Patti LuPone confiscated an audience member’s mobile phone during a recent performance in New York.
There’s one thing you absolutely do not do when you go to the theatre and that’s keep your phone on. It doesn’t matter if it’s a children’s nativity or a Broadway production, it’s just not OK. So we completely understand where Patti LuPone was coming from when she confiscated a fan’s phone during a recent performance in New York.
Patti LuPone at the opening night of Shows of Days.
Bobby Steggert, Tyne Daly, Terrence McNally and Patti LuPone - 13th Annual Human Rights Campaign's Greater New York Gala at the Waldorf Astoria - Arrivals - New York, United States - Saturday 8th February 2014
Far better made than it has any right to be, this cheesy 70s-style thriller is given a thoroughly engaging kick by veteran filmmaker Hackford working outside his usual dramatic genre. It's predictable and far too long, but Hackford grounds everything in gritty reality, avoiding obnoxious effects work while indulging in entertaining innuendo and riotously nasty action sequences.
None of this is much of a stretch for the cast, and Statham's Parker is essentially the same character he always plays: a ruthlessly efficient, indestructible criminal with a conscience. After a gang of thugs (including Chiklis and Collins) betrays him following a fairgrounds heist, Parker miraculously recovers from his hideous injuries and heads to Florida to get revenge. He uses local estate agent Leslie (Lopez) to find the gang's lair, and she's instantly attracted to the way he fills out his designer suit. Living with her soap-addict mum (LuPone), Leslie is looking for a wealthy man to rescue her. And she's already too involved when she realises that Parker isn't who he seems to be.
There isn't much to the plot, which is packed with contrived twists and turns and never follows through the intriguing possibilities along the way. At least the film avoids the usual action cliches, as Hackford sharply orchestrates each fight sequence to make it both lucid and startlingly brutal. This earthy approach keeps things relatively believable, until Parker emerges with yet another serious injury that doesn't slow him down at all. Meanwhile, Hackford injects plenty of eyebrow-raising flirtation that keeps us smiling. Statham and Lopez may not be stretching themselves as actors, but they clearly have a lot of fun circling around each other like dogs on heat.
Continue reading: Parker Review
Parker is a skilled thief with a very specific moral code; never kill anyone who doesn't deserve it and never steal from those with little money. Other than that, he is brutal, doing anything it takes to seize his target along with his so-called loyal team. However, one day he finds that his accomplices are not the people he thought they were when they stab him in the back and leave him to die. As single-minded as ever, Parker assumes the new name and identity of Texas guy Daniel Parmitt and sets out to destroy his former allies for what they did to him seeking an unusual partnership with Leslie: a local resident of Palm Beach who has inside information on Parker's targets and agrees to help him despite having reservations about his plan to murder every last one of them and take the loot from their latest robbery.
'Parker' is a crime thriller based on the novel 'Flashfire' by Donald E. Westlake. It has been directed by the Oscar winner that is Taylor Hackford ('An Officer and a Gentleman', 'The Devil's Advocate') and written by John J. McLaughlin ('Black Swan', 'Hitchcock') and will be released in cinemas across the UK from March 8th 2013.
Director: Taylor Hackford
Continue: Parker Trailer
It’s a bad time for the playwright David Mamet right now. His new play, The Anarchist, starring Debra Winger and Patti LuPone will close on December 16, 2012, it has been announced. The play opened at the John Golden Theatre on December 2, to largely negative reviews and the effect of those reviews means that the play will only run for its 23 previews and 17 performances, The Wrap has reported. A bitter disappointment, no doubt, for the Pulitzer Prize winning writer, who is more accustomed to being on the receiving end of endless praise, rather than such harsh criticisms as he has received for The Anarchist.
The New York Times review was particularly harsh, saying that the play “is not lurid, spark filled or even expletive laden” and Mark Kennedy of Associated Press was equally dismissive of Mamet’s efforts, writing that “The Anarchist starts in second gear and never really speeds up or slows down, just becomes wave after wave of staccato dialogue that is more pleasant on the page than spoken.” The play had originally been scheduled to run for 14 weeks until February 17, 2013 but it now looks as though the reviews have had a disastrous impact on the play’s fortunes.
To further add to Mamet’s misery, a revival of his 1984 Pulitzer-winning play Glengarry Glen Ross has been pushed back to open this Saturday (December 8, 2012) after originally being planned for November. Let’s hope Mamet’s confidence can weather the storm and we see a return to form from him soon.
David Mamet's new play The Anarchist opened at the Golden Theatre in New York City on Sunday (December 2, 2012), though the majority of critics panned the show that tells the story of two actresses playing a verbal game of cat-and-mouse.
Patti LuPone plays Cathy, a middle-aged prison inmate who got an indeterminate sentence behind bars after a deadly armored truck robbery. After 35 years in prison and a conversion to Christianity, Cathy begins to plead for clemency with the warden Ann, played by Debra Winger. The Associated Press' drama critic Mark Kennedy opened his scathing review with, "David Mamet's new play "The Anarchist" contains - shock! - not a single swear word. But some are certain to be used by theatregoers walking out after the show." Echoing the New York Times' devastating review of Guy Fieri's new restaurant, Kennedy picks apart the play piece-by-piece, saying, "Running an intermissionless 70 minutes, "The Anarchist" starts in second gear and never really speeds up or slows down, just becomes wave after wave of staccato dialogue that is more pleasant on the page than spoken." Kennedy delivers the killer blow in his final couple of lines, writing, "It fails to connect to the heart or the mind. But at least it's mercifully short. No sooner have you arrived at the theater than you are back in the street, puffing in the cold air - and maybe sending out an expletive, too."
Mamet - a revered playwright and essayist - is the winner of a Pulitzer Prize and received Tony nominations for the classic Glengarry Glen Ross (1984) and Speed-the-Plow (1988). As a screenwriter, he received Oscar nominations for The Verdict (1982) and Wag the Dog (1997).
Continue reading: Critic Pans David Mamet's The Anarchist: "Theatregoers Will Walk Out"
City by the Sea is inspired by the true events surrounding the life of New York City Homicide Detective Vincent LaMarca. A veteran of the police force, LaMarca (Robert De Niro) returns to the boardwalks of Long Beach, Long Island (a.k.a. City by the Sea), where he grew up, to investigate a homicide that his son Joey (James Franco) is under suspicion of committing. Vincent and Joey have been estranged since Vincent divorced his wife (Patti LuPone) 14 years ago. As a result, Joey has fallen into the pitfalls of drugs and vagrancy. When a drug deal goes bad, and Joey kills the dealer in the ensuing struggle, he becomes the target of many overzealous police officers who want to charge him with the crime. Joey is also the target for another drug dealer (William Forsythe) who wants the drug money he thinks Joey stole.
Continue reading: City By The Seatest Review
State and Main, written and directed by David Mamet (The Spanish Prisoner, The Winslow Boy, House of Games), follows a Hollywood film crew into the sleepy town of Waterford, Vermont, for the shooting of a would-be blockbuster. William H. Macy plays the director -- part ballbuster, part smooth-talker -- who comes to Waterford after the production kicked out of another lost-in-the-past New England locale.
Continue reading: State and Main Review
Harrison Ford plays the cop, John Book, who heads to Lancaster County from Philadelphia after a young murder witness (Lucas Haas) identifies Book's colleague as the culprit, unveiling a departmental conspiracy. A wounded Book drives the boy and his mother (Kelly McGillis) to their farm before collapsing. With the car damaged and his superiors on the look out, Book is forced to stay with the Amish and live their lifestyle until he can get away.
Continue reading: Witness Review
Just Looking is the story of Leny (played perfectly by Ryan Merriman) who is a boy like any other 14 year old, curious about sex. So much so that his goal for the summer of 1955 is to see two people "engaged in the act of love" as he puts it. But his innocent curiosity ends up getting him caught and his mother (Patti LuPone) and stepfather decide to ship him off to "the country" (also known as the Bronx) where he meets a new set of friends who just happen to share a similar interest.
Continue reading: Just Looking (1999) Review