Patricia Clarkson - American Theatre Wing's 69th Annual Tony Awards at Radio City Music Hall - Red Carpet Arrivals at Radio City Music hall, Tony Awards - New York City, New York, United States - Sunday 7th June 2015
Following their supposed escape from the monster infested maze, the surviving Gladers led by Thomas are taken to an underground facility in the wake of a devastating solar flare known as The Scorch that has left the vast majority of the population infected with a disease called the Flare, but little do they know they are about to enter Phase Two. Soon they begin to realise that they're still part of WCKD's dastardly experiment and they must find a way to escape once and for all or risk more of them dying untimely deaths. They are warned about the dangers of entering the barren wasteland that has become the rest of the world, but they have no choice if they want freedom. Cities have been overtaken by sand dunes, but they soon about to discover yet more unfathomable horrors that lie before them.
Alessandro Nivola, Patricia Clarkson and Bradley Cooper - A host of stars were photographed as they arrived for the Meet the 2015 Tony Nominees reception which was held at the Paramount Hotel in New York City, New York, United States - Wednesday 29th April 2015
Currently nominated for Best Original Score Written For The Theatre, rock legend Sting appeared at the 2015 Tony Nominees reception held at the Paramount Hotel in New York, unusually sporting a beard. The singer composed the score for the nautical England set play 'The Last Ship'.
The stars of Broadway's 'The Elephant Man' Bradley Cooper, Alessandro Nivola and Patricia Clarkson were spotted laughing and joking together on the red carpet as they arrived for the Meet the 2015 Tony Nominees reception which was held at the Paramount Hotel in New York.
Bryan Batt and Patricia Clarkson - Photographs of a variety of stars as they arrived to the Opening night of Broadway's musical comedy 'It Shoulda Been You' which was held at the Brooks Atkinson Theatre in New York City, New York, United States - Tuesday 14th April 2015
Patricia Clarkson - Cast members from 'The Elephant Man' receive their portraits at Sardi's famous theatre district eatery. at Sardi's, - New York City, New York, United States - Thursday 2nd April 2015
There's nothing particularly original or insightful to set this teen-dystopia thriller apart from the crowd, but strong characters will build some anticipation for the next instalment in the franchise. Unusually for the genre, the film also has a remarkably masculine tone, centring on boyish jostling for control while leaving the women in just two small-but-pivotal roles. On the other hand, it's to thinly plotted that it's pretty forgettable.
The story opens in a scene of disorientation, as teen Thomas (Dylan O'Brien) emerges into the Glade, unable to remember anything about himself or his past. He's the monthly arrival to a community of boys anchored by Alby (Aml Ameen) and the runners who dash into the maze beyond the four tall walls that close in their isolated world. But the maze is full of dangers, and paranoid leader Gally (Will Poulter) thinks Thomas is jeopardising the status quo with his curiosity, bravery and desire to get out. As divisions appear in the community, the game itself seems to be changing as monsters called grievers become more aggressive. Thomas finds allies in Gally's second-in-command Newt (Brodie-Sangster), the lead runner Minho (Ki Hong Lee) and cheery youngster Chuck (Blake Cooper). Then a girl (Kaya Scodelario) arrives carrying a note that says, "She is the last one EVER." And now everyone knows that nothing will be the same again.
Essentially this is Lord of the Flies with the nasty bits taken out, as these boys create a relatively peaceful society until Thomas' arrival signals an apocalypse within the post-apocalypse. Through it all, Thomas has dreams revealing snippets of information about what's really going on here and who's pulling the strings (the fabulous Patricia Clarkson). Meanwhile, he has to learn the mythology of the Glade, which is carefully explained in painfully obvious dialogue ("That's what we call 'the changing'").
Continue reading: The Maze Runner Review
After awakening in a rising elevator with no memory of who he is or what his life was, Thomas finds himself deposited in a strange clearing surrounded by high walls. He is greeted by around 60 other boys, all teenagers, who inform him about their life in The Glade where they are forced to fend for themselves in order to survive. The only escape is a colossal surrounding maze that is frequented everyday by the runners who map out the labyrinth in a bid to find their way out. However, of course nothing is that simple and the boys are not alone in there. Infesting the twists and turns are brutal creatures known as Grievers who will stop at nothing to wipe out the Glade inhabitants. Things get more complicated when the first girl arrives in their midst; the boys are reluctant to trust her especially with the unusual message she presents to them.
Continue: The Maze Runner - Alternative Trailer
Thomas is a young teenager who suddenly awakens to find himself ascending in an elevator to an unknown destination. He has no memory of his life and arrives into a mysterious clearing surrounded by walls filled with around 60 other boys around his age. The clearing is known as The Glade and the inhabitants spend their days trying to survive on minimal resources while periodically venturing into the surrounding maze to look for an escape. Unfortunately, things aren't that simple as they discover that the maze is inhabited by deadly creatures known as Grievers, who are hellbent on destruction. Soon after Thomas' arrival, an unconscious girl is found in the elevator - the first girl to have ever been sent to the The Glade - with an unusual message, and it seems since both their arrivals, everyone's memories are getting a little clearer.
Continue: The Maze Runner Trailer
Liam Hemsworth appears alongside his 'The Hunger Games: Catching Fire' co-stars, including Jennifer Lawrence and Elizabeth Banks, at the movie's New York premiere held at the AMC Lincoln Square Theater.
The New York premiere of space thriller 'Gravity' brought with it a host of actors and other famous faces from every area of the entertainment world including 'Pieces of April' actress and Oscar nominee Patricia Clarkson, 'Insidious' star Patrick Wilson and rapper/singer Kid Cudi.
Alfonso Cuaron, director of space thriller movie 'Gravity', was snapped at the New York premiere of the movie alongside his son and co-writer Jonas Cuaron. The film stars Sandra Bullock and George Clooney - who are the only visible actors on screen - and is set to be released in the UK on November 8th 2013.
Despite a bunch of cold characters and a deeply contrived plot, this film is so infused with hot topicality that we are held in its grip all the way through. The issue is corporate irresponsibility and grass-roots activism, both of which feel ripped straight from the headlines to give the movie an edgy, almost documentary urgency. On the other hand, it's nearly impossible to get involved in the story's inter-personal dramas.
Director Batmanglij is reteaming with Sound of My Voice actress-cowriter Marling, who this time plays Jane, a corporate-security spy assigned by her shark-like boss (Clarkson) to infiltrate the eco-terrorism group The East. The goal is to prevent them from attacking any of her clients. It takes Jane awhile to worm her way into the anarchists' inner sanctum, where she immediately finds an affinity with leader Benji (Skarsgard), medically trained Doc (Kebbell) and flamboyant Luca (Fernandez). It takes longer to warm to the prickly Izzy (Page), but eventually Jane finds herself part of the core team, invited to participate in a series of jams in which The East gives company bosses a taste of their own toxic medicine.
In the cast of a pharmaceutical giant, this is quite literally the case: they infect the executive (Ormond) with the dangerous drug she's selling to the developing world. And the gang also stages assaults on oil companies in ways that are eerily easy for us to identify with, because the activists are making an important point. Indeed, we never really doubt where the filmmakers' sympathies lie: even if their actions are illegal and rather nasty, these "terrorists" are the good guys. At least this moral complexity gives the film a brainy kick.
Continue reading: The East Review