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ABOUT THE PRODUCTION
A powerful, provocative. and frightening film about faith,
lost innocence, and the sometimes indistinguishable nature
of good and evil in the contemporary world, FRAILTY is an
artfully-constructed psychological thriller that combines
masterful storytelling with ambitious and disturbing themes.
The remarkable directorial debut of acclaimed actor Bill Paxton,
who also plays the pivotal role of DAD in the movie, FRAILTY
portrays the destruction of a once-idyllic Southern family,
a father and his two young sons who are tested in extreme
and unexpected ways. Paxton calls upon his accomplished cast,
including Matthew McConaughey, Powers Boothe, and newcomers
Matthew O’Leary and Jeremy Sumpter, and his crew, including
award-winning cinematographer Bill Butler, to create a classic
Hitchcockian world that is rich in atmosphere, suspense, and
surprise. Written by Brent Hanley and produced by David Kirschner
and David Blocker, FRAILTY is a Lions Gate release.
The FRAILTY screenplay is a masterpiece
of storytelling. Part thriller and part mystery, the plot
is utterly original every step of the way as it builds to
its stunning finish. “Brent Hanley’s script is truly
a revelation,” says producer David Kirschner. “One
of the qualities indicative of great writing is that, at each
read, you get more out of it.” FRAILTY has that kind
of complexity of plot and theme.
The title itself refers to the frailty of
human perception. Screenwriter Brent Hanley turned to classic
films, novels, and even music for his inspiration. “I
looked at a lot of Hitchcock films when I wrote FRAILTY,”
Hanley explains. “I watched “Night of the Hunter,”
and listened to music by Leonard Cohen. FRAILTY even references
the Bible, offering a modern take on “The Story of Isaac”
and elements of the Old Testament.”
Hanley’s script made a tremendous impression
on Bill Paxton, an actor best known for his performances in
such films as TWISTER, TITANIC, APPOLLO 13, and A SIMPLE PLAN.
Paxton describes FRAILTY as “a movie in the great tradition
of Alfred Hitchcock or Robert Aldrich. It is a film that implies
very, very dark things.” Intrigued by the script’s
complex themes and edgy approach to storytelling, Paxton found
himself wanting more involvement than the role of DAD. Paxton
began his film career as a set dresser for Roger Corman and
has always been at home behind the camera. The more he thought
about FRAILTY, the more he realized he had found the perfect
project for his directorial debut. “It’s intricate.
It’s complicated. It’s an original Noir /Gothic
thriller set in East Texas,” Paxton explains. “
I knew the landscape. I knew the characters. I knew the parameters
of this kind of story from my work in A SIMPLE PLAN, ONE FALSE
MOVE, and TRAVELLER. I learned a lot working with directors
such as Sam Raimi. And I thought, I can do this.”
Paxton’s arrived at his decision to
direct FRAILTY partly because he found himself a little uncomfortable
at the thought of being directed by someone else in this controversial
role. “I was a little nervous about committing to play
Dad,” he admits. “I was worried that a wild-eyed
director would get hold of this material and sensationalize
it just to shock people. And that, to me, wouldn’t do
the script justice.” Far from sensationalized, Paxton’s
interpretation of FRAILTY is very classical. “My vision
of this story has always been the idea that it is a very edgy
script that pushes a lot of buttons, especially because children
are involved. But I thought that’s exactly the reason
to give it a real, old Hollywood approach, where all of the
darkness is implied instead of being explicit. We hear a chop
or a scream, but we never see a drop of blood,” Paxton
explains. His careful and imaginative approach to dramatizing
FRAILTY’S intense and potentially shocking moments elevates
the material, making the film a memorable tale of suspense
and horror.
Inspired casting is a critical element in
FRAILTY’S success. Paxton plays Dad with such strength,
conviction, and humanity that even when the character becomes
more and more extreme, he is still credible and appealing.
There is a fundamental ambiguity to the role of Dad. “He
is a great father figure,” Paxton adds, “although
he turns very diabolical,” which is one of the characteristics
Paxton felt made this role so interesting.
The other cast members of FRAILTY faced
the same challenges as Paxton and reach the same level of
accomplishment. Matthew McConaughey, most recently seen in
a lighter mode as the romantic lead opposite Jennifer Lopez
in THE WEDDING PLANNER, does a remarkable narration throughout
the story as the film goes back in time to his childhood.
His account of his strange and terrible experiences with his
father and brother is vivid and compelling. “McConaughey’s
achievement in this pivotal and ambiguous role is to tell
this complicated story in a way that engages the audience.
He draws them in, provoking them to think. At the same time,
he creates a sense of fear and anxiety with his voice,”
says Paxton.
McConaughey explains that he was drawn to
the extraordinary role of Fenton Meiks for several reasons.
“I really enjoyed the story. It is a classic Gothic horror
picture and I enjoyed trying something a little bit darker.
FRAILTY is my brand of scary in that it is a very human story
about someone taking something literally and doing something
for righteousness sake, and that’s the interesting part
of the human mind.”
Cast in the role of FBI Agent Doyle, Powers
Boothe brings a lot of experience and a great dynamic to the
production, “Powers Boothe is an actor I have long admired”
remarks Paxton. A veteran actor with numerous noteworthy performances,
Boothe was immediately drawn to the project by the highly
original script and the incredible cast and crew Paxton had
assembled. In describing the story, Boothe comments, “I
think each character in the film would describe FRAILTY differently.
For me, it’s a thriller, but that is putting it in very
simple terms. The film is so much more complex than that.
And certainly, as an actor, when you get some real text like
this script, some words that stimulate your intellect and
emotions at the same time, it’s pretty rare.”
Casting the roles of young Fenton and Adam
presented an enormous challenge. These characters, subject
to horrifying developments in their young lives, needed to
radiate innocence and vulnerability at the same time that
they had to be completely credible. “The character of
young Fenton had to carry the cross of the film and anchor
the cast, so we took the casting very seriously and did a
big search. Luckily, we found a 13-year old boy named Matthew
O’Leary to play young Fenton. He charmed the pants off
of everybody,” recalls Paxton. Matthew O’Leary was
thrilled to be cast in FRAILTY. “I really liked the script
and it was a fun film to work on. I learned a lot, especially
from Bill Paxton,” says O’Leary.
Producer David Kirschner praises both O’Leary
and Jeremy Sumpter, claiming “I don’t think I’ve
ever been more proud of two kids than the kids in this film.
They really had to go to hell and back in a couple of scenes,
and they did it beautifully.” Kirschner also expresses
great admiration for the way director Bill Paxton worked with
his young actors. “There were times when he kept them
on a short leash, and times when he goofed around with them,”
Kirschner recalls. “ He really knew how to balance what
was happening. Bill would have conversations with the boys,
taking them through the way he saw the scene, yet never imposing
himself as an actor. He always encouraged them to bring something
of their own to every scene. It was really fascinating to
watch.”
A production with a relatively modest budget,
FRAILTY had a thirty-seven day shooting schedule and successfully
achieved the look of a small Texas town by utilizing unique
locations in West Covina, Sylmar, Sun Valley, and even parts
of Los Angeles. “I wanted a stark, clean look, like an
Edward Hopper painting. You can get all that in L.A. And by
working in Hollywood, I had access to an incredible crew”
says Paxton. One of the most intriguing locations was an old
Phillips 66 gas station in West Covina. “We were so excited
to find this great old gas station that was designed by Frank
Lloyd Wright to create the perfect backdrop for this southern
gothic thriller” recalls Kirschner.
Paxton relied on artist David Ivie to help
him achieve the look he wanted. Describing Ivie’s paintings
as “little narratives,” Paxton encouraged Ivie to
collaborate on storyboards with him to establish FRAILTY’S
unique design. “David really was my original visualist.
I would do some of the rough drawings and then David would
do more of a finished drawing. I wanted the world in the movie
to be very beautiful, even though it becomes very horrific.
David Ivie’s work expresses this,” Paxton explains.
He also credits cinematographer Bill Butler for his contributions
to FRAILTY’S stunning visuals.
“I was excited when Bill Butler who
was the cinematographer on such classic films as “Jaws”
and “The Conversation” came aboard as my Director
of Photography for FRAILTY. And I really picked his brain,
always asking “how did you do this shot?” and “how
did you figure that out?” recalls Paxton. The respect
was mutual, as Bill Butler recounts his initial conversations
with Paxton about the script. “I liked the direction
he wanted to take and he inspired me to share his vision.
It was a great collaboration.”
FRAILTY unfolds against a southern rural
landscape of farmhouses, rundown motels and small-town police
stations. Director of photography Bill Butler worked closely
with Paxton on the visuals for FRAILTY, creating a backdrop
of muted and neutral colors in which the characters really
jump out of. “In terms of the kind of locales we used,
the story had a kind of “Bonny & Clyde” feel
to it,” says Paxton.
Paxton sums up the intentions of the filmmakers
by saying “It’s a great story with great characters
and incredible suspense because you invest so much in this
young adolescent boy and what he’s going through and
what he’s seeing and what he’s trying to escape.”
For Kirschner, FRAILTY raises important questions about the
viability of faith in the modern world. “Today, if someone
says ‘God spoke to me,’ we think that they’re
crazy,” he says. “Yet, the Old Testament is based
on God’s conversations with Moses. We want to believe
that it happened then, but we can’t accept that it might
happen today. That’s what so fascinating about FRAILTY.
It suggests that the impossible is possible.”
“I really wanted to make a haunted
movie,” Paxton reveals. “FRAILTY is scary and suspenseful.
But, more than that, the movie has a haunted beauty. I was
inspired by movies such as NIGHT OF THE HUNTER, PSYCHO, and
HUSH, HUSH SWEET CHARLOTTE, thrillers made with that classic
Hollywood approach. We’ve become such a society of exploitation
that we’re desensitized to violence. But the mind’s
eye, and that which is implied, is so much more powerful than
explicit gore. FRAILTY will scare you, that’s for sure,
but with a big twist.”
ABOUT THE CAST
MATTHEW MC CONAUGHEY (Fenton Meiks)
Matthew McConaughey portrays the role of Fenton Meiks, the
narrator of FRAILTY and the film’s most complex and surprising
character. McConaughey made his motion picture debut in Richard
Linklater's acclaimed 1970s coming-of-age drama, DAZED AND
CONFUSED. Shortly after moving to Los Angeles, McConaughey
became a sensation with his riveting performance in A TIME
TO KILL, which earned the young actor rave reviews and overnight
stardom. He starred opposite Oscar winner Jodie Foster in
Robert Zemeckis' CONTACT, followed by Steven Spielberg’s
historical drama, AMISTAD. starring opposite notable actors
Anthony Hopkins and Morgan Freeman. McConaughey also starred
in EDTV with Jenna Elfman, Woody Harrelson and Ellen DeGeneres.
McConaughey’s other credits include: Herbert Ross' BOYS
ON THE SIDE, Disney’s ANGELS IN THE OUTFIELD, and John
Sayles LONE STAR. Most recently, McConaughey starred opposite
Jennifer Lopez in the blockbuster romantic comedy, THE WEDDING
PLANNER, and in U-571, which also starred Bill Paxton.
McConaughey's production company, “j.k.
livin,” is developing several projects for Warner Bros.,
Universal, Paramount and Imagine Entertainment. The company
executive produced the critically acclaimed feature documentary
HANDS ON A HARDBODY, directed by fellow Texan Robb Bindler.
The company also produced Making Sandwiches with Sandra Bullock's
Fortis Films, which debuted at the Sundance Film Festival.
BILL PAXTON (Dad)
Bill Paxton is an acclaimed actor who has been associated
with some of the most successful films in history, including
TITANIC, TWISTER, APOLLO 13, ALIENS, and TERMINATOR. He has
won critical acclaim with his performances in such independent
films as ONE FALSE MOVE, TRAVELLER and A SIMPLE PLAN. Most
recently, Paxton starred in VERTICAL LIMIT was seen as the
Captain in the WWII submarine hit, U-571. Paxton was nominated
for a Golden Globe for his role in HBO’s A BRIGHT SHINING
LIE. In addition, Roger Ebert voted Paxton best actor of the
year for his work in A SIMPLE PLAN.
Moving to Hollywood from his hometown in
Texas, Paxton got his start working as a set dresser on Roger
Corman’s BIG BAD MAMA. After working in the art department
on several features, he decided to move to New York to study
acting. Returning to Los Angeles in 1980, he met James Cameron
while moonlighting as one of Cameron’s set dressers on
the low budget Sci-fi GALAXIE OF TERROR. He then began accumulating
acting credits, first in B-horror movies such as MORTUARY,
then in studio films such as THE LORDS OF DISCIPLINE, STREETS
OF FIRE and the classic John Hughes comedy, WEIRD SCIENCE,
in which Paxton caught the audience’s attention as Chet,
the bullying older brother. Other film credits include NEAR
DARK, PASS THE AMMO, TRESPASS, TOMBSTONE and INDIAN SUMMER.
POWERS BOOTHE (Agent Wesley Doyle)
Powers Boothe has an extensive list of feature film credits,
including Oliver Stone’s films U-TURN with Sean Penn
and Nick Nolte, and NIXON with Anthony Hopkins and Ed Harris;
BLUE SKY with Jessica Lange and Tommy Lee Jones, and TOMBSTONE
opposite Kurt Russell, Val Kilmer and Charlton Heston. Other
film credits include SUDDEN DEATH, RAPID FIRE, EXTREME PREJUDICE,
THE EMERALD FOREST, RED DAWN, A BREED APART, and SOUTHERN
COMFORT. Most recently, Boothe starred in MEN OF HONOR opposite
Cuba Gooding, Jr. and Robert De Niro.
Boothe won an Emmy Award for Best Actor for his portrayal
of Reverend Jim Jones in the television movie GUYANA TRAGEDY:
THE STORY OF JIM JONES. He has starred in numerous television
productions, including the USA Network original mini-series,
ATILLA THE HUN; the mini-series JOAN OF ARC, opposite Leelee
Sobieski and Jacqueline Bisset; THE SPREE with Jennifer Beals,
and the mini-series TRUE WOMEN. Boothe played the lead in
the television movie BY DAWN’S EARLY LIGHT with Rebecca
DeMornay and James Earl Jones. He starred as Philip Marlowe
in the HBO series PHILIP MARLOWE, PRIVATE EYE. Additional
television credits include MARKED FOR MURDER, FAMILY OF SPIES,
INTO THE HOMELAND A CRY FOR LOVE, A CRIME OF PASSION and The
PLUTONIUM INCIDENT.
MATTHEW O’ LEARY (Young Fenton)
Thirteen year-old Matthew O’Leary makes his feature film
debut in the role of young Fenton. O’Leary also stars
opposite John Travolta and Vince Vaughn in Paramount’s
DOMESTIC DISTURBANCE which will be followed by Spy Kids II
directed by Robert Rodriguez in 2002. He began his career
in television starring opposite Caroline Rhea in the Disney
television film “Mom’s Got a Date with a Vampire.”
JEREMY SUMPTER (Young Adam)
At age six, Jeremy Sumpter was the youngest child in Kentucky
to be accepted into the state’s Gifted Arts program.
Some of his artwork was exhibited in a local art gallery.
Jeremy and his twin sister, Jessica, and younger sister, Jennifer,
entered the International Model and Talent Association preliminary
competition in Lexington, Kentucky. Jeremy was selected to
compete at the International Modeling and Talent Association’s
Los Angeles International Convention where he went on to win
“Pre-Teen Male Model of the Year,” along with awards
in Fashion/Runway, Commercial/Print and nine other categories.
DERK CHEETWOOD (Agent Griffin Hull)
Most recently, Derk Cheetwood co-starred in U-571, where he
first met and worked with his current FRAILTY co-star Matthew
McConaughey and director/co-star Bill Paxton. Cheetwood stars
in the independent film, RAIN. He has guest starred on numerous
television series, including, “Ally McBeal,” “JAG,”
and “High Incident.” Cheetwood also starred in the
television movie FINDING KELLY and co-starred in COLD EQUATION.
ABOUT THE FILMMAKERS
BILL PAXTON (Director)
Bill Paxton, who makes his directorial debut in FRAILTY, is
an acclaimed actor who has been associated with some of the
most successful films in history, including TITANIC, TWISTER,
APOLLO 13, ALIENS, and TERMINATOR. He has won critical acclaim
with his performances in such independent films as ONE FALSE
MOVE, TRAVELLER and A SIMPLE PLAN. Most recently, Paxton starred
in VERTICAL LIMIT was seen as the Captain in the WWII submarine
hit, U-571. Paxton was nominated for a Golden Globe for his
role in HBO’s A BRIGHT SHINING LIE. In addition, Roger
Ebert voted Paxton best actor of the year for his work in
A SIMPLE PLAN.
Moving to Hollywood from his hometown in
Texas, Paxton got his start working as a set dresser on Roger
Corman’s BIG BAD MAMA. After working in the art department
on several features, he decided to move to New York to study
acting. Returning to Los Angeles in 1980, he met James Cameron
while moonlighting as one of Cameron’s set dressers on
the low budget Sci-fi GALAXIE OF TERROR. He then began accumulating
acting credits, first in B-horror movies such as MORTUARY,
then in studio films such as THE LORDS OF DISCIPLINE, STREETS
OF FIRE and the classic John Hughes comedy, WEIRD SCIENCE,
in which Paxton caught the audience’s attention as Chet,
the bullying older brother. Other film credits include NEAR
DARK, PASS THE AMMO, TRESPASS, TOMBSTONE and INDIAN SUMMER.
DAVID KIRSCHNER (Producer)
A native of suburban Los Angeles, David Kirschner began his
career as an illustrator for Jim Henson’s Muppet and
Sesame Street characters. In 1986, Kirschner created and executive
produced with Steven Spielberg An American Tail, which became
one of the most successful animated films in history and has
spawned a franchise currently in its 4th installment. Kirschner’s
second film was the horror movie Child's Play, whose leading
character, “Chucky”, an animatronic doll which Kirschner
created, launched a second successful franchise with Child's
Play II, Child's Play III, and the 1998’s, Bride of Chucky.
Kirschner went on to produce Disney's live-action comedy Hocus
Pocus, which was based on his short story and starred Bette
Midler and Sarah Jessica Parker. Kirschner also executive
produced Universal’s The Flintstones, again in partnership
with Spielberg.
Based upon the book he co-wrote, Kirschner
also co-wrote and produced the live-action and animated fantasy
The Pagemaster. He also produced 1997’s critically acclaimed
animated feature Cats Don't Dance, which won both the Golden
Crown at Annecy and the prestigious Annie Award (the American
Animation Awards) for Best Feature.
In 2000, he produced Titan A.E., released
by Twentieth Century Fox and based loosely on the Robert Louis
Stevenson classic, Treasure Island. Kirschner is currently
in pre-production on the CGI adaptation of the classic Curious
George books, for which he is teamed up with Ron Howard and
Brian Grazer. Kirschner is also readying the feature film
Miss Potter, a romantic-tragedy based on the life of renowned
children’s author Beatrix Potter. Bruce Beresford will
direct from
Misbehavin’ and Miss Saigon.
DAVID BLOCKER (Producer)
David Blocker won an Emmy Award for Best Picture for producing
the critically-acclaimed "Don King, Only in America,"
starring Ving Rhames as boxing promoter Don King. Blocker’s
film credits include New Line’s thriller, FIFTEEN MINUTES,
starring Robert De Niro, BREAKFAST OF CHAMPIONS, Michael Apted’s
thriller BLINK, with Madeleine Stowe and Aidan Quinn, and
TRAVELLER, with Bill Paxton, Julianna Margulies and Mark Wahlberg.
Blocker also produced, the HBO hit "Tyson: Fire and Fear."
Blocker has enjoyed a prolific collaboration
with Alan Rudolph for over a decade. Their relationship started
on the feature documentary "Return Engagement,"
a series of debates between Timothy Leary and Gordon Liddy,
which Blocker executive produced. With Rudolph, he has produced
six other films which include: CHOOSE ME, TROUBLE IN MIND,
MADE IN HEAVEN, THE MODERNS, LOVE AT LARGE, and EQUINOX.
COREY SIENEGA (Producer)
Corey Sienega is Vice President of Production for David Kirschner
Productions and has worked with David Kirschner since 1993.
Before joining with Kirschner, she worked in feature film
development at Meg Ryan’s company, Fandango Films, and
in the literary department at Susan Smith and Associates.
A California native, Corey is an alumna
of San Francisco State University’s School of Cinema.
While living in San Francisco, she was also a contributing
writer for the alternative movie publication, Film Threat
Magazine.
Corey served as Executive Producer on the
successful BRIDE OF CHUCKY, Universal’s latest installment
of the Child’s Play franchise, which was directed by
Ronny Yu (THE BRIDE WITH WHITE HAIR) and was shot by Oscar-winning
cinematographer, Peter Pau (CROUCHING TIGER, HIDDEN DRAGON).
In early 2002, Corey and Kirschner will produce MISS POTTER,
a romantic-drama based on the life of famed children’s
author Beatrix Potter. The script was written by Tony Award
winner Richard Maltby (AIN’T MISBEHAVIN’, MISS SAIGON)
and will be directed by Bruce Beresford (DRIVING MISS DAISY,
TENDER MERCIES).
Corey and Kirschner are attached to produce
several projects which are currently set up at studios including
the supernatural thriller IMMORTALS for Universal Pictures;
the sci-fi noir SIX DAYS TIL SUNDAY for Lions Gate Films;
and the psychological thriller UNDONE for Disney.
Corey most recently wrapped the psychological-thriller
FRAILTY, which she produced with David Kirschner and David
Blocker for Lions Gate. The film stars Matthew McConaughey
and Bill Paxton and is slated for release in early 2002.
BILL BUTLER, ASC (Director of Photography)
Bill Butler brings a diverse and experienced photography background
to all of his film projects. He has shot in countries all
over the world, including Brazil, Australia, the Bahamas,
Toronto, and the United States. Some of Butler's most notable
feature film credits are JAWS (1975), GREASE (1978), STRIPES
(1981), and installments 2, 3 and 4 in the ROCKY series. Butler
was nominated for an Academy Award for his collaboration with
director Milos Forman for the acclaimed film, ONE FLEW OVER
THE CUCKOO’S NEST (1975). Other credits include ANACONDA,
FLIPPER, and BEETHOVEN’S 2ND.
Celebrated for his award-winning television
movies, Butler has won Emmys for his work with director John
Erman on A STREET CAR NAMED DESIRE and for Irvin Kershner’s
THE RAID ON ENTEBBE, Butler also collaborated with director
Daryl Duke for the Emmy-nominated THE THORN BIRDS.
BRENT HANLEY (Screenwriter)
Brent Hanley marks his feature film-writing debut with FRAILTY.
He is currently writing and developing two other feature-length
screenplays. Before relocating to Los Angeles, Hanley earned
a Bachelor of Science degree in Film from Emerson.
NELSON COATES (Production Designer)
Nelson Coates brings diverse skills and years of experience
to feature film production design. Coates' commitment and
attention to detail can be seen in KISS THE GIRLS, THINGS
TO DO IN DENVER WHEN YOU'RE DEAD, which premiered at the Cannes
Film Festival in 1995, and LIVING OUT LOUD. On television,
he designed the successful miniseries, "Stephen King's
The Stand," which earned him an Emmy nomination.
Coates’ film credits also include such
diverse projects as BASTARD OUT OF CAROLINA, BLANK CHECK,
MURDER AT 1600, ALBINO ALLIGATOR, THREE OF HEARTS, and DISTURBING
BEHAVIOR, as well as numerous commercials. Coates' most recent
credit is DON’T SAY A WORD, starring Michael Douglas,
and the upcoming sci-fi adventure, IMPOSTER starring Gary
Sinise.
Coates' work crosses over the boundary of
motion picture and has been seen in numerous theater productions.
The sets he constructed for the Onstage Theatre Company's
production of Hurlyburly in Los Angeles won rave reviews from
Variety, Dramalogue and The Los Angeles Times. In addition,
Coates has earned several Forum Awards, including one for
Horton Foote's The Traveling Lady.
BRIAN TYLER (Composer)
Brian Tyler is an accomplished and award winning composer,
classical conductor and songwriter. He got his start in music
at a young age learning piano, drums and guitar and toured
extensively in his teens and early 20s playing in concert
halls around the world.
His credits include Artisan Entertainment’s
PANIC starring William Macy and Neve Campbell for director
Henry Bromell; the cult favorite SIX-STRING SAMURAI; Paramount
Pictures’ SIRENS directed by John Sacret-Young; and THE
4th FLOOR starring William Hurt and Juliette Lewis for director
Josh Klausner. His music was also featured in the blockbuster
hit THE FAST AND THE FURIOUS. He is the composer for the critically
acclaimed CBS television series “The Education of Max
Bickford” starring Richard Dreyfuss.
APRIL FERRY (Costume Designer)
April Ferry has an impressive list of costume designing credits,
for both film and television. She received an Oscar nomination
for her work on MAVERICK, starring Mel Gibson and Jodie Foster.
Her film credits include BROKEDOWN PALACE, PLAYING BY HEART,
FLUBBER, SHADOW CONSPIRACY, THE ASSOCIATE, LITTLE GIANTS,
PLANES, TRAINS AND AUTOMOBILES, FREE WILLY, UNLAWFUL ENTRY,
THE BABE, and RADIO FLYER. Most recently, she designed costumes
for U-571, directed by Jonathan Mostow.
Ferry’s television credits include
DON KING and THE ROCKFORD FILES. In addition, she received
an Emmy nomination for her costume designs on MY NAME IS BILL
W.
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