Roth's story includes the elements of iconoclastic rebellion and mechanical genius right up to his death in 2001. The film is immersed in animation by Mike Roberts and a CGI boost to animate available archive stills, all of which suggests the rebel's own grand cartoonish style.
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A cinematic collection of slightly exaggerated memories from Lucas' senior year in high school (1962), Graffiti was well-timed; it caught a wave of fifties nostalgia that would crest with Happy Days, Grease, etc. While the iconoclasm of the sixties and seventies would continue to take youth culture in a very different direction, Graffiti helped spark a cultural backlash (or at least a flashback) after the free-love/acid-rock/anti-war era.
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Leon is a shiftless alcoholic, though obviously still a talented writer with his mixture of adjective clauses and ability to envelop anyone around him into an environment he is describing. He's separated from his wife (Debra Winger) with whom he had two children, and he has difficulty playing the part of father, even as he tries to win back his ex-wife's affections.
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