Patricia Rozema's odd melodrama tells Camille's story. A Calvinist professor at a Christian college, she is on the fast track to a position as co-Chaplain of the university along with her conservative boyfriend Martin (Henry Czerny). Suddenly, circus performance artist Petra (Rachael Crawford) comes into her life, and everything changes. Petra is almost obsessively infatuated with Camille, and the once-traditionalist Camille very quickly finds herself developing an inexplicable attraction for Petra.
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Canadian writer-director Jeremy Podeswa assigned himself a daunting task when he stepped behind the camera to make "The Five Senses": Create a five-dimensional world of sight, sound, touch, taste and smell, in the two dimensional medium of film.
The resulting picture is penetrating metaphorical cinema that immerses the viewer in its characters' often internalized loneliness, anxiety, desire, shame and insecurity by watching them misunderstand, embrace and/or rediscover senses we often take for granted through five well-conceived, inter-connected narratives, one for each sense.
Richard (Philippe Volter) is a middle-aged French optometrist who has learned he is slowly going deaf. He makes a list of every sound he wants committed to memory before it's too late and sets out to record them in his mind. He calls his estranged wife's house just to hear his daughter answer the phone, and he becomes mesmerized while eavesdropping on a neighbor through heating ducts in his office floorboards.
Continue reading: The Five Senses Review
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