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Angel Face Review


Excellent
There is a moment in Otto Preminger's film noir classic Angel Face, when you realize along with film's prize chump fall guy, ambulance driver turned chauffeur Frank Jessup (Robert Mitchum), that the night has collapsed and that he is getting in too deep. Jessup is alone in his room and is trying to hook up with his true love Mary (Mona Freeman). Mary is out with another guy and Mitchum proceeds to loosen his tie, take a long drag on his cigarette and allows the coffin nail to hang from his lips as he gazes into the abyss with a stark, haunted, and hopeless expression. He then loosens his tie a bit more.

In Angel Face, Robert Mitchum, the poster boy of film noir, signs off on the genre with his last great portrait of doom. As Jessup, Mitchum is a hunk of a man and knows it but his laconic self-assurance belies that fact that all the women he meets in Angel Face, both good and safe (Mary) and evil and possessed (Jean Simmons' Diane, a cute and an attractive but not-so-innocent package of venality and psychosis), overpower him, and the evil one wins out.

Continue reading: Angel Face Review

Dead Ringer Review


Very Good
1964's Dead Ringer is the middle film in Bette Davis's personal trilogy of tacky terror, falling between the unforgettable What Ever Happened to Baby Jane? and the slightly more forgettable but still tacky and terrifying Hush, Hush, Sweet Charlotte. It almost seems as if Davis was trying to keep up with Joan Crawford, her archenemy and Baby Jane co-star, whose axe-murderess epic Strait-Jacket came out the same year. It's safe to say that 1964 was a weird year down at the Bijou.

Dead Ringer is a classic good twin/bad twin murder mystery and identity swap that will keep you on your toes. Davis, directed her by her Now, Voyager co-star Paul Henreid, plays the twins: Edie Phillips, the down-on-her-luck twin who runs a seedy bar in downtown L.A., and Margaret Phillips DeLorca, the just-widowed wife of an outrageously rich Spanish nobleman who lives in an enormous mansion decorated to look like a 17th-century Andalusian monastery. It's ookey and it's spooky.

Continue reading: Dead Ringer Review

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