This extremely dark and disturbing Sundance favorite gives us a relatively simple premise -- screenwriter (Hicks) looks to women in the real world to find the muse for his femme fatale -- then throws us for a loop as the corporate-world woman he finds, his "Miss Monday," turns out to be an utter freak. Andrea Hart's Gloria becomes the center of the film as Hicks's writer spends a day and a night in her house, going through her things, reading her diary, constructing her personality... before a harrowing evening Gloria spends with only herself and her demons. Harrowing in much the same vein as What Happened Was..., though some scenes are alternately underexposed and overexposed, putting a damper on the visual asthetic of the picture.