What with 'The Secret Life of Walter Mitty' not being released until Boxing Day and knowing little about what the film actually entails - Ben Stiller goes on some grand adventure to save his job and Sean Penn makes an appearance at some point - rather than approach this review by discussing how well the songs work as a soundtrack, it seemed best to approach it as a compilation with no hitherto connections.
The suspected whimsical air about the film suggests that the gentle soundtrack would accompany the various reveries Mitty travels through well and as a collection of songs there is a likeness throughout the album as one track drifts to the next. The quieted tone lasts throughout the album, diverting only briefly and only slightly when the pace quickens. These diversions come along frequently enough to prevent the temperance of the album from becoming tiresome and, as a stand-alone album, the quality of songs hold relatively strong for the full fifty minutes.
José Gonzalez has a handful of original songs on the album, also featuring with his side project Junip for a pair of back-to-back tracks. His third solo contribution '#9 Dream' is easily his best, his hazy vocals carried along by a round, guitar-led beat and subtle yet sweetly used orchestration overlaid on to the track as it progresses. The Junip track 'Far Away' is another standout; the steady build of the humming bass injecting a sense of urgency into the mostly gentle soundtrack. Of Monsters and Men's 'Dirty Paws' is another notable cut from the OST, the interweaving of Nanna Bryndís Hilmarsdóttir and Ragnar "Raggi" Þórhallsson's finely-tuned harmonies proving their worth as always.
Continue reading: The Secret Life of Walter Mitty OST Album Review
Are you ready to rock, Scotland? T in the Park ready to kick off a weekend of musical wonderment but not without a heavy police presence to cut drug use.
The sun is shining, the line-up is terrific; T In The Park 2013 is about to celebrate its 20th anniversary with thousands of fans and seven stages. Performers during the three day festival will include Mumford & Sons, Rihanna, The Killers, Ke$ha, Kendrick Lamar, Emeli Sandé, The Proclaimers, and many more massive mainstream names. The recently revived German electronic pioneers Kraftwerk will also be making their festival debut in a hotly anticipated set that is rumoured to include 3D visuals, as well as My Bloody Valentine.
Kraftwerk To Bring Their Machine-Like Electronica To T In The Park.
T must surely rival similarly huge English festivals Glastonbury and Download for the strongest line-up of the year, with Mercury Prize winning Alt-J, New York's Yeah Yeah Yeahs, Frank Ocean, Paloma Faith and Icelandic newcomers Of Monsters and Men also playing across the weekend to celebrate two decades of the Scottish event. Festival director Geoff Ellis said, according to BBC's Newsbeat, "It doesn't feel like 20 years since we started and it's a milestone." The festival, which has been held annually since 1994 has been held at Balado airfield in Kinross-shire since 1997 and now attracts 85,000 fans and 35,000 campers to the second largest greenfield event in the UK.
Continue reading: As Fans Gather For 'T In The Park,' Police Crack Down On Drugs
A Week in Videos... Undoubtedly the most eagerly-anticipated video of the week comes from Daft Punk, who return to the scene with ‘Get Lucky.’ Featuring Pharrell on vocals and the legend that is Nile Rogers on guitar, the track has already broken daily play records on Spotify and quickly became one of the most talked-about tracks online. A classic in the making, Roger’s distinctive guitar sound lends the track an authentic disco edge.
Heavy on the expletives, low on production costs, this Frank Turner video for ‘Plain Sailing Weather’ sees the angry troubadour continuing the confessional vibes of his last single ‘Recovery.’ Playing with his band in a church, the track begins with Frank playing alone, with his guitar, before the band kick in with him for the chorus.
Albums of Note...After writing one of the official tracks for the London 2012 Olympics, Muse release their latest album, Supremacy. Our reviewer finds something lacking in the band's latest full-length offering, remaking that it sounds more like a soundtrack or a rock opera than a conventional album. Listeners will already be aware of the album's most contentious track, 'Unsustainable,' with its controversial dubstep elements but aside from such avenues of experimentation, Muse are still lacking a big hit from 2nd Law, such as they had with 'Plug In Baby.' There's potential for these songs to sound huge in the live arena but on record, this particularly collection of tracks is unfulfilling."Sprawling, bombastic and overflowing with ideas, yet somehow lacking something that's impossible to place."
Mumford & Sons return with a highly anticipated second album. Their debut release, Sigh No More saw the band's momentum grow at alarming speed and they have become a cornerstone for the nu-folk movement of British artists. Their second release, Babel is pretty much more of what you'd expect from Mumford & Sons. They've gone for the 'if it ain't broke don't fix it' approach to songwriting and stuck to their distinctive sound that has stood them in such good stead up until now."Many of the songs here build to barnstorming choruses, and while Mumford has flashes of anger to vent ('Broken Crown'), his vocal delivery has a warmth and tenderness that seeps into every crevice of the record. With no shortage of memorable songs, catchy melodies, and reasons to buy a banjo, Babel succeeds on pretty much every level." We also have a new video from Mumford & Sons: 'I Will Wait' shows the band performing in front of a huge crowd As the crowd hold lighters in the air whilst the band play on, it's an atmospheric and moving representation of their live shows.
Hailing from Iceland, indie folk artists Of Monsters and Men were one of the most highly anticipated acts for Leeds Festival's Radio 1 stage this year and that's not surprising; with their debut album 'My Head Is an Animal' sailing to number one in the US alternative charts and a 2011 debut single certified Platinum in Germany, they truly have become a an immediate success following their win of a battle of the bands competition in their home country. Their album certainly made an impression on listeners across Europe and America with its beautiful harmonies and traditional 'pop' song writing and, as we have highlighted in our recent review, its 'animalistic' feel that is 'not in a primitive and angry sense; more as a natural fantasy of the outdoors and the life it withholds.'
Continue reading: Of Monsters And Men, Video Interview
Of Monsters and Men is an Icelandic collective with a hushed indie-folk tone, not to be confused with 'Of Mice and Men', the Californian 'metalcore' act, though the animals in the names would fit better to their genres if they were swapped around so there'd be timid mice for the folk act and heavyweight monsters for the metal act. But there's irony for you.
Continue reading: Of Monsters and Men, My Head Is An Animal Album Review
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