Review of It's Not Over EP by Panama

Aussie five-piece Panama recently released EP 'It's Not Over' and you would never have guessed that two members of the band used to be part of indie rock outfit 'The Dirty Secrets.' When a genre is flagged up on the computer it describes Panama as Dance or (gasp) R&B. So what's gone on here then? It's not as drastic as a transition from thrash metal to classical or vice versa, but it's intriguing one that sparks interest.

Panama It's Not Over EP

The clean synth vibrations that kick off the EP on 'Heartbeat' sound dud and lifeless when they are alone as the beginning of the track. But as the nostalgic vocal of Jarrah McCleary descends, everything begins to head in the right direction. He murmurs: "Take me by the hand you want me, take me by the hand you need me". It's only when the clapping beat arrives that it feels like a genuine song. The delayed start doesn't just delay the song, but as the opening song it gives a disappointing, flimsy start the album, as you wait for it to toughen up. 

First Single 'Magic' has a funky downbeat, with some high voices and assertive synths, which all entwine to give an 80's assuring nod to others inspired by the similar era like Cymbals, Friendly Fires and Theme Park. 

'It's Not Over' is arguably the best track, with its wavering lyrics and calm atmosphere. However, the chorus, "It's not over, till it's over" seems to ring a bit too close to the chorus of the ever-passionate 'Sweet Disposition' by fellow Aussies Temper Trap. Their one goes "Won't stop till it's over". Hmm. Oh, and also that smooth offering from Lenny Kravitz about it ain't being over 'till it's over is also alike in words.  It is a good song though and one sure to be used for ads and background sound, down to its sweet "oohs" that add tranquillity. Breathe in 2, 3, 4 and out. 

"One piece at a time brings us back together" is the loving lyric that repeatedly sweeps through 'One Piece' dancing to the stomping rhythm. 'Stop The Fire' and 'We Have Love' end the EP on a higher note (literally) with bright pitchy synths and steady beats to capture a summery essence. 

Panama have potential but 'It's Not Over' is over-thought in places. The best parts are those where you can tell they've let loose with the more upbeat stuff. They need to attack their full-length head on in this same way. 


Hayley Fox

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