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L'Eclisse Review


Very Good
It's impossible not to sound like a snob when writing about Antonioni's movies -- hell, the guy's name is "Michelangelo" -- but writing about the spare L'Eclisse is the worst job of all.

Antonioni's films rarely vary from a tight thematic script that ranges from melancholy to loneliness to despair. In L'Eclisse, he focuses that beam on Monica Vitti, an almost stereotypically detached Italian woman whose engagement falls apart in the opening scenes of the film -- though it's virtually without dialogue for 15 minutes. Eventually Vitti's Vittoria hooks up with Piero (Alain Delon), and the remainder of the film concerns their relationship -- as it were, anyway.

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