Based on the novel by Alex Garland, whose first novel, The Beach, was made into a movie that pumped up the action while ignoring the book's philosophical and sociological musings, The Tesseract suffers a similar fate. It's directed by the energetic action genius Oxide Pang (who sometimes teams up with his more prolific twin brother Danny on thrillers such as The Eye). Simply put, he's not a good fit here. Dispensing with the novel's heavy meaning-of-life issues, Pang focuses instead on the bang bang stuff, and what could have been a deep and introspective movie becomes a follow-the-stolen-drugs-through-the-crowded-streets action flick.
Continue reading: The Tesseract Review
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