In the Midlands, Richard (Considine), a mentally-scarred soldier, has returned home. He hasn't returned to the house of his upbringing, but rather a small shed on an abandoned farm. See, Richard is home to take revenge on a small group of hoods. While he was away, these hoods, led by Shane (Gary Stretch), tortured and abused Richard's younger, mentally disabled brother (Toby Kebbell). After a prodding prank that involved painting the hoods on their faces and heads, Richard gets serious. The first body is found in the bathroom of the hangout, axe wounds a plenty. Richard dispatches them quickly and saves a reformed hood with a family. Not to be bested by any ghost movie, the film springs a trick ending which is, to say the least, uncalled for.
Continue reading: Dead Man's Shoes Review
At the center of TwentyFourSeven is Bob Hoskins as Darcy, a middle-aged man from a relatively rural area in England. Although not an obvious leader, Darcy finds the motivation within himself to open a boxing club for the local youth. It is his impression that this club, like the one he had as a teen, will restore camaraderie and pride to the troubled lads.
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Meanwhile, downy-voiced, sexy Shirley lives with good-natured, easy going Dek (Rhys Ifans), her suitor on TV, and her daughter Marlene (Finn Atkins) in Dek's house. She and Dek profess their love for each other frequently enough to make you gag, which also makes you wonder why she would turn Dek down on national telly. Could she still feel something for the husband lurking somewhere out there in the badlands of Glasgow?
Continue reading: Once Upon A Time In The Midlands Review
The story begins with Romeo and best friend Knocks (Ben Marshall) as inseparable pals who live as neighbors in suburban England. Knocks has a rare back disorder that requires surgery and keeps him constantly limping, but his family is supportive, especially his mother and father as they excitedly anticipate his recovery. Romeo, on the other hand, lives with his mother and older sister in a volatile household with no father figure. In fact, Romeo's estranged dad Joseph (Frank Harper), shows up right around the same time the boys encounter Morell.
Continue reading: A Room For Romeo Brass Review
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