Bernard, a lowly stable elf responsible for cleaning the reindeer's stables is forced to travel through time in order to save Christmas from the invading army commandoes taking over the North Pole. Bernard must convince any elf that will be believe him that the invading forces are coming as he races through time (using Santa's secret time travelling sleigh) to save Santa and the secret of Christmas! Only Bernard can stop the evil antagonist Neville Baddington who is determined to steal Santa's secrets for himself!
Saving Santa is a 3D adventure (also available in 2D at selected cinemas) from Kaleidoscope Entertainment and Gateway Films starring Martin Freeman (The Hobbit: An Unexpected Journey, Love Actually) as Bernard the elf and Tim Conway (McHale's Navy, Spongebob Squarepants) as Santa, promising to be the animated Christmas adventure of the year!
Due for release November 29th (UK) Saving Santa is the directorial debut by acclaimed animator Leon Joosen (The Little Mermaid, Space Jam) and Editor Aaron Seelman (Space Chimps 2: Zartog Strikes Back) and written by Tony Nootage (story) and Ricky Roxburn (screenplay).
Continue: Saving Santa Trailer
After 2009's inane comedy Nativity, no one was clamouring for a sequel, but at least this one tips the scales into sublime silliness. If you can suspend your disbelief, this might even be a guilty pleasure, complete with stars behaving stupidly, adorable children and a series of hilariously corny pastiche Christmas songs.
Things continue to be rather chaotic at St Bernadette's Primary School in Coventry, mainly because the headmistress (Ferris) is still employing her idiotic nephew Mr Poppy (Wootton) as a classroom assistant. He's just scared off another applicant for the teaching job when the tenacious Mr Peterson (Tennant) arrives with his pregnant wife (Page), determined to stick it out. Somehow Poppy convinces Peterson to take the kids on an illicit cross-country journey to a Song for Christmas competition in Wales, at which the kids will face competition from school rival Mr Shakespeare (Watkins) as well as Peterson's estranged twin brother Roderick (also Tennant), a snooty composer with a professional choir.
The plot is utterly preposterous, and as the wacky events progress, writer-director Isitt never even tries to ground the movie in realism. In fact, there's a point about halfway through where it becomes pure fantasy, so complaints about believability don't really apply. The only way to survive watching it is to sit back and enjoy the inane plot and goofy slapstick. And by doing so, we're surprised that the film is actually rather enjoyably ridiculous.
Continue reading: Nativity 2: Danger In The Manger! Review
Mr. Poppy, an immature classroom assistant at a St. Bernadette's Primary School, returns with ideas for a new Christmas performance with his class following the success of their Nativity play in 2009's 'Nativity!' He wishes to organise the pupils for the National 'Song for Christmas' Competition where the prize is a massive o10,000. However, being only an assistant, he cannot enter the class until their new teacher arrives. Donald Peterson is that teacher; a restless and stressed out man who struggles to deal with the pregnancy of his wife, the pressure on him to become like his talented composer twin brother and, of course, the unruly Class 7. Mr. Poppy wastes no time in getting Donald to agree to get the competition performance underway but the new teacher soon finds himself out of his depth and struggling to control the behaviour of his teaching assistant who insists on using a real baby and a donkey in the show. However, when Donald discovers that his perfect, daddy's boy brother is also competing alongside the upperclass choir of St Cuthbert's College, he finds himself determined to put on a world-class performance.
'Nativity 2: Danger in the Manger' is the most perfect sequel to its 2009 predecessor. It sees the return of Debbie Isitt as writer and director and most of your favourite characters and is set to be released well in time for the festive season on November 23rd 2012.
Director: Debbie Isitt
Continue: Nativity 2: Danger In The Manger Trailer
In the weeks before his inexplicable death in 1849, author Edgar Allan Poe (Cusack) finds himself at the centre of a series of murders in which a killer is recreating his stories in grotesque scenarios around Baltimore. Detective Fields (Evans) asks Edgar to help with the case, but he's distracted by his girlfriend Emily (Eve), whose harsh father (Gleeson) refuses to allow the couple to marry. As the murders get increasingly personal for Edgar, he realises that his own fate is entwined with the fiendishly clever killer, whoever he may be.
Continue reading: The Raven Review
One dark night in 19th century Baltimore, a woman and her young daughter are found brutally murdered. The girl was stuffed into the chimney, while her mother's throat had been slashed. Upon inspecting the crime scene, the police are astonished to discover that the murder is exactly like a murder in a story by an unpopular citizen and struggling author, Edgar Allen Poe.
Continue: The Raven Trailer
In this WWII-era Europe populated with stop-motion dolls, the evacuation of Dunkirk was a miserable failure. This opens the door for Hitler (Cumming) to invade London by tunnelling from France. But Winston Churchill (Spall) won't give up without a fight, and he's joined by heroic farm boy Chris (McGregor), blustering Yank Fiske (West) and the lovely Daisy (Pike), daughter of a country vicar (Grant). As the Nazis move in, the English resistance decamps to the north, where they hope to get help from the barbarians in Scot Land.
Continue reading: Jackboots On Whitehall Review
Alice is a young woman (Grace) running from a couple of thugs when she's hit by a cab driven by Whitey (Dyer). She can't remember who she is, so he takes her along to meet the gangster Gonzo (King). Then Whitey learns that her wealthy dad (Hagon) is offering a $10 million reward for her return. And as Alice travels around London following clues to her identity, she meets a variety of eccentric characters. Ultimately, Whitey and Alice converge on a nightclub run by the mob boss Harry (Parker).
Continue reading: Malice In Wonderland Review
Paul (Freeman) is a loser who teaches at a primary school in the Midlands. It's been five years since his girlfriend Jennifer (Jensen) left to pursue a Hollywood career and best pal Gordon (Watkins) took a job in a posh school that puts on the most acclaimed Christmas shows in the city. This year, a moronic teacher's assistant Mr Poppy (Wootton) and a desperate-for-fame headmistress (Ferris) have put Paul in charge of the nativity play once again. And a little lie turns Paul's show into the talk of the town.
Continue reading: Nativity! Review
In 1961, Joe Meek (O'Neill) runs his music empire from a flat above a shop in Holloway Road, North London, where his landlady (Ferris) tries to ignore the ruckus upstairs. Joe surrounds himself with beautiful young men that he crafts into pop sensations, reaching the peak of success with the UK and US chart-topper Telstar. But Joe is also a victim of bad organisation, paranoia and depression, which leads him to alienate the talented people around him, including both musicians and his financier (Spacey).
Continue reading: Telstar: The Joe Meek Story Review
Harry Potter is growing up, and so is his movie franchise.Under the tutelage of a new director -- Alfonso Cuarón, known for both children's fare (the 1995 remake of "A Little Princess") and an edgy, insightfully soulful, sex-charged teen road-trip flick ("Y Tu Mama, Tambien") -- the boy wizard has graduated from the world of kiddie movie spectacles with tie-in toys.
"Harry Potter and the Prisoner of Azkaban" is a film in which depth of character, cunning humor and hair-raising chills come shining through the visual blitzkrieg of special effects -- which are also magnificently improved over the series first two installments. Case in point: a half-horse, half-eagle creature called a Hippogriff that gives "Lord of the Rings'" Gollum a run for his money as the most life-like CGI creation in cinema history.
Beyond just its detailed feathers (which fluff when it shakes) or its golden eyes (which bore holes in the screen with obstinate personality), this winged equine's every movement, from its canter to its peck, is a studied yet natural, amazingly fluid amalgam of the two beasts that were combined to create it.
Continue reading: Harry Potter And The Prisoner Of Azkaban Review
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