It's no surprise that Mike Leigh would take a distinctly original approach to the celebrity biopic, and this film about 19th century painter J.M.W. Turner is refreshingly unstructured and abrasive. By avoiding the usual formula, Leigh also reinvents the period drama as something almost startlingly realistic, packing the screen with sardonic humour and honest emotions that are extremely complex. And since it's about a painter, the film looks absolutely gorgeous, as Leigh and his ace cinematographer Dick Pope recreate the look of Turner's paintings on-screen.
The film is set in the 1820s, when Turner (Timothy Spall) is a celebrity on the art scene, courting controversy with his visceral landscapes. People either love or hate his work, but his financial success means he can do whatever he wants. Living with his father (Paul Jesson) and loyal housekeeper Hannah (Dorothy Atkinson), Turner openly challenges his critics. But his private life is just as tempestuous. He ignores the two daughters he fathered with Mrs Danby (Ruth Sheen) and has a second incognito life with the widow Sophie Booth (Marion Bailey), calling himself "Mr Mallard". Meanwhile, he continues to push boundaries in his work, challenging the status quo to such an extent that he becomes a joke in social circles.
Spall won the Best Actor award at Cannes for his astonishing performance as the fiercely independent Turner, a man who went to extreme ends to maintain his anarchic lifestyle and produce his distinctive paintings. In one key scene, he straps himself to a ship's mast during a storm so he can better capture the extreme weather in his work. Yes, Turner was a hurricane of a man, brushing off anyone who disparaged his art, including Queen Victoria. And it's no surprise that so few people liked him: Spall plays him believably as monosyllabic grump who growls more than he speaks.
Continue reading: Mr. Turner Review
The critics have fallen for Leigh' latest effort
‘Mr. Turner’ has enjoyed an emphatic opening at Cannes 2014, where many critics were moved to award Mike Leigh’s biopic of the British artist, J.M.W Turner. It could be early Cannes excitement from the press, but Timothy Spall’s performance as the titular artist is already attracting Oscar gossip, as ridiculous as that is.
Timothy Spall as Mr. Turner
“Every scene in this film is expertly managed; every comic line and funny moment adroitly presented and every performance given with intelligence and love. It is another triumph for Mike Leigh and for Timothy Spall,” wrote Peter Bradshaw of The Guardian, slapping 5 stars on the film.
Continue reading: Mike Leigh's 'Mr. Turner' Gets 5-Star Reviews At Cannes 2014 [Trailer]
Director Mike Leigh has made a new biopic about one of Britains finest landscape artists, J.M.W. Turner. 'Mr Turner' will see key events of Turner's life like the death of his father which had a profound effect on him; as well as the relationships he built such as the one with his housekeeper who loves him, but he underappreciates. The film will tell the story of Turner's legacy which saw him help pioneer landscape painting with his works, helping the style rival history painting.
As well as being skilled at landscape painting, Turner was also known for being well versed in watercolour landscape painting. He was considered an anarchistic character in his life, due acts such as strapping himself to a ship, in order to paint a storm.
The film is directed by Mike Leigh (Happy-Go-Lucky, Another Year, Vera Drake), who's expressed that he wanted to make a film that captures Turner's personality, which Leigh describes as complex and compulsive. 'Mr Turner' is set to be released in the UK on the 31st of October 2014.
Amid political and social turmoil, Martius (Fiennes) is a blunt Roman soldier, subduing insurrections in the surrounding kingdoms, making an enemy of Volscian leader Tullus (Butler) but returning home a war hero and crowned Coriolanus.
Despite the help of his military-leader mother (Redgrave), his loyal wife Virgilia (Chastain) and a respected senator (Cox), Martius is unable - and unwilling - to play the political game, insulting both the senate and the public. Banished from public life, he joins with Tullus and sets about conquering Rome his own way.
Continue reading: Coriolanus Review
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