It all starts with a taxidermist named Esteban (the great Ricardo Darin) and a boring job at a museum. When he's not stretching animal fur over plaster of Paris, Esteban has a knack for figuring out heists and bank robberies in his mind. So, when a botched hunting trip with a friend leaves Esteban to help on a small robbery in Bariloche, his reserved demeanor and special talents become a rare instance of utility.
Continue reading: The Aura Review
The first scene sets the tone for the entire film: Juan (Gastón Paulis), a young con man, attempts to scam the cashiers at a convenience store, using a trick designed to confuse them into giving him an excess amount of change as he breaks a large bill. When the store's manager catches him, a mysterious man named Marcos (Ricardo Darín) displays a gun and assures everyone that he's a police detective and is going to bring the thief back to the station. Marcos drags Juan outside, and then reveals himself to be a con man as well. Marcos, a seasoned hustler, offers the inexperienced Juan a chance to be his partner. Juan initially refuses, but after a little more persuasion, Marcos has found a new right-hand man.
Continue reading: Nine Queens Review
Aleandro is at the heart of the 2003 Argentinean film Cleopatra, and her quirky charm carries the film. The story follows her adventures after a chance encounter puts her in the company of a much younger and very beautiful television star named Sandra (Natalia Oreiro); Sandra is fed up with her producer/boyfriend, who's more obsessed with Sandra's career than with Sandra herself, and Cleo is fed up with her husband, who's given up on life following the loss of his job. Together the two embark on their own journey of self-discovery, taking off into the Argentinean hinterlands without notice and without a plan.
Continue reading: Cleopatra (2003) Review
Just as the pre-cardiac arrest Rafa is vapid and unhappy, so is Campanella's film before the incident. Ricardo Darín, in the lead role, is a standout, sputtering dialogue like an angry boxer throwing jabs, but we've seen most of this before. He ignores the situations around him, works his fingers to the bone, and doesn't appreciate life. The prospects for an original, honest movie get worse when Rafa's aging father (Héctor Alterio) reveals his wish to renew his vows with Rafa's stunning mother (Norma Aleandro), regardless of her losing battle with Alzheimer's. Alterio's gushy proclamation is too sticky-sweet, and the film seems headed for soap opera territory.
Continue reading: Son Of The Bride Review
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