Paul Auster

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The Inner Life Of Martin Frost Review


Good
The work of Paul Auster can be an acquired taste, but his Inner Life of Martin Frost is so sweet and harmless that even the most jaded of moviegoers ought to find it a breezy way to spend 90 minutes, lost in Auster's weird fantasy land.

Martin Frost (David Thewlis) is a novelist, and he's off to the country for a vacation after finishing his latest book and to work on a new story. No sooner does he fall asleep, though, that he wakes up to find someone else in his bed, Claire Martin (Irène Jacob), who initially says she was lent the house by the same guy who lent it to Martin. Funny coincidence, eh? Just like their names: His first is Martin, her last is Martin. It helps that she's a hot, exotic French beauty with an active libido, and soon she's got her top off as they roll around in the sheets.

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The Center Of The World Review


Excellent
At a time when filmed eroticism between intelligent, complex adults is at something of a nadir, Wayne Wang comes along with the sexiest film in quite some time. The Center of the World deals with themes of loneliness and sexuality, and how the two are (or are not) intertwined.

Peter Sarsgaard plays Richard, a typical (almost stereotypical) techo-geek who made a million dollars the year prior and is about to make a lot more through an IPO. We are introduced to him and Florence (Molly Parker) as they check into a hotel suite in Las Vegas. Through a series of flashbacks, we learn that Richard recently met Florence, a freckled stunner, at the strip club where she works. Within five minutes, Wang sets the film's tone by having Parker perform an act that eliminates any chance for an R rating -- a shocking act for a lead actress in a mainstream film, and one that suggests that freedom of sexuality is a major issue here (and that Parker is an actress with few boundaries).

Continue reading: The Center Of The World Review

Blue In The Face Review


Good
It took all of five days after wrapping the shoot of Smoke to create Blue in the Face, an (allegedly) all-improvised follow-up to Wayne Wang and Paul Auster's feature centered on a tiny smoke shop in Brooklyn. It's a weird experiment in filmmaking, studded with cameos by Lou Reed, Madonna, Michael J. Fox, Roseanne, Lily Tomlin, and more. Unfortunately, you've probably seen all the funniest bits in the movie's trailer.

Separated into segments with titles like "Brooklyn Attitude," Blue in the Face explores the Brooklyn mystique and the Brooklyn experience with video interviews and impromptu sketches. Everything "Brooklyn" is praised, from Ebbets Field and Jackie Robinson to Belgian Waffles and the sanctity of the local cigar store.

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Lulu On The Bridge Review


OK
Paul Auster (writer of Wayne Wang's Smoke and Blue in the Face) is no stranger to oddball productions. Lulu on the Bridge is another step down the path to David Lynch, with Harvey Keitel as a sax player who gets shot and -- after a miracle recovery that leaves him with one lung -- embarks on an adventure involving Mira Sorvino and a magic rock that glows in the dark. Oh-kayyyyy. It all becomes all-too-apparent what's been going on by the end of this, so after plenty of mood lighting and jazz music, you're released back into the world to completely forget everything you saw. Whatever.

Smoke Review


Good
When you sit in the theater, staring up at the big screen, during the first few minutes of Smoke, you know you're watching an "Art Movie." Smoke obviously has no misgivings about its place in the film chain, being perhaps the best example of a pure character-driven drama to come along in ages.

The sketchy plotline defies explanation. Basically, Smoke is the lazy, drawn-out story of a smoke shop owner, Auggie (Harvey Keitel), his estranged lover (Stockard Channing), a favorite patron/novelist, Paul (William Hurt), and the young man who saves his life (newcomer Harold Perrineau). As $5,000 is kicked around among these characters, their lives interact in unpredictable ways. Sometimes this is interesting, often it's just tiresome.

Continue reading: Smoke Review

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Paul Auster Movies

The Center of the World Movie Review

The Center of the World Movie Review

At a time when filmed eroticism between intelligent, complex adults is at something of a...

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