Olivia Hussey

Olivia Hussey

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Olivia Hussey and Las Vegas

Olivia Hussey and Las Vegas
Olivia Hussey and Las Vegas

Olivia Hussey - Saturday 12th May 2007 at Camie Awards North Hollywood, California

Olivia Hussey
Olivia Hussey

Black Christmas (1974) Review


Good
"If this picture doesn't make your skin crawl... it's on too tight!"

So went the promo tagline for Black Christmas, the 1974 cult horror classic which might have had epidermal layers on the go 30 years ago... but which feels pretty tame today.

Continue reading: Black Christmas (1974) Review

Black Christmas Review


Good
"If this picture doesn't make your skin crawl... it's on too tight!"

So went the promo tagline for Black Christmas, the 1974 cult horror classic which might have had epidermal layers on the go 30 years ago... but which feels pretty tame today.

Continue reading: Black Christmas Review

Romeo And Juliet (1968) Review


Very Good
Franco Zeffirelli's rendition of Shakespeare's classic tragic love story gets off to a slow and rocky start but eventually takes hold once its titular leads take over. The introduction of musical numbers isn't bad, though it severely dates this production to the '60s, however faithful it otherwise is as a period piece. Olivia Hussey's Juliet is the show stealer and would go on to modest success as an actress; Leonard Whiting (as Romeo), however, would quickly fade into obscurity in the following years. Winner of two Oscars and a Best Picture nominee.

The Man With Bogart's Face Review


Weak
I suppose you're either in to the Bogart private eye era or you're not, and if you're not, The Man with Bogart's Face is not going to hold a hell of a lot of appeal. Face features Sacchi, a well-known Bogart impersonator, as a retired cop who opts for cosmetic surgery to look like his matinee idol, opening a P.I. business as "Sam Marlowe." Marlowe is quickly drawn into a web of deceit involving two giant sapphires ("thaffires," as Bogie would say), including the cast of sordid characters you'd find in a certain Sam Spade mystery. What the purpose for a lifeless homage like Face is remains unclear, but the late-1970s production values, music, and costumes will probably have you giggling more than recalling your fond memories of The Maltese Falcon or The Big Sleep.
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