Patricia Neal

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The New York premiere of 'Fantastic Mr Fox' at Bergdorf Goodman - Arrivals

Patricia Neal Thursday 10th September 2009 The New York premiere of 'Fantastic Mr Fox' at Bergdorf Goodman - Arrivals New York City, USA

Patricia Neal
Patricia Neal
Patricia Neal

The Day the Earth Stood Still (1951) Review


Good
A true 1950s drive-in classic (along with War of the Worlds and Forbidden Planet), The Day the Earth Stood Still anticipated the earnest, melodramatic artiness and social commentary of sci-fi TV series such as The Outer Limits and The Twilight Zone. From the opening sequence, in which a flying saucer lands in front of the Washington Monument and a giant robot comes out, you will not be disappointed. The robot looks like a tall guy wrapped in packing tape and the flying saucer looks so fake you will look for Ed Wood's name in the credits. From then on, suspension of disbelief is a non-issue.

As guns and tanks surround the saucer, an alien humanoid named Klaatu (Michael Rennie) comes out and announces that he comes in peace. Klaatu is taken by the U.S. government and demands to "deliver a message to all nations." The U.S. reluctantly agrees to set a meeting but the Russians refuse to come to the table. Impatiently, Klaatu escapes and boards with a divorcee (Patricia Neal), befriending her well-scrubbed American boy (Billy Gray), who shows him around Washington. Meanwhile, he tries to contact eminent scientists to persuade them to meet and hear his message.

Continue reading: The Day the Earth Stood Still (1951) Review

Caudwell Children present 'The Legends Ball' at the Battersea Evolution - Arrivals

Patricia Neal Thursday 8th May 2008 Caudwell Children present 'The Legends Ball' at the Battersea Evolution - Arrivals London, England

Patricia Neal

The Fountainhead Review


Excellent
Ayn Rand's own adaptation of her highly-regarded (and extremely thick) book. While I haven't read the novel (yet--it's in my stack), the film seems faithful to her work and is certainly faithful to her spirit. Gary Cooper and Patricia Neal (in her first film) do great work and have no trouble with the objectivist mentality. In the end, all questions are answered but one: What the heck is The Fountainhead? (Turns out it's a building. D'oh!)

Breakfast At Tiffany's Review


Extraordinary
A near perfect blend of comedy, romance, and minor tragedy, Breakfast at Tiffany's is a must-see classic that, despite diversions from Truman Capote's original novel, remains his clearest statement on what it feels like to be young, ambitious, and on the make in a rapacious city full of hidden agendas.

Set in present-day 1961 (as opposed to during World War II as in the novel), the film introduces us to the gorgeous Holly Golightly (a sparkling Audrey Hepburn) as she staggers home early one morning in her little black dress and sunglasses after yet another all-night bender during which she likely doled out small favors to amorous older gentlemen in exchange for rent money. Pausing in front of Tiffany's, Holly munches a danish and sips coffee as she admires the jewelry in the window. It's an iconic movie moment. Holly sees herself as a free-spirit, a party girl, someone who, as she puts it, won't be caged by love or commitments. It's a lonely life, but it pays the bills. The'60s are on the verge of swinging.

Continue reading: Breakfast At Tiffany's Review

The Day the Earth Stood Still Review


Good
A true 1950s drive-in classic (along with War of the Worlds and Forbidden Planet), The Day the Earth Stood Still anticipated the earnest, melodramatic artiness and social commentary of sci-fi TV series such as The Outer Limits and The Twilight Zone. From the opening sequence, in which a flying saucer lands in front of the Washington Monument and a giant robot comes out, you will not be disappointed. The robot looks like a tall guy wrapped in packing tape and the flying saucer looks so fake you will look for Ed Wood's name in the credits. From then on, suspension of disbelief is a non-issue.

As guns and tanks surround the saucer, an alien humanoid named Klaatu (Michael Rennie) comes out and announces that he comes in peace. Klaatu is taken by the U.S. government and demands to "deliver a message to all nations." The U.S. reluctantly agrees to set a meeting but the Russians refuse to come to the table. Impatiently, Klaatu escapes and boards with a divorcee (Patricia Neal), befriending her well-scrubbed American boy (Billy Gray), who shows him around Washington. Meanwhile, he tries to contact eminent scientists to persuade them to meet and hear his message.

Continue reading: The Day the Earth Stood Still Review

Cookie's Fortune Review


Good
Quick: Name Robert Altman's last movie.

Nope, it's not Short Cuts. It's not The Player. It was The Gingerbread Man. Before that it was Kansas City. And before that, Ready to Wear. It's been six years since Altman's last decent picture. And he's got a lot to redeem himself for.

Continue reading: Cookie's Fortune Review

Ghost Story Review


Good
Rather typical story (wrongful death, vengeful ghost) is masked by one of the most curious casts in horror history: Astaire? Fairbanks? Houseman? Holy crap! These guys would be watchable in an infomercial, and their cavorting with a mostly-naked Alice Krige makes for an unforgettable, if not terribly scary, Ghost Story.

A Face In The Crowd Review


Excellent
Every great film has a great screenplay, and A Face in the Crowd is no exception. Budd Schulberg's script is sharp and ambitious and works as a psychological study, slightly over-the-top political satire, and a morality play. But it is Andy Griffith's awesome, energetic, nuanced performance of a demagogue that makes this film a classic.

A reporter in rural Arkansas (Patricia Neal) interviews a bum in a local jail (Andy Griffith) and discovers he can sing, so she gives him a spot on her local radio show and christens him Lonesome Rhodes. He turns out to be a fountain of homespun charm who is especially empathetic with women listeners (the premise is not improbable -- many careers were launched in a similar way). On his first night on TV, Rhodes makes love to the audience while raising money for a homeless family. He becomes an overnight celebrity, rising from national TV star into advertising, opinion-making, and finally becomes a political kingmaker.

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Hud Review


Excellent
Like Cool Hand Luke, Hud's a tough nut to crack.

Hud's a scoundrel, troublemaker, corner-cutter, and latter-day outlaw, and Paul Newman pours his soul into the memorable anti-hero. Hud works on a small ranch with his ailing father (Melvyn Douglas), upstanding teenage brother (Brandon De Wilde), and mildly tawdry housekeeper (Patricia Neal). He's rousted out of bed one morning (well, not his bed) due to an emergency at the ranch... which turns out to be a sickness among the cattle. Ultimately that is revealed to be "the worst kind" of problem... hoof and mouth disease. The entire herd will have to be shot and buried. The mass slaughter is a truly horrifying sight without being extreme in its graphicness.

Continue reading: Hud Review

The Fountainhead Review


Excellent
Ayn Rand's own adaptation of her highly-regarded (and extremely thick) book. While I haven't read the novel (yet--it's in my stack), the film seems faithful to her work and is certainly faithful to her spirit. Gary Cooper and Patricia Neal (in her first film) do great work and have no trouble with the objectivist mentality. In the end, all questions are answered but one: What the heck is The Fountainhead?

Cookie's Fortune Review


Excellent

"Cookie's Fortune," an ode to the charms and afflictions of smalltown Southern life from superlative director Robert Altman, opens, appropriatelyenough, with a leisurely, cinematic stroll around Holly Springs, Miss.,introducing the players in what will become a sympathetic satire of DixieGothic manners and mores.

We see sheriff's deputies with nothing to do but drivearound shining their spotlights here and there and talking unceasinglyabout fishing. We meet purse-lipped old maid Camille Dixon (Glenn Close)as she tenaciously directs a rehearsal of Oscar Wilde's "Salome,"which she has rewritten as a church morality play. We meet her slow-witted,obedient sister Cora Duvall (Julianne Moore) who is frustrating Camillewith her strenuous over-acting as the play's wanton lead.

Continue reading: Cookie's Fortune Review

Patricia Neal

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