The Crescent
Hut Recordings
We have all heard of The Crescent and now we bring you a little insight as to what to expect from the bands forth coming album. The band who consists of; singer Wayne Whitfield, bass Sean Longworth, drummer Joey Harrison and self confessed guitar wizard Karl Rowlands are Liverpool rockers on a mission to re-rouse rock 'n' roll and the "Scouse" music fraternity alike.

So the four-some bring us their debut album. A melodic tapestry - A nice mix of comprehensible styles some natty songs and "easy on the ear" harmonies. This definitely deserves its place in the current musical arena. With the occasional out-burst of surrealism and experimental tangents that sound similar to some 'cosmic rough rider' tracks. Although laid back the album is full of Merseyside energy from the band who dares to admit "we're just normal people". The mix of diverse influences ranging from Oasis to The Kinks makes the album palatable to 'Anyone, Everyone'-Wayne.
The Crescent @ www.contactmusic.com
The Crescent @ www.contactmusic.com
Track 3 (Parallel) is a perfect example of The Crescent's sound. The intro starts with the discreet whirling psychedelic 60s sound that swiftly and smoothly changes into a ¾ waltz reminiscent of a scene in 'Bugsy Malone' when the unemployed Dockers are told to stand up and fight (perhaps The Crescent thought they'd better remind us of their rough scouse background? Who knows?) the following track creates a 'pleasant to the ear' melody featuring harmonica & electric organ. Yet the track still manages to synergize with 'The shadows' with a catchy rhythm and memorable chorus the track is energetic if not a bit random. The record flows from start to finish. A gentle sound that causes instant finger tapping and for the more emotional listener foot tapping may take place! But for the more lethargic of listener they mustn't be scared, the album won't cause anything more strenuous than a gentle foot tap! The energetic album takes you to the extremes (well what is possible from such an inoffensive indie/pop album) from "Wake Up" which can only be explained as a light poppy sounding happy days track but later followed by "Not Good Enough" dramatic and a heavy finger taper.

The album is brought to the end much as it starts, with a catchy melody and then a final gentle dissolve of sound. Once the album stops unfortunately you aren't left with the desire to jump up and repeat the album (perhaps due to the 40mins of finger tapping) although you are left with a satisfying feeling that you have been taken on a complete journey through the daily trials of a young musical family. This is a nice album reminiscent of The La's, Cast or if you're really old The Swinging Blue Jeans?
 

Click Here for all you need to know about: The Crescent




©2008 Contactmusic.com Ltd, all rights reserved