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And so Tuscan Arizona's finest return with their forth
full length album, a sprawling record of alt-country and
mariachi soundscapes.
It begins traditionally enough with the Buckleyesque affair
that is 'Sunken Waltz' but the first sign of the Latino
influences which distance them from their peers surfaces
in the trumpets of the second track 'Quattro (World Drifts
In)'. Calexico's songs are stories from the border, Mexico
as much a feature as the US of A. But unlike, say a Bonny
Prince Billy, the sound does not reflect the tumbleweed
and railroad track barrenness of the Southwest; it is too
warm and lush for that. 'Black Heart', is a classic example
of this, its strings ebb and flow Joey Burns' voice plaintiff
and sweet. 'Not Even Stevie Nicks', tuneful simplicity is
the perfect contrast to the literary bent of the lyrics;
"With a head like a vulture and a heart full of hornets
he drives off the cliff into the blue" this after all
is a band who cite the author Cormac McCarthy as a key inspiration.
Things wane midway through and you feel as if the album
would benefit if trimmed down from its weighty sixteen songs.
'The Book and the Canal' a throwaway instrumental jazz interlude,
is incongruously followed by the weak 'Attack El Robot!
Attack!' a difficult to stomach blend of lounge, country,
and techno (yes really!). Things pick up again with 'Across
the Wire', where classic country and western guitar and
'Forever Changes' trumpets provide the backdrop to the story
of a man on the run from border control. Disappointingly,
more forgettable instrumentals follow, but all is forgotten
with the majestic finale provided by 'No Doze', an incredible
combination of post rock rumblings, Nick Drake guitar, and
sad strings. Mid way through a voice, suddenly and surprisingly,
appears from the dark a whisper on the black tide; "you'll
find us here," it says. Then feedback, then silence.
So 'Feast of Wire' is overlong, inconsistent, and occasionally
self-indulgent but look close enough and there are jewels
therein.
Alistair Hann
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