Since novelist Dan Brown wrote a new thriller featuring the symbologist Robert Langdon, Tom Hanks and director Ron Howard have reteamed to bring it to the big screen. But this second sequel to The Da Vinci Code feels like a pale imitation of the original. Gone are the clever, fake-academic revelations and rather wacky action antics, and in their place are clues that feel utterly irrelevant, accompanied by fights and chases that are incoherent.
At least it opens well, with Langdon (Hanks) waking up in a Florence hospital without a clue how he got to Italy. Then when a sexy cop (Ana Ularu) tries to kill him, Robert's hot doctor Sienna (Felicity Jones) helps him escape. She also has an unusual knowledge of antiquities, so she travels with him to figure out why he's being chased by the police, an army of World Health Organisation officials (led by Sidse Babett Knudsen), a man (Omar Sy) leading a team of violent goons and a shady businessman (Irrfan Khan). Robert traces all of these shenanigans to the recently deceased billionaire anarchist Bertrand (Ben Foster), who was plotting to release a virus that would kill off half of mankind to halt overpopulation. Is his plan still going forward? Can Robert stop it in time? The next clues are in Venice and then Istanbul.
The settings are gorgeous, and Howard knows how to use them to pack the film with old world elegance. But while David Koepp's script keeps the mayhem moving along whether or not it makes any sense, Howard directs everything at a glacial pace. So it looks like Hanks is in danger of falling asleep at any time, even in the middle of a car chase. There's also the problem that the central premise is utterly preposterous: if you're planning a terrorist attack that will kill four billion people, would you take the time to set it up as an elaborate scavenger hunt? And it doesn't help that everyone in the movie seems untrustworthy. The script sorts the good from the bad as it goes along, but it never matters.
Continue reading: Inferno Review
Professor Robert Langdon wakes up in a hospital feeling terrible and suffering from serious nightmares. His dreams are lifelike and appear to predict a vicious and unprecedented attack on humanity. As the professor begins to come around, his nurse, Sienna, is on hand to treat his head injuries and inform him of his concussion and the side effects he might experience.
Before he can fully understand what brought him to Italy - Langdon's last memories were from Harvard University - a woman enters the hospital and kills the professor's doctor. With the help of Sienna, Robert escapes and the pair retreat to Sienna's apartment. Whilst searching his pockets Langdon finds a vile with a hazardous label on it.
The vile is the start of Langdon's latest mission, he must find the source of a deadly virus that is thought to be capable of killing half the world's population. Without knowing who's on his side, it looks like Langdon is being hunted by multiple organisations all wishing to cash in on the powerful weapon.
Continue: Inferno Trailer
Strong characters help hold the attention as this overcooked drama develops, but in the end it feels so concocted that it's difficult to believe. While there's plenty of potential in the premise, the film becomes distracted by irrelevant subplots that try to stir up some tension but never quite manage it. And for a movie about food, the cuisine is simply too abstract to be mouthwatering.
At the centre is Adam (Bradley Cooper), a bad boy chef whose partying ways ended his high-flying career in Paris. After a period of penance in New Orleans, he moves to London to start again, with the goal of finally getting his elusive third Michelin star. Since he has alienated his friends, he turns to Tony (Daniel Bruhl), a guy who always had a soft spot for him and happens to be running a posh restaurant, which Adam quickly takes over. He rustles up some old colleagues (Omar Sy and Riccardo Scamarcio) and hires hot-shot Helene (Sienna Miller) as his sous chef. But his demanding perfectionism is keeping things from running very smoothly.
This set-up is ripe for both black comedy and soul-searching drama, and yet writer Steven Knight throws in irrelevant sideroads including a mandated therapist (the wonderful Emma Thompson), a bitter rival (a jagged Matthew Rhys), a couple of randomly violent loan sharks and a precocious little girl. Even though the actors do what they can to make every scene intriguing, none of these story elements add anything to the overall film. Still, Cooper holds the movie together with sheer charisma, even if his sudden transition from absolute tyrant to cuddly sweetheart isn't terribly convincing. At least he adds some surprising textures to his scenes, and indulges in sparky banter with those around him. And while Miller is solid in her thankless role, even she can't breathe life into such a thinly developed romance.
Continue reading: Burnt Review
Restauranteering is not a profession that should be taken lightly. Indeed, it's less of a job and more of a way of life for Adam Jones, who has wanted to become the greatest chef the world has ever seen since as long as he can remember. He was just 16-years-old when he left school to go to Paris and achieve his dream; becoming a Michelin star chef infamous across the Parisian culinary scene. But his rise to success came much too soon, and it wasn't long before his dream began to crumble around him, beaten by a life of drugs, violence, and volatile behaviour. With many of his opponents thinking him dead, he returns to London a new man to reignite his passion, earn a third Michelin star, and open the best restaurant in the world. All he needs is a talented team behind him, who is willing to give him the benefit of the doubt.
Continue: Burnt - Teaser Trailer
With studios afraid of anything new or original, it's not surprising that the dinosaurs are back on-screen nearly 15 years after the rather disappointing Jurassic Park III. The good news is that this film has a clever script and solid characters to go along with the first-rate digital work. So even if the effects kind of take over the movie in the final act, it's still a great ride.
The massive island resort Jurassic World has been running safely for a decade off the Costa Rica coast, so it needs ever-scarier attractions to bring in visitors. The owner Masrani (Irrfan Khan) has been instructing his top scientist (BD Wong) to genetically engineer a bigger, scarier species, and he's come up with a beast called Indominus rex. Park manager Claire (Bryce Dallas Howard) has her doubts, but her velociraptor trainer Owen (Chris Pratt) is downright furious when he finds out. Sure enough, just as Claire's nephews (Ty Simpkins and Nick Robinson) arrive for a visit, the I-rex escapes and threatens the 20,000 visitors on the island.
The screenplay sets everything up in fine disaster movie style, with quickly explained back-stories to add some emotional undercurrents to the big-scale chaos. There's also, of course, a requisite villain in the form of the meathead Hoskins (Vincent D'Onofrio), who thinks dinosaurs could be used by the military and welcomes this catastrophe as a chance to prove his point. Thankfully, the cast dives in with gusto, adding hilarious personality touches to every scene. Pratt is terrific as the swashbuckling action-man, nicely set against the feisty Howard, who trumps him by doing all her action scenes in heels. Simpkins and Robinson have a lively adventure all their own that adds to the film's overall appeal. And there are superb side roles for the talented likes of Omar Sy, Judy Greer and Jake Johnson that add both humour and emotion.
Continue reading: Jurassic World Review
Some very big themes are given space to breathe in this remarkably naturalistic drama, which is livened up by terrific central performances from Omar Sy and Charlotte Gainsbourg. Instead of heavy-handed commentary on workplace burnout and immigration, the film is packed with sharp humour, engaging characters and situations that are never quite what they seem to be. At two hours, it feels a bit overlong, but the relationships are so involving that we don't mind too much.
Sy plays the title character Samba, an immigrant from Senegal to France who has just been promoted to a job as a restaurant chef. But his resident visa is suddenly in jeopardy, so he consults charity lawyer Manu (Izia Higelin), who can't find much reason to be hopeful. Manu's assistant is Alice (Gainsbourg), a volunteer taking time off after a breakdown, and she has a strong spark of attraction with the charismatic Samba, even though she knows she shouldn't get personally involved. When Samba is ordered to leave France, he goes into hiding with his Uncle Lamouna (Youngar Fall), using his uncle's legal identity to get construction work alongside the fast-talking Brazilian Wilson (Tahar Rahim). And Samba also secretly keeps in touch with Alice.
Essentially a romance, the love story blossoms slowly and realistically. Samba and Alice may have been immediately attracted to each other, but everything is working against them, and navigating the social structures is tricky. In one clever scene, both the legal workers and the migrants attend a party together, trying to overcome the official barriers between them. But Samba is such a charmer that Alice can't resist him. Indeed, Sy lights up the screen with his expressive face, even upstaging the charismatic, cheeky Rahim, who gives one of his most physically kinetic performances. As always, Gainsbourg is quietly superb as the thoughtful Alice, a woman who knows she needs to get her own life back but is afraid to take the plunge.
Continue reading: Samba Review
When John Hammond first created InGen and prepared Jurassic Park, it was a colossal failure. When Jurassic World was later opened for the public, a lot had been learnt from Hammond's mistakes, and the new amusement park opened without any problems. But when visitors began to dwindle, something drastic had to be done. Claire Dearing (Bryce Dallas Howard), the park operations manager has organised to have a hybrid dinosaur created, and needs the dependable and knowledgeable Velociraptor trainer Owen Grady (Chris Pratt) to ensure the enclosure is safe for the new dinosaur. But when it eats its twin, and Grady arrives to inspect it, the Indominus rex breaks free, bringing havoc and destruction in its wake.
Continue: Jurassic World - Clips
The park is officially open! Twenty two years after the disastrous attempt to bread dinosaurs for an amusement park, another attempt was made and saw great success. The problem is, due to dwindling visitors, the management have had to try something new with the exhibits. Claire Dearing (Bryce Dallas Howard), the park operations manager, heads out to speak to Owen Grady (Chris Pratt), the velociraptor trainer. Due to his successful handling of the animals, she believes that he is the perfect person to check the new enclosure, and ensure that it is up to standard. But when someone has dedicated their life to earning the respect of the raptors, they have no idea what needs to be done with the Indominus rex. No one does.
Continue: Jurassic World - Clip And Trailer
The park is officially open! After several years and multiple (disastrous) attempts, Jurassic Park as finally opened for the public. Now named Jurassic World, thousands of people flock to the park every day to see prehistoric creatures in a safe and sanctioned environment. But, as with all things, people have steadily lost interest. Pioneering science at the park has led to the creation of the first hybrid dinosaur being created, designed to entice and scare the visitors, yet unfortunately, it gets lose. Now, a brand new dinosaur is hunting the previously known creatures on the island for sport, and 20,000 people are trapped in its new hunting ground.
Continue: Jurassic World - Super Bowl TV Spot
Taking into account the lessons learnt on the islands Isla Nublar and Isla Sorna, the creators of Jurassic Park have created a new dinosaur amusement park named Jurassic Park. Millions flock to the island resort to see the prehistoric animals in their enclosures, but to keep up with demand for new and interesting attractions, the scientists behind the park have created their first hybrid - a unique dinosaur which never originally existed. But after creating a fantastic creature from the best parts of other dinosaurs, the highly intelligent creature escapes - jeopardising the lives of every person on the island.
Continue: Jurassic World - Teaser Trailer
Since novelist Dan Brown wrote a new thriller featuring the symbologist Robert Langdon, Tom Hanks...
Professor Robert Langdon wakes up in a hospital feeling terrible and suffering from serious nightmares....
Inferno comes as the third in the series of Ron Howard's film interpretations of Dan...
Strong characters help hold the attention as this overcooked drama develops, but in the end...
Restauranteering is not a profession that should be taken lightly. Indeed, it's less of a...
With studios afraid of anything new or original, it's not surprising that the dinosaurs are...
Some very big themes are given space to breathe in this remarkably naturalistic drama, which...
When John Hammond first created InGen and prepared Jurassic Park, it was a colossal failure....
The park is officially open! Twenty two years after the disastrous attempt to bread dinosaurs...
The park is officially open! After several years and multiple (disastrous) attempts, Jurassic Park as...
Taking into account the lessons learnt on the islands Isla Nublar and Isla Sorna, the...