Joan of Arc, arguably history's most famous peasant girl, get a monster-budget makeover in "The Messenger," an appropriately over-produced, but not necessarily overwrought, grandiose epic biography from the indulgent mind of director Luc Besson.
From Besson's trademark lack of subtlety (which helped make "The Fifth Element" such a opulent and enjoyable exercise in sci-fi excess) to the babe-casting of "Element" hottie Milla Jovovich in the lead, "The Messenger" is a feast of lavish filmmaking that turns France's 15th Century virgin warrior into a pious, ardent action figure who would fit just as readily into a video game as she would into a confessional.
The movie hinges on Jovovich's performance as the evangelical 17-year-old girl who, without military experience and depending entirely on her conviction that she was an instrument of God, lead a vast army into bloody, ferocious battles that drove the occupying English out of large parts of France in order to seat her Dauphin (John Malkovich) on the throne as King Charles VII.
Continue reading: The Messenger: The Story Of Joan Of Arc Review
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