. Bringing together controversial novelist Bret Easton Ellis, porn star James Deen and the troubled Hollywood actress Lindsay Lohan was always going to be risky and according to screenwriter Stephen Rodrick, all hell broke loose on set.
The scribe spoke to TMZ.com about the whole darn thing, claiming Lohan was initially fired after failing to show-up for a read-through before showing up at director Paul Schrader's hotel room, pounding on his door while hysterically crying and begging for her job back. The actress stayed in the hallway for around 90 minutes before leaving after securing a second chance.
Perhaps the most concerning part of Rodrick's story is the 4-way 14 minute sex scene shot with real-life porn actors. Lohan wasn't happy about the scene and had been drinking beforehand, locking herself in a closet and refusing to come out. Director Schrader had to beg her to do the scene, eventually stripping naked his self in order to show her it was no big deal. After finally completing the take, Lindsay drove off in her Porsche with Rodrick saying the producers "all hoped they would still have a lead actress in the morning."
Continue reading: The Canyons Screenwriter Reveals Lindsay Lohan's Drunken Antics
Continue reading: Forever Mine Review
The film charts the life and career of boxer Jake LaMotta (Robert De Niro) from his rise to glory in the 1940s to his fall into washed-up grotesquery in the '50s, a lounge lizard parody of his former self. That LaMotta turns into the very sort of schmuck, fat-bellied and dissipated, that he would've abhorred in his youth marks one of Scorsese's most poignant treatments of his trademark theme of the individual struggling to transcend his worst instincts to achieve greatness and grace. Anger and bitterness are ever-present here, either churning at the film's surface or roiling just below in slow burn. LaMotta, the insecure hothead who chafes at the underworld hoods who've ensnared him, directs his rage outward in the form of sexual jealousy at his wife, Vickie (Cathy Moriarty), and through his tornado-like fury in the ring. The boxer's battle for self-acceptance even threatens the most meaningful and enduring relationship he's got, the one with his brother and manager, Joey (Joe Pesci); indeed, Raging Bull is, to a large extent, about the effect of blind ambition on our most meaningful, enduring relationships.
Continue reading: Raging Bull Review
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