Amy enjoys her life in the big city with her comfortable apartment, wacky friends and driven job as a reporter for a men's magazine. As a young girl, her parents sadly divorced, and her father wasted no time in drumming into her that a lifelong partnership with just one person left much to be desired. So she's certainly taking her father's words literally and seems to enjoy the company of a different man every night (though never the full night); it's a life that she has no plans to change any time soon. However, something shifts in her consciousness when she meets sports doctor Aaron Connors on whom she's been commissioned to write an article. The pair hit it off right away, but after their first night together, Amy's left wondering if ending it there is really the best thing to do. It feels weird to carry on seeing someone after she's slept with them, but at the same time, she can't remember the last time she had so much fun.
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In this two-hour documentary, made for PBS and feeling a lot like... it was made for PBS, there's surprisingly little content germane to its title. Mostly, the film talks about the life of Hearst and the life of Orson Welles, separately. It isn't until the last half-hour when Citizen Kane is actually made and discussed, particularly as it relates to Hearst's hatred of it. And rightly so -- Welles was skewering the media magnate in the film; who could blame him for doing everything in his power to stop its release?
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Corgan took to Instagram to confirm rumours of new Pumpkins material, saying the first songs could arrive as early as May.