Art has always been a gift for Catherine, her talent is plain to see but she’s always lived in the shadow of her father – a famous artist who’s recently passed. After years of looking after her father’s affairs and recently having broken up with her partner, Catherine finds herself unable to occupy her mind and turns to her best friend, Valerie, for support.
Valerie suggests the pair embark on a trip to Valerie’s family’s lake house to find some refuge from their day to day lives. Catherine feels this would be a good solution to her current state of mind; a place to paint with her friend away from the world.
However, once in the woods Catherine soon finds herself in a mentally fragile state. Valerie has found a distraction with a local man called Rich and Catherine, herself is constantly faced by reminders of her ex-boyfriend James (who had visited the lake the year prior).
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Kate Burton, Brittany Snow, Patrick Fugit and Stacy Keach - Shots from the premiere of "Full Circle" celebrated by DIRECTV. The premiere was held at the London West Hollywood Hotel in Los Angeles, California, United States - Tuesday 17th March 2015
Patrick Fugit - Shots from the premiere of "Full Circle" celebrated by DIRECTV. The premiere was held at the London West Hollywood Hotel in Los Angeles, California, United States - Monday 16th March 2015
Those who have read the blockbuster novel may be disappointed to know that author Gillian Flynn hasn't changed anything in adapting it to the big screen, so there aren't any surprises along the way. But they'll be glad to see the story so faithfully and skilfully adapted, with snaky direction from David Fincher and actors who add layers of new meaning to the characters. And non-readers are in for a thrillingly twisty experience as a mysterious conundrum shifts into a full-on thriller and then something much more intensely personal.
When Nick (Ben Affleck) discovers that his wife Amy (Rosamund Pike) is missing on their fifth wedding anniversary, he has no idea what has happened. As recounted in Amy's journal, their marriage has been a whirlwind of sexy highs and dark lows, as both writers lost their jobs in New York and moved to rural Missouri to take care of Nick's terminally ill mother. As a result, their marriage ran aground, and Nick increasingly turned to his twin sister Margot (Carrie Coon) for support. As two police officers (Kim Dickens and Patrick Fugit) investigate Amy's disappearance, the media circus begins to paint Nick as a villain, led by rabid tabloid-TV host Ellen Abbott (Missi Pyle). So while he suspects Amy's stalker-like ex (Neil Patrick Harris), Nick has little choice but hire a high-powered lawyer (Tyler Perry) to defend himself.
Even at nearly two and a half hours, this film races along breathlessly as events and revelations continually shift the perspective. It's clear from the start that neither Nick nor Amy (in diary-entry flashbacks) are particularly reliable narrators. Both are a bundle of secrets, although Nick remains far more sympathetic. Affleck gives one of his most textured performances in years as a nice guy who struggles to look "nice" for the cameras. His isolation and confusion are hugely involving, which contrasts strongly to Amy's far too confident point of view. Pike manages to bring out the peeling onion of Amy's personality beautifully, offering telling glimpses of the real woman beneath the characters she seems to always be playing. And the supporting cast add details that twist their roles as well. Dickens and Fugit are a terrific double act, while Coon and Harris constantly offer surprising hints about their characters beneath the bravado and concern.
Continue reading: Gone Girl Review
'Gone Girl' opened the New York Film Festival on Friday 26th September. In addition to the film's cast - some of whom include Ben Affleck, Neil Patrick Harris and Rosamund Pike - other famous faces who attended the event included Reese Witherspoon, Lisa Banes and David Clennon.
The opening of the New York Film Festival on Friday (26th September) was attended by many of the great and the good from the acting community. Check out the pictures from the red carpet!
Ben Affleck stars in Gone Girl.
Nick Dunne finds himself at the fore of a police investigation when his wife Amy mysteriously goes missing on their fifth wedding anniversary. He has mixed emotions about the whole thing as he enlists volunteers to help find her; their marriage has been on the rocks after he lost his job and dragged Amy away from New York to open a new business. Their relationship was often volatile, further implicating his involvement in her disappearance. A part of him is not so worried about her; he knows how manipulative and deceitful she can be, but unfortunately his lack of visible devastation on TV goes solidly against him for those who are sure he's killed her. As it turns out, he's not so honest either and things come to a head when it turns out that every person in this story has a secret.
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Nick and Amy Dunne are a couple whose marriage is struggling following the loss of Nick's journalism job and their subsequent move away from New York City. Nick sets up a new business to support them, but nothing seems to be cutting the tension between them as their relationship gets more and more fractured. When Amy goes missing on their fifth anniversary, a series of suspicious circumstances point him out as the prime suspect in a possible murder investigation; though he denies any involvement in her disappearance, we are left questioning everything he says when his true, deceitful nature starts to shine through. However, it soon becomes clear that he's not the only dishonest character in this tale as nobody is quite what they're making out to be.
Continue: Gone Girl Trailer
Even if we've never been to a 12-step meeting, an intelligent script and sharp performances help us see ourselves in these characters and situations. The film may sometimes get a little preachy, but writer-turned-director Blumberg (The Kids Are All Right) strikes a terrific balance between comedy and drama.
At the centre is Adam (Ruffalo), who has just passed the five year mark in his battle against sex addiction. His sponsor Mike (Robbins) is proud of him, but he and his wife (Richardson) have their own issues since their ex-addict son (Fugit) has just returned home. Meanwhile, Adam is sponsoring Neil (Gad), who was court-ordered to attend rehab and doesn't take his addiction seriously until he gets to know Dede (Moore aka P!nk), a fellow rebel in the group. Then out in the real world Adam meets Phoebe (Paltrow) and has an instant spark of attraction. But as their relationship develops, he knows he'll have to tell her about his addiction.
The script is very tightly constructed to explore the topic from several angles through a handful of characters and sideplots. But while this may feel a bit tidy, Blumberg keeps everything grounded in honest experience. So the comedy is edgy and surprising, while the dramas avoid the usual cliches, never going quite where we expect them to as Blumberg and the cast explore the deep flaws all of these people have. So we can cheer for their small victories and sympathise with their failures. And each actor is excellent.
Continue reading: Thanks For Sharing Review
Adam is a nice guy who's willing to be faithful to his girlfriend Phoebe, there's just one problem; he's addicted to sex. Despite Phoebe's initial scepticism and distrust, Adam attends group therapy classes to overcome his clinical neurosis before it destroys his chance of love. There he meets Neil, someone who doesn't actually have sex, but whose addiction stems to getting as close to women as possible and has already lost him his job after his boss caught him filming up her skirt. Neil becomes best buddies with Dede, one of the only women in the therapy group who he puts all his energy into helping recover from her own problem. With everyone banding together to face their demons, beautiful friendships are discovered and waning relationships are healed.
Continue: Thanks For Sharing Trailer
After his wife dies, Benjamin (Damon) is struggling to keep his kids - 14-year-old Dylan (Ford) and 7-year-old Rosie(Jones) - happy, mainly because he has lost the daredevil storyteller within himself. So against the advice of his goofy-but-sensible brother (Church), Benjamin buys a run-down zoo and moves there with his children to get it up and running again. Zookeeper Kelly (Johansson) and her team (including Macfadyen and Fugit) don't think he'll stick it out. And indeed, it's more of a challenge than he ever imagined.
Continue reading: We Bought A Zoo Review
The novel White Oleander was a 1999 selection of the ubiquitous Oprah Winfrey Book Club and you can tell why: There are so many brutally dysfunctional people in the story that Dr. Phil could produce months of television delving into their sorry lives. Astrid (Alison Lohman) is an only child, growing up in the Hollywood Hills with Ingrid (Michelle Pfeiffer), her eccentric, urban-arty mother. After a series of events that Kosminsky smartly keeps off-camera, Ingrid kills her boyfriend. Or does she? And how? Regardless, the beautiful, hopeful, young Astrid is picked up by state services and sent to live in a double-wide with a foster family.
Continue reading: White Oleander Review
If it weren't for the cache that came with being a selection in Oprah Winfrey's short-lived book club, any film adaptation of Janet Fitch's "White Oleander" would likely have wound up as a weepy, cable TV movie-of-the-week melodrama in which struggling former stars cry out for credibility.
But Warner Bros. dollars and a dedicated pedigree cast make all the difference in bringing to the screen this earnest (if not profound) saga of a tender teenage girl's roller-coaster ride through foster care after her bourgeois artiste mother is imprisoned for poisoning an errant lover.
Michelle Pfeiffer shows some serious bite as the girl's affectionate but inattentive, domineering and pernicious jailbird mom, who becomes subtly but increasingly detrimental to her daughter's psyche with every prison visit. And with foster parents played by Robin Wright Penn (as an aging white-trash tart who sees the 14-year-old heroine as sexual competition) and Renée Zellweger (as a sweet but clingy, failed L.A. actress looking more for a girlfriend than a daughter), you might think inexperienced lead actress Alison Lohman (Fox TV's "Pasadena") would have a hard time standing out.
Continue reading: White Oleander Review
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