What Alice Found Movie Review
What Alice Found Review

"What Alice Found" Overview

Rating: R
2003
Cast and Crew
Director : A. Dean BellProducer : Richard Connors
Screenwiter : Judith Ivey,Emily Grace,Bill Raymond
Starring : A. Dean Bell
Alice is a teenage checker in a New Hampshire supermarket (played by 25-year
old debuting Emily Grace) and what she found was a wad of dough that didn't
belong to her. She's also an adopted child and a malcontent in her adoptive
mother's house. Yearning for an opportunity to break free, she appropriates the
money, packs up her belongings, and takes off in a decrepit car for Florida and
a reunion with her closest friend who has gone there to college. On this
journey she will find a great deal more than someone else's money.
If her thievery doesn't endear her to us, a couple of redneck dudes who make
tasteless gestures at her out on the highway causes us to be concerned about
her safety. Some miles further down the road, she parks at a rest stop for
snacks and a phone call to her friend. She pulls a few bills out of her money
envelope and returns it to its hiding place under the front seat. When she
returns to her car, a woman comes up to her and tells her of a man who looked
inside her car and took off.
This samaritan turns out to be middle-aged Sandra (Judith Ivey) who is on the
road with her friend Bill (Bill Raymond) in their RV. When they discover that a
tire is flat on Alice's car, Sandra calls on Bill to mount the spare. Sandra
then suggests that Alice follow them for a few miles, just for safety. Alice
agrees, but breaks down en route. Pulling off onto the shoulder, it's not too
long before a guy appears, wanting to help. But her guardian couple have
doubled back and, brandishing a pistol in his belt, ex-marine Bill convinces
the guy to take off.
Alice agrees to abandon her car and join the couple in their RV, but not before
Bill has removed her license plate so the car may not be traced. Gathering her
gear, Alice finds her money envelope gone from its hiding place. By this time,
our concern for her is complete and we're relieved at the more protective
situation that she's found.
The next morning, after a comfortable sleep in the cushy home on wheels and a
good breakfast, Sandra starts doting on her as though she were a long lost
daughter. She takes Alice shopping for a new outfit and promises to take her
all the way to her Florida destination, as well, but with a few stops along the
way. But when she observes Sandra and Bill picking up a strange guy in a bar at
a truck stop, taking him into the RV's bedroom, and hears what's going on
behind the closed door, she finally understands what this nice couple is up to.
When she learns how much money can be made, Alice becomes eager to turn a few
tricks of her own.
All of this leads to Alice understanding what parents are all about, part of a
personal transformation arising out of bad choices. Her emerging discovery of
who she is and what values she wants to pursue… is what Alice found.
Emily Grace, in her first feature, is nothing if not convincing. Without a
shred of star power or Hollywood affectation, with a New Hampshire accent as
thick as ice, she takes us through a carefully woven process of breaking down
taboos and reaching a very different goal than the one she started with. Screen
veteran and two-time Tony winner Ivey gives her road trollop a talky
flamboyance with a smooth line and a subtle agenda. Raymond joins the ladies as
a congenial, undemanding, but sometimes flinty partner in an easygoing
enterprise that pays the gas bills and tax-free lifestyle. He's laid back and
tastefully supportive. It's almost too harsh to call him the pimp of the
operation.
Alice found money, a new trade, and herself. She’s an emerging talent worth
watching and a storyteller of original and solid instincts. What I didn't find
in this moving "Best Little Whorehouse on the Highway" was any sign of Dolly
Parton, nor much sordidness in the way the suggestive subject is treated. This
film opens up new territory for the road movie with an engrossing and original
take on the prospects of mobility. A. Dean Bell, working with limited funding
and considerable talent, gives Hollywood a lesson on how a life-changing story
arc makes a character-based drama work so well.
She needs to find some waterproof mascara.
Reviewer: Jules Brenner



