White Man's Burden Movie Review
White Man's Burden Review
"White Man's Burden" Overview

Rating: R
1995
Cast and Crew
Director : Desmond NakanoProducer : Lawrence Bender
Screenwiter : Desmond Nakano
Starring : John Travolta,Harry Belafonte,Kelly Lynch
What would happen if race roles in America were reversed? What if blacks had
all the power, and whites had to fight prejudice and racism at every turn?
Such is the setting of writer/director Desmond Nakano's brilliant new film,
White Man's Burden.
The movie is a tightly constructed drama about Louis Pinnock (John Travolta), a
reliable blue collar man who works in a factory owned by high-society elitist
Thaddeus Thomas (Harry Belafonte). At home, Louis has to deal with a rough
neighborhood, gang violence, and trying to provide for his wife (Kelly Lynch)
and two kids.
Just when things are looking up for the Pinnocks, Louis is suddenly fired from
his job, beaten by police after "fitting the description," and then evicted
from his home. Desperate, he tries to get Thaddeus to hear his case for
reinstatement. When he won't listen, Louis kidnaps him, and the story really
starts to take off.
What follows is a compelling, thought-provoking study of racism and the
frightening economic and societal realities it can create. Nakano's script is
masterful at challenging every preconceived notion we have, and Oscar-deserving
performances by Travolta and Belafonte really bring his words to life. The
pair have an incredible chemistry on screen, as Travolta finally shakes his
slick, pompous stereotyping for a much meatier part. The comic relief is very
well-done, also, and the film never wallows into the hopeless despair that
other "victim of circumstance" stories tend to do.
I was initially skeptical that White Man's Burden would be any good, but
Nakano's unique vision proved me very wrong. While he stops a little short on
pushing the film to its limit, it's still a nearly flawless example of how
modern cinema ought to be done, unadulterated by Hollywood glitz and driving
its message home with a hammer.
I continue to think about one of Thaddeus's biting remarks early in the film,
where he implies that whites are genetically inferior and "beyond being
helped." I also think about the four rowdy skinhead punks (who somehow managed
to get passes) sitting behind me, ashamed that the message was lost on these
cretins.
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Review by Christopher Null
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