After
finishing their 18-month world tour with a triumphant sold-out
show at London’s
Brixton Academy, The Vines jumped on a plane completely
exhausted, promptly fell asleep
as soon as they boarded and woke up in New York. From the
city, they drove upstate to the famous Bearsville Studios
in Woodstock and found themselves in the middle of a woodland
idyll that must have seemed a million miles from the confines
of the tour bus and hotel rooms they had come to know as
home.
Finding themselves in the unusual
situation of eating regular meals and getting enough sleep,
they began rehearsing songs
for the new album in a barn in the kind of laid back solitude
they hadn’t experienced since leaving Sydney. With
producer Rob Schnapf (Beck, Guided By Voices, Elliot Smith)
back on board, the band settled into a relaxed rural lifestyle
like the refined country gents they always aspired to be,
starting work early in the afternoon and working late into
the night. Setting up and playing together as a band, they
laid down the basic tracks quickly before settling in and
taking their time to lay down guitars, keyboards and the
centerpiece of all Vines songs, Craig’s vocals. Layering
his unique trademark harmonies on each song while Patrick,
Hamish and Ryan tinkered about the studio, The Vines were
able to finally relax and get back to their main love – recording.
From the title alone, it’s obvious
that The Vines’ second album takes a warmer approach
than their grittier debut. The positivity of Winning Days
as an album is reflected in the lyrics, the sounds and the
songs. The drums sound like they did in the Bearsville room,
the electric guitars come straight through old valve amps
onto the tape, and Craig and Ryan’s acoustics are pushed
to the front throughout the record. While the band retain
their ability to produce incredibly primal rock n’ roll
in songs such as the two openers “Ride” and “Animal
Machine”, this album sees The Vines moving into even
more complex and textured melodic territory than before.
Upbeat folk songs like “Rainfall” and “Sunchild” mix
with the beautiful acoustic balladry of “Autumn Shade
2” and “Amnesia”, while the off-kilter
psychedelia of “TV Pro” prove that Craig Nicholls’ songwriting
talents are burning even stronger here. The songs themselves,
and Craig’s vocals – the melodies and layered
harmonies – are testament to a one-in-a-million musical
vision.
Winning Days is an album recorded
by a band that exists purely to make great albums together.
This collection shows a band not only living up to the
promise they displayed on their first album, but moving
way beyond it into a territory occupied by the genuine
songwriting heavyweights, bands who run their own race … artists
of genuine substance.