The late playwright Noël Coward's play, Private Lives, has made the jump to the prestigious London West End.
Described as a 'comedy of manners' - a play that satirises different echelons of the social ladder - Noël Coward's 1930 three-act play centres on Elyot (Toby Stephens) and Amanda (Anna Chancellor) who have been divorced for five years when they run into each other again whilst on honeymoon with their new spouses. The coincidental encounter reignites the divorcee's former passion irrespective of the marital issues they previously had, or the feelings of their current partners.
Director Jonathon Kent Likens Private Lives To An Exquisite Fabergé Egg.
The play had a successful run at Chichester's Festival theatre, lampooning the glamorous and reckless lives of the rich and will now, according to the theatre's website, "blaze across the West End stage this summer in an explosive production that proves Noël Coward still has the power to thrill, provoke and delight." Accomplished British lead actors Anna Chancellor (Four Weddings and a Funeral) and Toby Stephens (Die Another Day) are praised by The Telegraph for the "sense of unbuttoned intimacy and desire" between them in a "superb production [that] feels forever young, fresh and delightful."
Continue reading: Noël Coward's 'Private Lives' Hits The West End
George Lamb and Noel Coward Tuesday 7th September 2010 GQ Man of the Year Awards held at the Royal Opera House - Arrivals. London, England - 07.09.10 GQ Man of the Year Awards held at the Royal Opera House - Arrivals. London, England
The film's setup is pretty staid: Caine's Charlie Croker is straight outta prison, and he's right back at the crime game the moment he's released. Thanks to guidance from boss Bridger (Noel Coward, appearing primarily in films given to Caine), the job is meticulously planned and staffed: Ultimately the gig is to cause a giant traffic jam in the city of Turin, steal $4 million in gold from an armored car, and escape using clever non-roadway surfaces so the cops can't follow them.
Continue reading: The Italian Job (1969) Review
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