Although it was instantly treated as a nationwide laughing stock ITV's new show Splash has been making waves (sorry) in the Saturday night ratings schedule since it aired, and now the show is in the semi-finals stage, just about everyone is talking about it.
A quick head over to Twitter and you'll see that the show itself, host and diving wunderkind Tom Daley, and resident MILF Landa Barker are clogging up all the trending feeds. Who's laughing now? Well, people are still laughing at Splash but, lots of people are laughing with it too, and isn't that all you could ask for from a TV show about Z-listers jumping into a pool?
At 51, yes, 51! Barker has clearly been the star of tonight's episode. It's been that way for much of the series and lets face it, anyone who said that people wouldn't be tuning into the show just to perv over the contestants and their skimpy outfits was lying to themselves and clearly doesn't watch a lot of TV anymore.
Continue reading: Splash Leaps Into Semi Finals And Linda Barker Shines In Her Swimsuit
Born in a rugby-mad Welsh mining town, Howard Marks (Ifans) knew he didn't fit in and proved it by getting into Oxford against the odds. There he immediately falls into the early-1960s brainy/druggy crowd, dealing marijuana but never anything harder. Despite efforts to go straight, he continually returns to trafficking, arguing that it's not a crime to break an immoral law. But his associations with a notorious IRA terrorist (Thewlis) and a rule-bending Indian businessman (Djalili) attract the attentions of a tenacious American agent (Tosar).
Continue reading: Mr Nice Review
In the 1970's Howard Marks was one of the biggest weed smugglers in the world but the Welshman from the small town of Kenfig never indented to become such a major player in the industry. In the beginning Marks started out as a relatively minor drug dealer, supplying small amounts of dope but as his connections began to grow more opportunities became available.
Continue: Mr. Nice Trailer
Despite the everyday trials and tribulations of growing old, motherhood and balancing fulltime careers; Carrie, Samantha, Charlotte and Miranda are still friends and absolutely fabulous. Well not that fabulous, Miranda and Charlotte find coping with motherhood a bit of an uphill struggle. Carrie's relationship with Mr Big is going well but they aren't quite as close to having a family as Carrie wants, and Samantha? Well, she's just Samantha. The girls decide it's time for a holiday together, Abu Dhabi will be the location, it's just the break the girls need.
Continue: Sex And The City 2 Trailer
Astutely combining sharp comedy with complex political and theological issues, this film is packed with strong themes and vivid characters that keep us interested even as the plot drifts into silly slapstick.
London cabbie Mahmud (Djalili) is a loving family man and a relaxed Muslim whose son Rashid (Shah) wants to marry the step-daughter (Radford) of a radical Imam (Naor). But just as Mahmud is trying to behave like a better Muslim, he discovers that his birth parents were Jewish. Suddenly, his whole world shifts on its axis, and he turns to rival Jewish cabbie Lenny (Schiff) for advice.
He's also understandably terrified to tell his family the truth, although his wife (Panjabi) suspects that something's up.
While Baddiel's smart, funny script probes the comical possibilities, Appignanesi's direction continually looks for sight gags and rude jokes. The result is a little uneven: even though these two elements come together often, the wacky physical humour sometimes undermines the more provocative themes. On the other hand, this approach keeps us nicely off-balance, never quite sure where the story might go while allowing the cast to make the most of their characters.
Most enjoyable, and telling, is the way this news causes Mahmud to see the world through different eyes. Not only is this amusing, but it also challenges our own perspective on the world around us. Djalili plays this cleverly; we can understand why Mahmud finds it impossible to continue hating Jews. Watching him try to become a better Muslim even as he's studying Judaism is pretty intense, although it's basically played for laughs. When Lenny welcomes Mahmud to "the worldwide conspiracy", it's a joke. Right?
These elements make the film much more meaningful than most comedies, and add offbeat details to the characters and situations. So it's a bit frustrating when the plot takes over in the final act, weaving in a side-story from early on that we knew would come back later, then heading for a big showdown that feels like it was grafted on from Hollywood script-writing software. This milks the emotions more than was necessary, but even here the corny slapstick is intermingled with theology, giving the whole film a potent kick.
Drawing from pulp, noir, and classic comics for his inspiration, director Kerry Conran - in his film debut - creates an entire new universe for us to soak up, based right here on earth. Ostensibly set in an alternate version of the late 1930s/early 1940s (and notably pre-WWII), the film is filled with the technological promises of many a World's Fair. Planes can turn into submarines. Entire cities can float in the sky. Robots 100 feet tall can parade through the streets. And everyone wears a hat. (As an aside, Conran really wants to disorient you with the setting; look closely at the newspaper in the beginning and you'll see it's clearly dated sometime in the 2000s.)
Continue reading: Sky Captain And The World Of Tomorrow Review
After a brief prelude, the film picks up Modigliani's story in 1919, the year before his death, at a time when modern art was flourishing in Paris. Artists such as Pablo Picasso, Diego Rivera, and Jean Cocteau haunted the cafes at night as their fame and influence spread over the globe. It is here, in a café, where Modigliani (Andy Garcia) makes his entrance, drunkenly hopping onto a table and publicly ridiculing Picasso with the question, "How do you make love to a cube?"
Continue reading: Modigliani Review
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