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An irreverent comedy in the style of the original M.A.S.H., this wartime romp takes an entertaining look at 24 hours in the life of a group of humanitarian workers in the Balkans in 1995. The film is funny, tense and packed with layers of drama, as Spanish filmmaker Fernando Leon de Aranoa cleverly recreates the setting with striking detail. Since it feels so realistic and is populated with lively characters, the film is thoroughly entertaining, even if it only barely seems to crack the surface.
It opens as aid worker Mambru (Benicio Del Toro) and his local translator Damir (Fedja Stukan) are trying to remove a body from a well so they can clean up the water supply for an isolated village. But their only rope is too frayed to work. Then jaded American colleague B (Tim Robbins) arrives with French rookie Sophie (Melanie Thierry), and as they try to find a rope they are joined by sexy Russian worker Katya (Olga Kurylenko), who has a past with Mambru. But there are constant roadblocks, literally and figuratively, as they try to solve this relatively simple problem. Along the way, they pick up a young orphan (Eldar Residovic) and try to reunite him with his family.
Every situation these people encounter is fraught with chaos, from the absurdities of military regulations to the complexities of local politics to the constant possibility of injury or even death. The filmmaker creates a terrific blackly comical tone that stresses the gallows humour these workers require to survive in an environment where children run around carrying big guns and rules are more important than innocent people's lives. This offbeat tone is engaging, especially with the snappy performances from Del Toro and Robbins as experienced men who know the ropes but insist on playing the game by their own rules. Thierry and Kurylenko are also good in less developed roles as the naive newbie and the steely ex, respectively. And Stukan and Residovic, plus a strong supporting cast, add lots of local colour.
Continue reading: A Perfect Day Review
The thriller was universally panned by critics, and took just £46 from 10 cinemas over its opening weekend.
Some films perform below expectations when it comes to the box offices; some movies flop completely; and others are absolute disasters. Morgan Freeman’s new thriller Momentum belongs firmly in the third category, with a UK box office opening weekend of a paltry £46.
Yes, that is correct. Just £46, with average taking of £4.60 per screen on which it was shown. Of course, it never helps matters when just 10 cinemas show a movie, two of which reported no customers whatsoever, but Freeman’s newly released film ranks as one of the very worst of all time in terms of commercial performances.
Morgan Freeman's new thriller 'Momentum' has recorded one of the worst opening weekends in history
Continue reading: Morgan Freeman's 'Momentum' Runs Out At Box Office, Taking Just £46
With a plot so thin that it's barely there, this sleek South African action thriller is surprisingly entertaining simply because the cast is allowed to chomp merrily on the scenery as they try to torment and kill each other. And even though the film's tone is relentless machismo, this is a rare thriller with a female leading character. So there's a bit of attitude and wry humour to undermine the otherwise sadistic violence.
It opens in Cape Town with a ludicrously over-planned bank heist that goes wrong simply because the robbers are all hothead thugs. The gang leader is Alex (Olga Kurylenko), and her clash with one of her cohorts leaves her team in disarray. She's also on the run from Mr. Washington (James Purefoy), the viciously swaggering henchman of top American boss the Senator (Morgan Freeman). It quickly becomes clear that Washington isn't trying to recover the diamonds stolen from the bank vault; he wants a mysterious memory stick instead. After Alex turns to a cohort (Brendan Murray) and a former love-rival (Lee-Anne Summers) for help, she leads Washington on a spectacularly grisly cat and mouse chase across the city.
Cameraman-turned-director Stephen Campanelli certainly knows how to make a movie that looks achingly cool. There isn't a moment when anyone moves or speaks like a normal human being: they strut, pose, shout, leer, scowl and taunt. And of course they all look great doing it. Kurylenko is a steely presence at the centre of the action, with a character intriguing enough to hold the interest even if Campanelli hadn't forced her to do most of her biggest scenes in a state of undress. Purefoy is clearly having a great time deliciously playing with his character's verbose speeches and grisly actions. And even Freeman gets to chew on some scenery in his few scenes.
Continue reading: Momentum Review
For his directing debut, Russell Crowe tells a story so compelling that it almost obscures the rather clunky filmmaking. Based on the hint of a true story, the events are fascinating, moving and often thrilling, with some strikingly well-staged sequences along the way. But the earnest tone is sometimes distracting, as is an unnecessary romantic subplot that makes the whole movie feel like pure fiction.
It opens in 1919 Australia, where Connor (Crowe) is grieving the loss of his three sons in the 1915 battle of Gallipoli. Having vowed to bring them home before his wife dies, and with nothing else to do now, Connor heads to Turkey to find them. But the local British officer (Jai Courtney) doesn't want him anywhere near the battlefield, where experts are still identifying the remains of fallen soldiers. So with the help of local officer Hasan (Yilmaz Erdogan), Connor makes his own way to the site and, using his skills at discovering underwater wells, finds the bodies of two of his sons. Then he learns that the third (Ryan Corr) might have survived.
Alongside this story, Connor has a series of tentative romantic interludes with Ayshe (Olga Kurylenko), the hot clerk at his Constantinople hotel, where she lives with her precocious 10-year-old son (Dylan Georgiades) while waiting for her husband to be declared one of the war dead. But if this happens, she will have to become her leery brother-in-law's third wife. This sideroad is so soapy that it constantly derails the rest of the movie, stealing focus from the more intriguing political tensions and Connor's own emotional journey. At least Crowe and Kurylenko are solid in their roles, even generating some chemistry in their tentative, unnecessary scenes. And Erdogan and Cem Yilmaz (as a rival Turkish officer) ground things nicely, connecting the rest of the film with the grisly well-recreated battle scenes.
Continue reading: The Water Diviner Review
Even though it never feels believable, this twisty spy thriller has such a quick pace that it's consistently entertaining. Packed with surprising revelations, the movie makes terrific use of shady American espionage agencies and villainous Russians, as well as a former James Bond. As with most of these kinds of films, it's also far too violent and edited in such a way as to make the action almost incomprehensible. But there's a sense of breezy fun to the film that keeps us watching.
It's been five years since CIA operative Peter (Pierce Brosnan) retired from active service, but his old friend Hanley (Bill Smitrovich) needs his help. So he heads to Moscow to intercept an operative with whom he has a past, and everything goes spectacularly wrong. He ends up in a face-off with his former protege David (Luke Bracey), a current CIA spy who is now ordered to eliminate his mentor. But there's life in Peter yet, and he manages to keep one step ahead of David, travelling to Belgrade to intercept a young woman, Alice (Olga Kurylenko), who is the key to a major operation that centres on a dodgy Russian politician (Lazar Ristovski). Chased by American spies and Russian thugs, Peter and Alice make a run for it.
Director Roger Donaldson has been making slick political thrillers since 1987's No Way Out, and he knows how to divert the audience's attention from plot holes and contrived action by simply never pausing for breath. He also packs the scenes with characters who bristle with snarky attitude, making them far more interesting than the usual action movie line-ups. Brosnan is clearly having a great time charging through each scene, nodding continually to his 007 history while playfully adding spark to his banter with Bracey, who just about keeps up with the "we know each other too well" interaction. And Kurylenko dives in with gusto, vamping it up gleefully as a woman with a lot of secrets.
Continue reading: November Man Review
During his CIA days, Peter Devereaux was an exceptional tutor in his field. He taught his pupil David Mason well - teaching him the dangers of having loved ones around them and instilling in him the responsibility that comes with taking someone's life with a single shot. Several years on, a retired peter returns to the agency in a bid to protect a witness named Alice Fournier. The case is extremely personal to him, but things get even more personal when he finds himself fighting against David as the government face combat over the election of the new Russian president. Peter is about to find out just how good a teacher he has been.
Continue: The November Man Trailer
Peter Devereaux is a former CIA agent and a brilliant tutor, who taught his ex pupil the responsibility of taking a man's life and warned him of the dangers of having loved ones in his life. Now, though, that pupil is an incredibly skilled spy with skills that even match those of Devereaux's, and the pair have been forced to fight against one another in a lethal mission that sees only the top CIA operatives in combat over the forthcoming new Russian president. Does Devereaux still have the skills to bring the mission to a swift conclusion? Or is his former protege now stronger than his guide has ever been?
Continue: The November Man Trailer
Crowe talks about the inspiration for his emotional new movie in a fascinating featurette.
Russell Crowe has invited his fans to join him for a first look at his new movie, The Water Diviner. In a new featurette, Crowe's voice narrates the creative process that lead to the movie's script, showcased alongside scenes from the powerful period drama.
'The Water Diviner' Sees Russell Crowe Bring A Tragic Yet Heart-Warming WWI Tale To Life.
Shot in Turkey and South Australia, the film studies the aftermath of World War I's Battle of Gallipoli that famously took place between the Allied forces and the German-backed Ottoman Empire on the Gallipoli peninsula. The film centres on Connor (Crowe), an Australian man who travels to Turkey in 1919 to retrieve the bones of his three dead sons but unexpectedly finds a new meaning to his life.
Russell Crowe talks in depth about his brand new war drama 'The Water Diviner' in a featurette which also features interviews with other cast members such as Olga Kurylenko, Jai Courtney and Yilmaz Erdogan. The movie is about a man who travels from Australia to Turkey four years after the Battle of Gallipoli to find the graves of his three sons, but along the way makes a heartwarming discovery. It is Crowe's directorial debut and it has been written by Andrew Knight and Andrew Anastasios.
Continue: The Water Diviner - Featurette
Rose Hathaway is formidable half human half vampire with only one purpose in life; to defend the royal moroi clan - in particular Princess Vasilisa Dragomir - with her life as the evil vampires, named strigois, target her and the rest of the peaceful nightwalkers of St Vladimir's Academy. Rose and Lissa may only drink when blood is donated to them, but the strigois hunt to kill, with no discrimination between vampire and human. Rose and Lissa initially try to run away from the city in search of safety, but they are brought back and Rose is forced to continue her training. Her mentor, Dimitri Belikov, takes time to help them in increasing their strength and making them equipped enough to deal with their foes - but there's deception everywhere, and not everyone is who they seem.
Continue: Vampire Academy Trailer
Date of birth
14th November, 1979
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An irreverent comedy in the style of the original M.A.S.H., this wartime romp takes an...
With a plot so thin that it's barely there, this sleek South African action thriller...
For his directing debut, Russell Crowe tells a story so compelling that it almost obscures...
Even though it never feels believable, this twisty spy thriller has such a quick pace...
During his CIA days, Peter Devereaux was an exceptional tutor in his field. He taught...
Peter Devereaux is a former CIA agent and a brilliant tutor, who taught his ex...
Russell Crowe talks in depth about his brand new war drama 'The Water Diviner' in...
Rose Hathaway is formidable half human half vampire with only one purpose in life; to...
Rose Hathaway is a dhampir which means that she is half human and half vampire....
With elements lifted from virtually every sci-fi classic in film history, this post-apocalyptic adventure feels...
Neil is the subject of a cautionary tale about the dangers of falling in love....
Ben Logan is a seemingly well-respected former CIA operative working at Halgate Security Systems. His...
Frankly, a bad Terrence Malick film is better than 90 percent of movies released in...