John Sayles, darling of the indie film movement, has created this picture, an epic study of racial tension in mythical Frontera, Texas, a border town in the Rio Grande Valley. (The film was actually shot in Eagle Pass, quite a ways upriver from the Valley.) Set against the backdrop of a son investigating his father's involvement in the murder of a sheriff some 40 years earlier, Sayles wanders, Short Cuts-like, through the lives of 15 or so major characters.
Continue reading: Lone Star Review
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