Freddie Highmore plays the title character, a little boy in a Dickensian version of the real world: He has grown up in a group home for boys in upstate New York (do they even have those anymore?), where he hears music in the world, from the corn fields to the moonlight. He sets out one day, believing that if he follows the music, it will lead to his parents; where it actually leads is New York City, where the noise of the city turns into the rhythmic beginnings of a Stomp number. There, he hooks up with a band of street urchins/musicians straight out of Oliver Twist, run by the unstable and off-putting Wizard (Robin Williams as a creepy redhead). When August discovers things like guitars and sheet music that allow him to produce the music he hears, he becomes a prodigy, and a sensation.
Continue reading: August Rush Review
That's exciting enough, but Carpenter also calculates in a ticking time bomb narrative device. Air Force One is hijacked by some socialist radicals who crash-land the plane into the heart of "this inhuman dungeon of [an] imperialist prison." The President (Donald Pleasence) manages to escape in a safety pod, only to be captured by none other than the leader of a ferocious band of gypsies who control the island, the self-proclaimed Duke of New York (Isaac Hayes).
Continue reading: Escape From New York Review
Chris Pratt loved having Kurt Russell as his on-screen dad so much he asked him to take it on as a permanent role.