Is it possible for a film to have too many ideas? Anything's possible, of course, in the realm of science fiction. By exploring an unspecified futuristic society, writer/director Omar Naim raises disturbing sci-fi conundrums in the wildly original The Final Cut. Unfortunately, he leaves the bulk of his more pressing issues in the shadows and opts to clear the guilty conscience of the film's lone protagonist.

The anti-hero of Cut is the ironically-named Alan Hakman (Robin Williams), a cutter who specializes in manipulating the Zoe footage of society's shadiest characters. Say what? Let me explain. In the future, a parent can choose to pay for their newborn to receive a Zoe implant. The device records an individual's experiences from a first-person perspective. Everything goes to tape, from potentially humiliating private experiences to the major triumphs in a person's life.

Continue reading: The Final Cut (2004) Review